[STYLE] Photoreal vertical phone video, smartphone front camera. Bright hazy overcast daylight, no

[STYLE] Photoreal vertical phone video, smartphone front camera. Bright hazy overcast daylight, no hard shadows, no sun. Natural colour, mild sensor noise. Handheld, unstable. Not cinematic. [REFERENCES] @ Image1 is a reference sheet showing ONE woman in three views, all the same person. It defines her face, hair, makeup and clothing ONLY. Do not inherit its grey background, neutral pose, lighting or side-by-side layout. Output exactly one woman in a single continuous scene — never two or three women, no collage or sheet layout. Priority: identity and wardrobe from @ Image1; everything else from this prompt. [FORMAT] Five six-second shots joined by four hard cuts at 6s, 12s, 18s and 24s. Every shot is a selfie-framed vertical medium close-up at arm's length, low angle, face filling the upper frame, right forearm at the lower edge. In every shot she talks into the lens, relaxed and unhurried, while one hazard closes on her from behind. Her line runs continuously through all six seconds and is still mid-sentence at the final frame. No pause or trailing silence before a cut. Each line continues the previous sentence and never repeats a word already spoken. Every hazard accelerates the whole way and is STILL CLOSING at the final frame, a clear gap remaining. None brakes, slows, stops or arrives. [SHOT 1 — 0-6s] An empty two-lane city street. A city bus appears in the far background at 1s and drives head-on at her, growing larger until it fills the frame. <Street ambience, a diesel engine building to very loud.> Natural American English, casual, mid-thought: {Ok this is wild. So Seedance 2.5 just dropped in Lovart and I genuinely cannot stop making—} Cut at exactly 6s. [SHOT 2 — 6-12s] A long flight of stone steps behind her. A heavy metal cart breaks loose at the top at 7s and bounces down at her, gaining speed and growing larger until right behind her. <Metal crashing on stone, faster and closer with each bounce.> Continuing without pause: {—these. I did this whole recursive near-miss cliffhanger loop in one single go, from one prompt, like—} Cut at exactly 12s. [SHOT 3 — 12-18s] An open car park. A car behind her reverses straight at her from 13s, accelerating the whole time, reversing lights on, never braking or slowing, no brake lights, growing larger until it fills the frame. <A revving engine, tyres scraping tarmac.> Continuing without pause: {—no editing, no stitching, no keyframes, no timeline, nothing at all, I just wrote it out and—} Cut at exactly 18s. [SHOT 4 — 18-24s] She stands on tram tracks in a wide street. A tram appears far down those tracks behind her at 19s and runs head-on at her, growing larger until it fills the frame. <Steel wheels on rail building, a bell, a horn.> Continuing without pause: {—it just worked. Like, first try. It was ridiculously easy, honestly kind of embarrassingly easy, so—} Cut at exactly 24s. [SHOT 5 — 24-30s] The same street and framing as Shot 1. A low bright red sports car appears in the far background at 25s and accelerates head-on at her, growing larger until it fills the frame. A small low sports car — not a bus or tram. <An engine screaming toward redline, tyres on tarmac.> Finishing: {—the full prompt is right there in the comments. Go and try it yourself. Okay, bye.} Final state at 30s: still talking mid-sentence, the sports car immediately behind her, still closing, not touching her. [CONTINUITY] Her face, hair, makeup, cream ribbed long-sleeve top, light-wash jeans, white sneakers, gold hoops and gold chain are identical in all five shots. Hair loose, centre-parted, past the shoulders. Posture, framing and camera angle are identical across all shots. Light never brightens, gains shadow direction or shifts time of day. Her voice runs unbroken across every cut over continuous city ambience. One hazard per shot, and every shot uses a different vehicle. [PROHIBITED] No impact, collision, contact, injury or debris. Nothing touches her. No hazard overlaps, intersects, passes through her or reaches her before the cut. No hazard brakes, slows, stops or swerves. No brake lights. No hazard passes beside her or off to one side — each closes from behind until the cut. She never reacts, turns, looks behind her, flinches or pauses. No second person or bystander. No identity, wardrobe or hairstyle change. No cuts beyond the four specified. No fades, dissolves or reframing. No subtitles, captions, on-screen text or logos. No slow motion or colour grading.