Abstract Seedance 2.0 Prompts

Create img2 that follows the exact sequence and movements from steps 1–16 shown in img1. The music should be aud1. There should be no dialogue, text, or narration.

@iamsofiaijaz

SUBJECTS A hiphop dancer wearing a loose white top and dark oversized pants with irregular ink erosion along the fabric edges; holding an oversized heavy ink brush in the right hand with dense wet ink; the brush is always part of the movement, generating visible ink trails and ink masses with every swing ENVIRONMENT Pure infinite white space with no visible floor separation MUSIC minimal hiphop beat with clear groove and dynamic pacing; 0:00–0:08 steady rhythmic pulse with clean kick pattern; 0:08–0:11 slightly increased rhythmic density; 0:11–0:13 brief drop to near silence or minimal ambience; 0:13–0:15 strong low-frequency accent synchronized with final motion COLOR LOGIC pure white background + deep black and grayscale ink only, no additional colors STYLE ink wash minimalism + abstract fashion silhouette + dynamic motion ink + negative space composition + ultra wide perspective distortion + clean high contrast rendering TIMELINE 0:00-0:02: 24mm low-angle close tracking shot. The dancer rapidly shifts weight in groove motion, swinging the brush from behind the body to create the first long ink arc while stepping sideways toward the camera; ink softly spreads along the clothing edges. SFX: (deep rhythmic bass, soft brush drag, flowing fabric motion) 0:02-0:04: The camera is pulled sideways by the arm motion, then snaps back forward. Alternating arm swings and twisting steps create continuous hiphop rhythm; thick crossing ink trails remain in the air, with some ink attaching to the body as black structures. SFX: (wide brush sweep, rhythmic cloth movement, airy motion texture) 0:04-0:06: The camera rapidly pulls back, then pushes in again. The dancer drops low and explosively rises upward, swinging the brush vertically to create a massive ink streak; the body half-rotates forward with strong wide-angle distortion. SFX: (upward brush motion, deep groove pulse, flowing air movement) 0:06-0:08: The camera slowly rotates while drifting backward. Continuous spinning footwork and wide arm swings generate circular ink rings wrapping around the dancer; body and ink structures constantly interweave. SFX: (circular brush flow, layered fabric movement, soft rhythmic ambience) 0:08-0:10: The camera keeps retreating under pressure. The dancer aggressively advances with three powerful steps, each paired with a large brush swing; layered heavy ink structures rapidly stack, increasing visual density. SFX: (dense groove rhythm, fast brush sweep, continuous motion texture) 0:10-0:12: The camera suddenly pushes close. Using forward momentum, the dancer performs a large turning motion while the brush creates a full heavy ink ring around the body; the figure rapidly passes the lens edge, briefly breaking into ink strokes before reforming. SFX: (wide sweeping motion, layered ink flow, rhythmic air movement) 0:12-0:13.5: The camera briefly stabilizes while still being pressured backward. Maintaining groove momentum, the dancer pulls the brush far behind the body into extreme tension, leaving a long dense ink tail while surrounding ink gradually retracts inward. SFX: (minimal bass pulse, stretched brush motion, soft ambient airflow) 0:13.5-0:15: Extreme frontal wide-perspective close shot. The dancer lunges forward with full force, explosively whipping the brush toward the camera; massive calligraphic ink strokes violently flood the frame until the entire screen becomes pure black. SFX: (deep bass accent, flowing ink spread, full frame brush motion)

