A live-action thriller follows Sue leaving a luxury-hotel elevator and fighting bare-handed down the

A live-action thriller follows Sue leaving a luxury-hotel elevator and fighting bare-handed down the corridor as ten masked attackers try to stop her. @[char ref] is the sole authority for Sue's complete appearance. Sue wears exactly its outfit, footwear, accessories, hairstyle, proportions, and materials throughout, with no redesign or substitution; ignore the white sheet, text, repeated views and poses. The five-star corridor has brass elevator doors, burgundy carpet, warm sconces, suite doors, and alcoves. Exactly ten distinct attackers wear dark tailored suits and black cloth masks. All ten start in the corridor between the elevator and penthouse. No attacker starts inside the elevator; no bystanders. Everyone remains unarmed. Sue uses grounded Wing Chun: centerline pressure, triangular footwork, pak sau, tan sau, bong sau, lap sau, chain punches, palm-heels, short elbows, and low stop kicks. Attackers actively box, kick, grab, body-lock, flank, and stagger pair attacks; Sue changes lanes and angles one into the other's path. Fallen attackers stay down permanently. No dance occurs before the tenth attacker is fully down. Sue performs one party-girl dance only at the end. Opening lock: Sue is the elevator's sole occupant. No attacker, limb, shadow, reflection, or silhouette appears inside the car. The first attacker waits out of frame in a corridor alcove three meters from the threshold. He appears only after Sue exits completely and the doors close, and he never crosses the threshold. Every fight occurs on the corridor carpet. Use one continuous wide-lens Steadicam take. Begin facing the elevator and frame only Sue inside. Hold as she steps onto the carpet, revealing the empty car, then close the doors before revealing the first attacker. Lead Sue backward from the front along one reachable corridor path, arcing around contact and bodies. No cut, teleport, hidden transition, axis reset, slow motion, speed ramp, acrobatics, wirework, weapons, glowing trails, or energy effects. 0-2 seconds: The doors open on Sue alone. She exits unopposed, both feet reach the carpet, the empty elevator is clearly visible, and its doors close. No attacker is visible during this exit. 2-4 seconds: The first attacker now enters from the corridor alcove and attacks on the carpet; Sue uses pak sau, a straight palm, and a short elbow, then drops him beside the wall. Neither approaches the elevator threshold. 4-8 seconds: The second and third attackers converge, one punching and one grabbing; Sue lines them up, drops the second with lap sau and chain punches, then stops the third's renewed rush with a low kick and palm. Both stay down. 8-11 seconds: The fourth attacker charges from an alcove with a body lock; Sue turns him with bong sau and lap sau, finishes with short elbow-palm contact, and advances as he falls. 11-15 seconds: The fifth attacker engages Sue alone. The sixth stays three meters behind and outside engagement range, never striking, grabbing, or touching her. Sue drops the fifth with pak sau and compact centerline punches. Only after the fifth lies fully down does the sixth advance and begin a separate one-on-one body-lock attack; Sue turns him off-line with bong sau and lap sau, then drops him with a short elbow and palm. The two attacks never overlap and the men never engage Sue simultaneously. 15-18 seconds: The seventh attacker feints, blocks Sue's first counter, and returns a hook; Sue regains centerline with bong sau, lap sau, and chain punches, then drops him and advances. 18-23 seconds: The eighth and ninth coordinate front and rear pressure; Sue pivots the eighth into the ninth's path, drops him with elbow and palm, then intercepts the ninth's renewed rush with pak sau, a low kick, and a straight palm. Both stay down. 23-27 seconds: The tenth attacker blocks Sue's first chain punches, clinches, and drives her sideways into a suite door; Sue keeps her feet, works inside through tan sau, bong sau, and lap sau, then drops him with compact body punches and one palm-heel. All ten attackers are now down. 27-30 seconds: Sue performs the only dance, a brief confident shoulder shimmy, hip pop, and playful half-turn. The half-turn triggers a continuous camera move around her left side through a visible 180-degree arc. Without cutting, the camera settles directly behind Sue on the same corridor centerline, matches her forward direction, and follows her toward the penthouse. Fallen attackers remain fixed behind the moving camera. Photoreal live action with realistic cloth, friction, impacts, and body weight. No dialogue and no BGM. Use elevator chime, doors, footsteps, suit cloth, breath, contact, wall impacts, and natural falls. Keep one Sue and the same ten attackers; preserve Sue's exact referenced outfit, identities, masks, positions, layout, and lighting with no duplication, replacement, disappearance, or respawning.