Create a non-narrative VJ-style visual piece for a chaotic warehouse-rave / corrupted DnB track. Do

Create a non-narrative VJ-style visual piece for a chaotic warehouse-rave / corrupted DnB track. Do NOT make it sleek, glossy, futuristic, polished, or cyberpunk. Avoid smooth sci-fi imagery, clean neon-tech aesthetics, luxurious club visuals, or shiny cinematic realism. The visual identity should feel raw, dirty, unstable, handmade, low-tech, analog-damaged, and collaged. The coolness should come from roughness, collision, grime, distortion, and visual accidents — not from futuristic cyber styling. Use a constantly shifting mix of: dirty warehouse rave fragments, underground club textures, CRT monitors, surveillance-camera imagery, VHS damage, scanlines, xerox-like graphics, photocopy textures, rave flyer collage, wet urban night fragments, industrial machinery, speakers, warning lights, cables, pipes, metal surfaces, elevator displays, body fragments, faceless silhouettes, crowd arms, typography, liquid distortion, smoke, fog, particles, overexposed light, hard shadows, signal loss, ghosting, frame tearing, mosaic collapse, rough graphic overlays, broken video feedback. Important: each generation should look different. Do not lock into one stable style, one stable palette, or one stable visual world. Random variation is essential. Some generations can feel more collage-like, some more surveillance-like, some more rave-documentary-like, some more abstract, some more graphic, some more degraded. Keep shifting. Overall visual references should feel closer to: bootleg rave visuals, underground club projections, damaged VHS mixtapes, pirate TV broadcasts, CRT feedback loops, photocopied rave flyers, late-night city fragments, industrial grime, chaotic mixed-media collage, rough editorial graphics, and broken analog video art. Structure: 1) Intro: sparse and ominous. Low information density. One unstable motif only — for example a CRT, warning light, body fragment, speaker cone, or typography fragment. Dark, minimal, pulsing. 2) Groove entry: begin layering environment, secondary motifs, overlays, and contamination. Slowly build complexity. 3) Main drop: aggressive multiplication. Let body fragments, industrial objects, typography, rave lights, urban fragments, CRT imagery, abstract textures, and damaged overlays collide. 4) Breakdown: not calm, but altered collapse. Darker, slower, more signal-damaged, more ghosted, more abstract, more degraded. 5) Final drop: maximum density. Everything fuses and spreads — collage, rave, body, city, CRT, typography, machinery, abstraction, and noise all layered into organized chaos. End with abrupt blackout, signal cut, white blast, or noise-out. Transformation rule: Do not merely stack elements. Make them infect each other. Faces become CRT noise. Typography melts into liquid. Neon becomes cables. Smoke becomes silhouettes. Speakers pulse like organs. Warning lights multiply like a crowd. Urban lights become graphic shapes. Industrial objects repeat like dancers. UI fragments should appear only as rough broken overlays, not sleek futuristic interfaces. Camera and editing should vary every generation: push-ins, pullbacks, scan-like movement, macro closeups, handheld instability, fisheye, overhead angles, pulsing zooms, abrupt freeze frames, split screens, repetition, strobing, sudden black frames, hard cut bursts, looping fragments, visual feedback. Tone: chaotic, eccentric, dirty, unstable, rough, aggressive, decadent, anti-polished, underground, confrontational, visually addictive. Avoid: sleek cyberpunk, smooth futuristic realism, glossy sci-fi, clean LED luxury, polished nightclub ads, tidy compositions, coherent worldbuilding, overly cinematic beauty, cheerful festival energy, elegant minimalism, stable style, or pretty commercial visuals.