@0xbisc

[prompt] --sref 244212631 --sv 6 --sw 500 --stylize 500 --v 8.1

@SrefCodeAi

主体（SUBJECTS）： 一名嘻哈舞者，穿着宽松的白色上衣和深色超大尺码长裤，布料边缘带有不规则的墨迹侵蚀效果；右手握着一支巨大的重型毛笔，沾满浓稠湿润的墨水；毛笔始终是动作的一部分，每一次挥动都会产生肉眼可见的墨迹轨迹与墨团。 环境（ENVIRONMENT）： 纯粹无尽的白色空间，没有明显的地板分界。 音乐（MUSIC）： 极简嘻哈节拍，具备清晰的律动感（Groove）与动态节奏。0:00–0:08 稳定的节奏律动搭配干净的底鼓（Kick）；0:08–0:11 节奏密度略微增加；0:11–0:13 短暂降至接近静止或极简氛围；0:13–0:15 强劲的低频重音与最终动作同步。 色彩逻辑（COLOR LOGIC）： 纯白背景 + 仅限深黑与灰阶墨色，无其他颜色。 风格（STYLE）： 水墨极简主义 + 抽象时尚剪影 + 动态动作墨迹 + 留白构图 + 超广角透视畸变 + 干净的高对比渲染。 时间轴（TIMELINE）： 0:00-0:02： 24mm 低角度近景跟拍。舞者随着律动快速转移重心，将毛笔自体后挥出，画出第一道长长的墨弧，同时侧步向镜头靠近；墨迹在衣物边缘轻柔扩散。音效：（深沉的节奏低音、柔和的毛笔拖曳声、布料流动声） 0:02-0:04： 镜头被手臂动作带向侧面，随即弹回前方。交替的手臂挥动与扭转步伐营造出连续的嘻哈节奏；浓重的交叉墨迹留在空中，部分墨迹如黑色结构般附着在身体上。音效：（宽阔的毛笔挥扫声、有节奏的衣物摆动、空气流动感） 0:04-0:06： 镜头快速拉远后再次推进。舞者蹲低并爆发性地向上跃起，垂直挥动毛笔制造出一道巨大的墨痕；身体伴随强烈的广角畸变向前半转身。音效：（向上的毛笔动作、深沉的律动脉动、气流流动声） 0:06-0:08： 镜头在向后漂移时缓慢旋转。连续的旋转步法与大幅度手臂挥舞产生环绕舞者的圆形墨环；身体与墨迹结构不断交织。音效：（圆周墨流声、层次丰富的布料运动、柔和的节奏氛围） 0:08-0:10： 镜头在压迫感下持续后退。舞者带着侵略性踏出三大步前进，每一步都配合一次大幅度的毛笔挥动；层层堆叠的重墨结构迅速累积，增加视觉密度。音效：（密集的律动节奏、快速的毛笔扫过声、连续的动态质感） 0:10-0:12： 镜头突然推进。舞者利用前冲的惯性做出大幅度旋转，同时毛笔在身体周围划出一圈完整的重墨环；身影快速掠过镜头边缘，短暂碎裂成墨迹笔触后重新凝聚。音效：（宽阔的挥扫动作、层次分明的墨流声、有节奏的空气运动） 0:12-0:13.5： 镜头在受压后退的过程中短暂稳定。舞者保持律动惯性，将毛笔拉至身后极度紧绷的位置，留下长而浓密的墨尾，同时周围的墨迹逐渐向内收缩。音效：（极简的低音脉动、拉伸的毛笔动作、柔和的环境气流） 0:13.5-0:15： 极致的正面广角透视特写。舞者全力向前冲刺，爆发性地向镜头甩出毛笔；巨大的书法墨迹剧烈地充斥画面，直到整个荧幕变为全黑。音效：（深沉的低音重音、流动的墨迹扩散、全画幅的毛笔动作）

@0b7cm

Create img2 that follows the exact sequence and movements from steps 1–16 shown in img1. The music should be aud1. There should be no dialogue, text, or narration.

