Character reference sheet, photorealistic turnaround, three views (front view, side view, back view)

Character reference sheet, photorealistic turnaround, three views (front view, side view, back view) of a young Japanese man, age 25-28, slim athletic build with toned shoulders, slightly messy damp black hair, neutral expression, bare torso with a white towel wrapped around waist, natural relaxed stance. Front view: calm unremarkable Japanese face, not actor-handsome — just an ordinary guy, dark brown eyes, subtle confused look. Side view: straight posture, relaxed shoulders, towel visible, natural body proportions. Back view: damp hair clinging to the back of his neck, towel wrapped at waist level, shoulder blades visible. Studio photography, soft diffused lighting, neutral grey seamless background, high-end fashion editorial style but with natural non-model person. Full body shot, clean composition, no background elements, 8K photorealistic, shot on medium format camera, Canon EOS R5 style sharpness. Character reference sheet, photorealistic turnaround, three views (front view, side view, back view) of a young Japanese woman, age 23-26, shoulder-length dark brown hair slightly tousled, large expressive brown eyes, slim natural build, wearing an oversized plain white cotton t-shirt that falls to mid-thigh and loose grey cotton shorts, bare feet. Front view: neutral expression but with tension behind the eyes — a face that can shift quickly from playful to terrified, not actress-perfect but naturally attractive, everyday girl-next-door look. Side view: soft features, natural posture, slight curve of shoulders, t-shirt draping loosely. Back view: hair falling just past shoulders, relaxed stance, t-shirt visible, natural body proportions. Studio photography, soft diffused lighting, neutral grey seamless background, high-end fashion editorial style but with natural non-model person. Full body shot, clean composition, no background elements, 8K photorealistic, shot on medium format camera, Canon EOS R5 style sharpness. 12-panel manga storyboard, photorealistic Japanese horror style, grid layout of 3 rows x 4 columns, each panel a self-contained cinematic frame with visible thin black panel borders. All characters reference the provided character sheets — use the exact appearance of the MAN and WOMAN from the reference images consistently across all panels. Each panel is numbered and described below. Follow this layout precisely: 【Panel 1 — 浴室】 Interior, small Japanese apartment bathroom at night. Medium shot through translucent frosted glass door. Silhouette of the MAN showering inside, steam rising in warm amber light. Water droplets on the glass. Bathroom door slightly ajar, narrow strip of warm light spilling into the dark hallway beyond. Misty, calm atmosphere. No text. 【Panel 2 — 寝室、彼女】 Interior, cozy dimly lit Japanese bedroom. Close-up on the WOMAN sitting cross-legged on the bed. Her face illuminated by the blue-white glow of her smartphone. Only light source: a small warm-toned bedside lamp. Her eyes are slightly widened as she reads something on the screen. Dark room, quiet mood. No text. 【Panel 3 — スマホの画面】 Extreme close-up on the smartphone screen in her hands. The screen displays Japanese text clearly legible: 「夜、靴の先をベッドに向けて寝てはいけない。霊が靴をたどって、あなたの寝床を見つけてしまうから。だが——片方を外向き、片方を内向きに置けば、霊は方向を見失い、ベッドを見つけられなくなる」 Below the text: a small eerie woodblock-style illustration of a pair of shoes pointing toward a bed, with a dark shadowy figure approaching from behind. Phone glow casts blue light on her fingertips. No text overlay beyond what is on screen. 【Panel 4 — 表情の変化】 Medium close-up on the WOMAN's face, three-quarter angle. Her expression captured mid-transition: her eyebrows were raised in genuine fear a moment ago, now one eyebrow arches slightly, the corner of her mouth twitching upward into a mischievous smirk. Her eyes glance sideways — toward the bathroom door off-panel. The blue phone light and warm lamp light mix on her face, half in cool shadow, half in warm amber. No text. 【Panel 5 — 視線】 Wider shot from the WOMAN's point of view. She looks from the bathroom door (visible at frame left edge, still closed, light under the crack) down to a pair of men's slippers neatly placed on the tatami or wooden floor beside the bed. The slippers sit innocently at the center of the panel, lit by the warm bedside lamp. A visual beat — she's planning something. No text. 【Panel 6 — 靴を並べる】 Low angle, floor-level shot. The WOMAN's hands reaching down from above, carefully grasping the men's slippers. One hand places the left slipper facing forward — toward the bed. The other hand rotates the right slipper 180 degrees — facing backward — toward the door. Deliberate, precise, like setting a trap. Warm lamp light from above casts long shadows of her hands across the floor. Her legs visible in background, sitting on the bed edge. No text. 【Panel 7 — 悪戯の笑み】 Medium shot, the WOMAN now leaning back on the bed, blanket pulled up to her waist, phone in one hand. She's pretending to scroll casually, but her eyes are focused elsewhere — darting toward the bathroom door side of the frame with amused anticipation. A suppressed, playful smile on her lips. The misaligned slippers visible in the deep foreground, slightly out of focus. No text. 【Panel 8 — 彼、登場】 The bathroom door swings open. Steam billows out in a dramatic cloud, backlit by the harsh bathroom light — framed almost like a classic horror movie entrance. The MAN steps out from the steam into the dark hallway, visible from the bedroom perspective. He's wearing only a towel, his hair damp, rubbing it with a small towel in one hand. His expression is relaxed, ordinary — just a guy finishing his shower. No text. 【Panel 9 — 見えないベッド】 Wide shot of the bedroom. The MAN has walked into the room. He stands near the foot of the bed, his body facing the camera, head turning left then right. His brow is slightly furrowed. The bed is CENTER FRAME, plainly visible to the viewer — but his eyes slide past it, unfocused, like looking through it. His hands are slightly raised, as if feeling for something in the dark. Speech bubble in Japanese: 「あれ…？ベッド…どこだ…」. The WOMAN is visible on the bed behind him, hand already rising to cover her mouth. 【Panel 10 — 笑いが止まる】 Two-shot composition. The MAN in the foreground, still wandering, still muttering — speech bubble continues: 「ベッド…どこだ…」. The WOMAN in the background on the bed. Her hand is over her mouth, but her expression is changing: the crinkles around her eyes that signaled laughter are smoothing out. Her shoulders, which were shaking with silent laughter a moment ago, have stilled. Her eyes are widening — not in amusement anymore, but in a dawning realization. The visual contrast: the man still lost in confusion, the woman crossing from humor into unease. No text beyond the speech bubble. 【Panel 11 — 靴を見る】 Close-up on the WOMAN's face, profile or three-quarter angle. She's no longer looking at the man. Her gaze has dropped downward, toward the