SHOT 1: ECU, 85mm push-in / 04:00 on a digital watch screen. A hand slams it. / SFX: alarm beep, pal

SHOT 1: ECU, 85mm push-in / 04:00 on a digital watch screen. A hand slams it. / SFX: alarm beep, palm slap. SHOT 2: WS, 35mm handheld jolt / Rhythmic cut into the man jolting upright, grabbing the suitcase by the handle like a hand-shake, and swinging it off the bed in one motion. / SFX: mattress spring, leather creak. SHOT 3: MCU, 50mm slide / Cut on action into a passport hitting a tray, followed by a pair of sunglasses. / SFX: plastic thud, metallic clink. SHOT 4: Insert shot, 85mm rack focus / Match cut into the suitcase zipper closing with a satisfying, high-speed "zip." / SFX: fast zipper slide. SHOT 5: Exterior Wide, 24mm low-angle / Object pass as the man and suitcase "sprint" into frame against the Great Pyramids. Sand kicks up. / SFX: desert wind, running footsteps in sand. SHOT 6: Insert shot, 50mm handheld / Rhythmic cut into a chilled coconut being cracked open, the suitcase "sitting" on a beach chair beside him. / SFX: coconut crack, liquid splash. SHOT 7: MCU, centered 50mm push-in / Match cut into a selfie-angle: The man leans his head against the suitcase like a best friend, the Eiffel Tower sparkling behind them. / SFX: camera shutter, city chatter. SHOT 8: Bird's-eye insert, 35mm overhead / Cut on action into the suitcase wheels spinning furiously across Andean stone. / SFX: wheel hum, stone rattle. SHOT 9: MS, 35mm pivot / Camera wipe into a chaotic market in Marrakech. The man maneuvers the suitcase through silk stalls; the suitcase "dodges" a vendor. / SFX: fabric rustle, distant flute, shouting. SHOT 10: Insert shot, 50mm overhead / Match cut into a stamp slamming down onto a passport page. / SFX: heavy ink thud. SHOT 11: WS, 24mm parallax / Whip pan transition into a speeding train window. The man’s reflection and the suitcase's reflection are side-by-side as mountains blur past. / SFX: train rhythm, wind whistle. SHOT 12: MS to CU, 35mm glide into 85mm push-in / Sound bridge into the airport lounge. He rests his feet on the suitcase; they both "exhale" as the sun sets through the terminal glass. / SFX: muffled PA system, deep sigh. SHOT 13: Insert to MCU, 50mm snap zoom / Smash cut to a front door lock turning. The man and suitcase "stumble" into the dark apartment, looking dusty but happy. / SFX: key turn, door creak. SHOT 14: OTS, 35mm handheld / Rhythmic cut into the man kicking off his boots and the suitcase falling onto its side with a heavy, tired "flop." / SFX: boot thud, leather heavy impact. SHOT 15: WS, 50mm pull-out / L-cut with a match from the floor to the bed. The man collapses onto the mattress; the suitcase "collapses" right next to him on the pillows. He flings an arm over the suitcase like a spouse. Lights fade. / SFX: mattress groan, collective exhale, silence.