@oggii_0

Scene 1 Action: A lone traveler walks through a desert as their silhouette and the sand dunes begin to warp and liquefy together. Camera: Wide shot, slow tracking push to emphasize the distortion of the horizon line. Lighting: Hard, high-contrast sunlight creating long, sharp shadows on the melting textures. Sound: Low-frequency desert wind howling, combined with wet, squelching displacement effects. Dialogue: 'The ground... it is not holding anymore.' Scene 2 Action: The traveler reaches out to touch a vibrant, viscous oasis that merges into their hand like flowing oil paint. Camera: Extreme close-up on the point of contact, capturing the fluid transition between skin and environment. Lighting: Reflected, shimmering caustic lighting emanating from the melting landscape. Sound: Viscous liquid dripping, surface tension snapping, and subtle shimmering resonance. Scene 3 Action: The traveler’s clothes dissolve into the shifting landscape, leaving only a glowing, molten core. Camera: Low angle, rotating slowly around the subject to show the integration with the terrain. Lighting: High-key saturation, blending the subject’s colors into the surrounding environment’s palette. Sound: Hissing of steam, bubbling fluid, and rhythmic mechanical grinding fading into silence. Dialogue: 'I am part of the expanse now.' Scene 4 Action: The traveler completely vanishes, leaving only a surreal, abstract composition of melting colors and shapes. Camera: Crane shot pulling back to reveal the transformation of the entire scene into an abstract masterpiece. Lighting: Ambient, diffuse light that flattens the depth, emphasizing the two-dimensional melting effect. Sound: Final ethereal hum, wind dying down, and a sharp, singular crystalline chime echoing out.

@mad_mask

多色ポップではなく、白黒＋蛍光マゼンタ一点、anti-grid editorial layout、乾いた筆跡、コピー機ノイズ、荒い墨ベタ、切り抜きコラージュの系統を強める. 80年代的な明るい色、幾何形態、大胆なパターンの代表例から図に落とし込む

@CreativeEdge_CL

A hyper-realistic, experimental cinematic sequence set within an endless, monochrome void. The only objects visible are millions of suspended, geometric glass sculptures of varying shapes—spheres, polyhedrons, shattered shards. The void isn't black; it’s an oppressive, flat greyscale that devours depth. Suddenly, the void itself cracks. It’s a fissure not in a wall, but in the texture of space, emitting a deafening sound like shattering ceramic. Emerging violently from this cosmic fracture is a massive Origami Kraken, constructed entirely from sentient, folding geometric paper that is constantly shifting and reconfiguring its shape. The Kraken doesn't just swim; its movement causes the air to instantly crystalize into jagged, impossible architectures. Perched upon the Kraken's head is a Gothic-Industrial Painter, covered in a suit of canvas and leather straps. Instead of paint, their "brush" is a high-powered plasma welder. As the Kraken moves, the Painter isn't just surviving; they are actively forging impossible geometries using molten light, welding new, glowing structures onto the Kraken’s body, causing portions of the origami creature to shift from paper to a complex, transparent glass and light mesh. The Twist: As the Kraken roars—a sound of folding metal—the monochrome void violently inverts. The shadows become blinding white, and the glass sculptures begin to reflect a universe of previously unseen, chaotic, non-Euclidean colors (colors that shouldn’t exist, like "dark neon" or "glowing shadow"). Suddenly, a localized reality distortion occurs: a swarm of Vantablack hummingbirds manifests. These creatures aren’t biological; they are actual, kinetic shadows that absorb all light, launching from the monochrome distortions to attack the painter and the Kraken. The camera perspective performs a disorienting 90-degree whip-pan shift, turning the horizontal movement into a vertical free-fall, following the painter as they leap from the Kraken's head, dodging the Vantablack hummingbirds, using their plasma welder to create temporary, glowing shields of light that disintegrate the shadow-creatures mid-flight. The painter is diving toward the fractal-shifted glass-light mesh of the Kraken’s body. Lighting & Atmosphere: The scene is a claustrophobic paradox. The initial lighting is a severe, high-contrast monochrome (grey, black, white), which is suddenly and violently interrupted by the impossible colors (colors that shift and glow in ways physics doesn't allow) from the Kraken's new structure and the inverted void. The main light source shifts from a flat grey to the intense, localized ultraviolet and neon-orange radiance of the plasma welder. Audio Profile: The sound begins with a deafening, low-frequency grinding of the void cracking. The Kraken’s movements are marked by the high-pitched, mechanical screeching of shifting origami paper. When the Vantablack hummingbirds launch, the audio shifts to a unique sound: a mix of silent compression and static hiss. A frantic, experimental glitch-orchestral score (strings distorted by digital noise) builds to the void inversion. The plasma welder ignites with a high-pitched, electric whine, cutting to absolute sonic stillness as the camera dips below the inverted void's horizon, leaving only the faint, melodic resonance of the Impossible Colors.

