Use [img1] as the clean start frame. Preserve the train, man, lighting, color, film grain, and compo

Use [img1] as the clean start frame. Preserve the train, man, lighting, color, film grain, and composition from the start frame. Use [vid1] as a motion reference for camera choreography and timing. Match the timing and path of the camera move as closely as possible, including the shake, the pan right, the pan back, and the final push-in. The train is already at full speed on frame 1. Because the camera is attached to the side of the train, the train remains relatively stable while the environment, tracks, dirt, dust, and telegraph poles streak rapidly from right to left across the frame. The world rushes past at high speed. The railroad tracks, dirt, grass, dust, and nearby ground streak rapidly from right to left with strong horizontal motion blur. Railroad ties and foreground details whip past in a fast strobing blur. Distant mountains move much more slowly, creating strong parallax. Action: The man leaning out of the doorway ducks as a bullet strikes the side of the train, kicking up sparks and dust. He raises his pistol and fires several shots while the camera pans right. As the camera pans right, reveal a wild west sheriff on horseback in the same relative placement as the green box in [vid1]. The sheriff is galloping hard alongside the train. The landscape is still racing past. The sheriff gets shot and tumbles off the horse away from camera. The horse continues running. The camera then pans back to the man on the train and pushes forward toward him, keeping the same high-speed background streaking and heavy wind the entire time. Do not slow the train down. Do not make the train drift gently. Do not make the landscape move at walking speed. Do not make the shot feel like a slow scenic ride. Keep the train violently fast throughout. No music.