Create a modern superhero cinematic action short. Set in a real New York City environment, with mois

Create a modern superhero cinematic action short. Set in a real New York City environment, with moist post-overcast air and wet streets reflecting puddles and light. The visuals should have IMAX-scale spatial depth, realistic gravity, and high-speed cinematic intensity throughout. Keep the action thrilling and grounded. No cartoon feel. No aging. Use Image 1 to lock the character’s face shape, facial features, hairstyle, outfit, fingerless gloves, and long boots. Keep them fully consistent throughout: no face change, no outfit change, no added cape. All body movement must follow real gravity, inertia, web tension, and human joint structure. Use Image 2 as reference for scene characteristics: architecture, vehicles, environmental lighting, and shadow behavior. Time: 0–1.2s Shot size: Stable symmetrical medium-wide shot Visual: In front of a high-rise apartment window. The window glass is fully opened inward, with no guardrail outside. A busy New York skyline fills the background. The female lead sits centered on a wide windowsill, body facing the camera. A pair of silver over-ear headphones hangs around her neck. She is initially looking sideways out the window, then calmly turns back and looks directly into the lens with a confident, restrained smile. Camera: Locked-off camera, eye-level with the character. Maintain strict symmetrical framing. Only slight air movement outside the window. Time: 1.2–2.1s Shot size: Medium shot Visual: The female lead lifts the silver headphones from her neck with both hands and accurately places them over both ears. Once the action is complete, she gives one crisp snap with her right hand beside her face, then immediately lowers it. Her expression remains relaxed and confident, with no exaggerated acting. Camera: Slow push-in toward the subject. Focus stays locked on her face and the headphone movement. Time: 2.1–3s Shot size: Medium-wide rapidly transitioning into overhead wide shot Visual: As soon as the snap ends, the female lead releases the headphones and immediately leans backward out the window. Her head and shoulders pass the windowsill first, then her waist leaves the support point, and finally her legs naturally lift and clear the window frame. Her whole body falls cleanly out through the open window. Keep a clear distance between her body and the frame: no collision with glass, no clipping through the wall. Camera: The moment she begins leaning back, the camera surges forward through the window, then dives down along the exterior wall of the building. After she fully leaves the sill, transition into a high-speed downward tracking shot with slight realistic inertia shake. Time: 3–4s Shot size: High aerial top-down wide shot Visual: The female lead continues falling rapidly between two skyscrapers. After leaving the windowsill, her body completes one natural, controlled half rotation due to inertia, then settles into a true vertical dive with her head facing the real street below and her feet toward the sky. Her body remains intact with no continuous spinning. As she descends, the wet streets, reflective puddles, traffic, and building details below enlarge rapidly. Camera: Position the camera diagonally above her feet, using the vertical axis formed by her body and legs as the visual center. Track straight downward at high speed. Background buildings rush upward. Add slight vibration to convey real air resistance and falling inertia. Time: 4–5s Shot size: Extreme close-up of right hand and wrist