Style: Ultra-realistic paparazzi dinner date sighting. Single continuous shot. Handheld camera from

Style: Ultra-realistic paparazzi dinner date sighting. Single continuous shot. Handheld camera from a far public-distance perspective. Natural heavy handheld shake, small framing mistakes, imperfect zooming, and occasional focus hunting. No cuts. Documentary-level realism. The footage should feel like it was captured quickly by a paparazzi videographer from far away, trying not to be noticed. Audio: Only natural environment sound: ocean breeze, distant waves, muffled patio conversation, plates and silverware clinking, passing cars, footsteps, faint street noise, camera handling noise, and the quiet movement of the person filming. No music. No narration. Lighting: Daytime on the California coast. Natural sunlight, slightly bright but realistic. Soft coastal haze, mild reflections from glassware and restaurant windows, casual outdoor shadows. No dramatic lighting, no cinematic spotlighting, no intense mood lighting. Main Character: (Subject Reference) Rules: Camera is always filming from OUTSIDE the restaurant looking in. It never gets too close. Face identity must remain perfectly consistent across all frames. Outfit: Exactly the same from reference image. He is calm at first, but becomes visibly annoyed once he realizes he is being filmed. Second Character: A random 27 year old woman on a dinner date with him. She is seated across from the main character with her back to the camera the entire time. Do not show her face clearly. She should feel like a real person, naturally dressed for a casual coastal daytime dinner date, but remain anonymous and secondary to the scene. Location: An nice but relaxed outdoor restaurant patio on the California coast, overlooking the ocean. White umbrellas, patio tables, coastal plants, railings, pedestrians in the distance, and a bright ocean horizon visible beyond the restaurant. Scene Flow 0–3s: Camera starts from far away across the street or from a public walkway near the restaurant. The shot is zoomed in but still distant, with the main character small in frame. The image is very handheld, with natural shake and slightly awkward framing. Foreground elements like parked cars, patio railings, plants, or passing pedestrians partially block the view. We see our main character talking to his friend. 3–6s: The camera tries to steady itself and zoom in slightly, but the movement is imperfect and shaky. The main character is seated facing the camera at an outdoor table. The woman sits across from him with her back to the camera. They appear to be mid-conversation, casual and relaxed. The camera briefly loses focus and then catches the main character again. 6–10s: The paparazzi camera keeps filming from far away, drifting slightly left and right as if trying to find a clear angle through the patio. A waiter or pedestrian briefly crosses the frame, blocking part of the shot. The main character laughs or smiles faintly while talking, unaware he is being recorded. The woman remains turned away. 10–13s: The camera jitters and zooms a little too far, then pulls back slightly, maintaining a distant TMZ-style surveillance feel. The main character notices something off-camera and glances toward the lens. His expression changes from relaxed to irritated as he realizes he is being filmed. 13–15s: The main character looks directly toward the distant camera, annoyed. He gestures firmly for the camera to stop filming, like a clear “cut it out”. He says "C'mon really!" His body language becomes guarded and frustrated. The camera shakes more as if the paparazzi operator has been spotted, drifting slightly off-frame while still capturing him signaling to stop.