Main subject: Hundreds of ordinary civilians gathered inside Jallianwala Bagh, Amritsar, on 13 April

Main subject: Hundreds of ordinary civilians gathered inside Jallianwala Bagh, Amritsar, on 13 April 1919 during the Baisakhi festival. Men, women, elderly people, and children wearing historically accurate early-20th-century Punjabi clothing—cotton kurtas, turbans, shawls, sarees, dhotis, and simple village attire. Natural appearances, realistic skin textures, minimal styling. Maintain consistent identities, clothing, hairstyles, and appearances throughout the entire video. Location: Historically accurate Jallianwala Bagh, Amritsar, British India, afternoon of 13 April 1919. High surrounding brick walls, narrow entrance passage, uneven dusty ground, scattered trees, the historic Martyrs' Well, brick buildings overlooking the garden, warm April sunlight, and a densely packed Baisakhi gathering. No modern buildings, vehicles, advertisements, or contemporary objects. Visual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion. Camera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading. 00:00–00:02 The camera casually records families sitting together during the Baisakhi gathering. Children run across the open ground while elders talk peacefully. The operator slowly pans across the crowd. 00:02–00:04 People near the narrow entrance suddenly turn toward arriving British Indian Army soldiers. Conversations stop. The camera zooms slightly as the operator tries to understand what is happening. 00:04–00:06 Confusion spreads through the crowd. Families stand up, people begin moving quickly, and parents pull children closer. Framing drifts off-center as the camera operator reacts. 00:06–00:08 Large numbers of civilians run toward the narrow exit while others move toward the surrounding walls looking for safety. Heavy handheld shake increases as the cameraperson also begins moving. 00:08–00:10 Dust fills the air as frightened civilians push through the crowded garden. People help elderly family members and carry small children. Autofocus repeatedly shifts between nearby faces and the moving crowd. 00:10–00:12 Near the Martyrs' Well, civilians desperately search for space as the packed crowd continues moving in every direction. Exposure changes as dust briefly obscures the sunlight. 00:12–00:15 The cameraperson retreats toward the entrance while continuing to record the chaotic crowd. The recording abruptly cuts to black mid-motion as if the camcorder was switched off. Audio: Natural ambient sound only — crowd conversations, footsteps on dusty ground, birds, distant voices, rustling clothing, children calling for family members, wind, and realistic environmental ambience. No music. No sound design. No narration. Goal: Authentic historical reconstruction of the confusion and panic inside Jallianwala Bagh on 13 April 1919, captured like a forgotten handheld recording with a strong documentary feel.