Use @image1 as opening frame — match exact GTA- style weapon select screen: character center, weapon

Use @image1 as opening frame — match exact GTA- style weapon select screen: character center, weapon wheel arc around him, weapons list left, vehicles list right, stats bottom left, minimap, money top right, name "CHUCK NORRIS" top left. GTA VI / modern AAA game engine quality. Parallax effect throughout — UI layers shift depth as camera moves, creating 3D interface feel. CHARACTER: older White man, brown hair, brown beard, aviator sunglasses, denim vest over plaid shirt, blue jeans, brown cowboy boots. Outfit and weapon change with each selection. Setting: Los Santos marina at golden hour — wooden dock, yachts, palm trees, city skyline, helicopters, water reflections. Background has parallax depth — foreground dock, mid marina, far skyline move at different rates. UI RULE: every weapon selection — list item highlights, weapon wheel arc item pulses gold, character outfit updates to match that weapon's tactical gear, character turns and demonstrates the weapon. Stats bottom left animate on each selection. Parallax shifts with each camera move. SHOT 1 (00:00–00:03) — PISTOL SELECT Start @image1 exact. Cursor moves up weapon list, hovers PISTOL — list highlights, pistol in wheel arc pulses gold, ammo counter flashes: 9987/12. Character outfit shifts: casual clothes replace with light tactical vest, holster appears on hip. He draws pistol from holster in one smooth motion — aims it sideways, classic gangster style. Camera: slow push-in toward him, parallax kicks in — UI panels slide slightly, background marina shifts depth behind him. He rotates the pistol, inspects it, re-holsters. Stats: SHOOTING bar pulses, STEALTH bar highlights. Camera pulls back. Cursor moves down list. SHOT 2 (00:03–00:06) — SNIPER RIFLE SELECT Cursor highlights SNIPER RIFLE. Wheel arc item glows, ammo: 9989/10. Outfit shifts — ghillie- style long coat appears, tactical gloves, scope eyepiece. Large sniper rifle materializes in his hands — game equip animation, assembles from particles. Camera: wide slow orbit around him as he raises the rifle, looks through scope. He swings the scope toward the skyline — POV flash: brief scope-view of distant buildings through the crosshair. Pulls rifle down, holds it at rest. Stats: SHOOTING maxes out, STEALTH drops. Parallax: background cityscape shifts as camera orbits, layers moving independently. Weapon dematerializes. Cursor moves. SHOT 3 (00:06–00:09) — ASSAULT RIFLE SELECT Cursor highlights ASSAULT RIFLE — 9939/60. This is the FINAL SELECTION. Wheel arc glows brightest, list item highlights with a stronger pulse than before. Outfit final shift: full tactical gear — dark combat jacket, kneepads, tactical belt with pouches, boots. Assault rifle assembles in his hands — particles building from barrel to stock, bolt clicking into place, sight aligning. He holds it across his chest. Camera: tight ECU push-in on the rifle, hands gripping it, tactical gloves on metal receiver, ammo counter on the side. He racks the charging handle — metallic snap. His expression shifts: focused, ready. Camera pulls to mid-shot. He looks up. SHOT 4 (00:09–00:12) — INTERFACE COLLAPSES He takes one step forward. At that exact moment: UI begins transforming. The full weapon wheel dissolves — arc lines fading outward. The weapon list slides off left. The vehicle list slides off right. Money counter and name tag fade upward. Stats panel collapses to a minimal HUD bar at bottom: just a thin health bar, ammo counter, and minimap thumbnail — everything else gone. The screen breathes out — from cluttered game menu to clean third-person action view. The marina background becomes the actual world, not a select screen backdrop. Parallax stops — depth locks into real perspective. SHOT 5 (00:12–00:15) — THIRD PERSON WALK Camera settles behind him — classic GTA third person distance: mid-height, slightly above, tracking. He walks forward down the marina dock. Assault rifle held at ready-carry position — one hand on grip, barrel angled down. His boots on