@IqraSaifiii

A single continuous motion graphics sequence where each style seamlessly transforms into the next in full screen. The video starts immediately in full screen with a minimal geometric motion design: clean lines, smooth gradients, elegant movement. Without any cuts, the shapes and colors begin to evolve and morph into a futuristic neon HUD interface with glowing elements and sci-fi visuals. The transformation continues as the neon elements melt and flow into a liquid fluid simulation, with organic colorful motion. The liquid gradually destabilizes and breaks into a glitch effect with digital distortion and RGB splitting. The glitch fragments reorganize into kinetic typography, with dynamic animated text motion. The typography dissolves into a particle system with light trails and flowing energy. The particles burst and reshape into a bold pop-art composition with vibrant colors and graphic shapes. The pop-art visuals darken and transform into cinematic volumetric lighting with beams and smoke. Finally, the light softens and transitions into a pastel soft motion scene with floating elements and gentle movement. All transitions are smooth, continuous, and physically connected, as if everything is made from the same evolving material. Camera: subtle cinematic motion, slow tracking, slight parallax Style: ultra high quality, after effects motion design, cinematic lighting, smooth animation, visually satisfying Keywords: single shot, seamless transition, continuous transformation, no cuts, fluid motion, evolving system

@Naonekozamurai

pencil sketch fades as 3d geometry rises eraser marks vanish, leaving real heat haze camera arcs from 2d lines to glossy finish

@FarAICoder

a 15 second short film that explains the meaning of life

@cfryant

Cubist art style, bold geometric shapes, flat color blocks, high contrast color palette, minimalist modern abstraction. A surreal and emotive scene capturing the dynamic interaction of two stylized figures. One figure leans in to gently touch the face of the other, who is looking away. The environment is abstract, composed of large, intersecting geometric planes in contrasting red, blue, and black. Hard, graphic lighting defines the sharp edges of the forms. The atmosphere is tense yet intimate. Wide shot, eye-level camera. The composition uses negative space and strong diagonal lines to create visual tension and balance. Surreal cubist style, bold geometric shapes, stylized figures, modern abstract art, limited vibrant color palette of red, blue, black, and white. An emotive scene depicting a figure sitting at a table in a starkly lit room, head in hands, while their elongated, fragmented shadow stretches across the floor and up the wall, transforming into a flock of birds taking flight towards an open window. Hard-edged lighting, high contrast, minimalist composition. The atmosphere is melancholic yet hopeful.

@sebatheepan

2D flat illustration animation based on image. The blue-skinned woman in the polka-dot shirt moves her long, wavy left arm. As she moves, the yellow bowl of green apples and the blue bowl of mushrooms balance-tipped and fall downwards. She brings the wine bottle in her left hand to her mouth and takes a satisfying drink. The animation style remains consistent with the colorful, abstract mural. Smooth, fluid motion of the arms. High resolution, vibrant colors.

@hrzcamper

Reality is a perception that dissolves in the loop of memory.

@pixelbouncer

glass sculpture, rain-lit studio, suspended liquid ribbons, slow camera drift, stable center.

