Use [IMAGE] as the only visual reference for the sculpture. Match its exact overall silhouette, frag

Use [IMAGE] as the only visual reference for the sculpture. Match its exact overall silhouette, fragmented female torso structure, shell placement over the chest, small oxidized metal leaf at the pubis, density of marine encrustations, cracked terracotta surface, embedded corals, oxidized metal fragments, fossilized algae and overall archaeological ruin quality. Keep the sculpture consistent throughout the whole video. Do not redesign, simplify or beautify the sculpture. Do not show any reference image, board, concept sheet, text or document in the video. [Style] Cinematic art-and-archaeology documentary, photorealistic, IMAX-quality, native 4K ultra-detailed output, macro cinematography, high-end museum film language, tactile realism, shallow depth of field, dramatic but elegant gallery lighting. [Duration] 10 seconds [Scene] A dark, silent, highly minimal gallery space. At the center, on a dark pedestal, stands the fragmented female torso sculpture from [IMAGE], made of weathered fired terracotta, as if recovered after 300–400 years under the sea. The anatomy is barely readable because the body is almost devoured by matter: deep cracks, extreme crazing, calcified crusts, embedded coral, barnacles, small shells, crystallized salt, hardened sediment, green marine oxidation, oxidized metal fragments, mineralized rope remains, dried fossilized algae and marine plant residue. The chest is covered by large shells integrated into the sculpture; the pubis by a small heavily oxidized metal leaf. The gallery background must stay clean, elegant, minimal and softly out of focus, never competing with the sculpture. [00:00–00:03] Extreme macro of a deep crack filled with crystallized salt, calcified coral, hardened sediment and a small oxidized metal fragment embedded in the terracotta. At first it must not read as a body at all, only as a fossilized marine formation or a shipwreck fragment. The camera slowly pushes forward with very shallow depth of field. Side lighting reveals microscopic relief, broken edges, calcified crust, salty dust and green oxidation veins. Tiny particles drift gently in front of the lens. The material detail must feel obsessive and tactile, designed to showcase 4K texture. [00:03–00:06] The camera drifts laterally and begins to suggest that this geological surface belongs to an anatomical form. One of the large shells covering the chest comes into view, still framed so closely that it reads first as sculptural matter rather than anatomy. Around it: cracked terracotta, cavities, bio-erosion, secondary shells, oxidized metal, mineralized rope and dried algae embedded in the surface. Focus breathes between the shell, the cracks and the calcified deposits, slowly revealing the curve of the torso without fully exposing it yet. The sculpture should feel like a hybrid between body, reef, shipwreck metal and archaeological relic. [00:06–00:10] The camera slowly pulls back to reveal the full sculpture on its pedestal. The female torso appears ancient, heavy and almost sacred, closer to an archaeological discovery than to a human body. The anatomy remains partially erased by marine incrustations, cracked terracotta and oxidized metal remains. Side or top light travels across the broken surfaces, shells, cracks and the oxidized metal leaf at the pubis. End on a still, contemplative hero shot where the sculpture finally reads clearly as a torso, but texture, ruin and centuries of submersion still dominate over anatomy. [Sound] A silent gallery atmosphere with very subtle reverberation, faint mineral creaks, dry particle movement, a distant almost inaudible water drip and a soft muffled metallic tick. No epic score. If music is used, it should be minimal, low, ambient and nearly imperceptible. [Important] Do not animate the sculpture as if it were alive. All intensity must come from camera movement, lighting, depth of field, floating particles and the extreme richness of the surface. Keep material, scale, pedestal, shell placement and all major damage/incrustation patterns consistent with @sculpture.png throughout the entire video.