@PeterKadle40150

Flat 2D motion-graphics vector. Shot 1 (0.0s–1.5s): Flat wide — <<<image_1>>> stands tiny at the foot of a towering geometric block-mountain under a bold gradient sky; a soft rising synth pad, a single heartbeat. Shot 2 (1.5s–3.0s): Tracking up — Solo leaps for the first ledge as blocks rain down around it; a clean whoosh, soft impacts. Voiceover: "Everyone falls." Shot 3 (3.0s–4.5s): Side — a falling block knocks <<<image_1>>> tumbling back to the ground; a descending tone, a soft thud. Shot 4 (4.5s–6.0s): Close-up — Solo's glowing core flickers, then brightens as it stands again; a warm swelling note. Keep <<<image_1>>> core and color locked. Shot 5 (6.0s–7.5s): Match-morph — the fallen blocks slide and snap into a staircase beneath its feet; satisfying click-clacks. Voiceover: "Few rise." Shot 6 (7.5s–9.0s): Low tracking — <<<image_1>>> bounds up the new steps two at a time, trailing light; a building rhythmic pulse. Shot 7 (9.0s–10.5s): Wide — the staircase spirals upward through morphing geometric clouds; an ascending arpeggio. Shot 8 (10.5s–12.0s): Push-in — Solo leaps the final gap toward a glowing circular sun; a held breath, rising strings. Shot 9 (12.0s–15.0s): Hero wide — <<<image_1>>> lands on the summit and throws both arms up as its core bursts into a radiant sunburst filling the frame; a triumphant chord, a warm shimmer, slow settle and hold.

@abulu8

Mixed media collage, Scrapbook aesthetic, Halftone dots, Duotone coloring Thick brush stroke overlays, Ink splatter transition, Matte wipe Kinetic typography, Barcode overlays, Grid lines, Measurement

@CreativeEdge_CL

SUBJECTS 25-year-old Asian boy @ image1, slender figure, baggy jeans ENVIRONMENT Small stage surrounded by audience in a underground club, many phones recording. Dim LED screen displaying abstract spectrum lines. MUSIC No instruments. Every sound comes from his mouth. Rap performance. STYLE Digital painting aesthetic. Large color blocks, hard-edge brush strokes, low-detail structure, heavy shadows, visible hand-drawn texture. No realistic 3D, no commercial CG, no polished realism. SHOT 1 Hard cut in. Medium close-up, 50mm. Camera moves through raised phones toward the stage. He is already mid-verse, spitting bars with confident cadence while the crowd lightly nods to his rhythm. His denim shirt sleeves sway loosely as he bounces on his heels. SFX: rap vocals layered over a deep bass beat, clean kick, soft hi-hat. SHOT 2 Continuous shot. Close-up, 85mm. Camera moves close to his mouth and facial details, with breathing and lip movement visible. His flow suddenly intensifies, syllables snapping faster as more people raise phones to record. The chains around his neck catch the light with each breath. SFX: rapid rap delivery, deep bass tone, soft vocal hum from the crowd. SHOT 3 Cut. Half-body shot, 28mm. He briefly unleashes an extremely fast rapid-fire verse — syllables tumbling at high speed — before instantly snapping back to the main flow. He makes a small sideways step, one hand cutting the air, as the crowd erupts into screams and cheers. SFX: rapid-fire rap, tight bass rhythm, crowd screaming. SHOT 4 Continuous push-in. Medium wide shot, 35mm. His rap becomes richer — sharper cadence, deeper resonance, subtle melodic inflection on the tail of each line. He pauses for half a beat, head tilted down, the venue falls silent, then massive bass crashes back as his head snaps up and he drops the next line. Phone flashlights rapidly light up as the crowd explodes. SFX: massive layered bass, brief silence, huge bass return with sharp rap re-entry, crowd eruption. SHOT 5 Fast push-in. Extreme close-up transitioning to medium shot, 40mm. He delivers the final bar with full force as bass impact covers the venue. He steps forward firmly, lowers the microphone beside his shoulder, hooks a thumb into the waistband of his baggy jeans, and raises his head toward the camera with a steady, defiant gaze. Braids and denim shirt sway slightly as the audience erupts and all phone flashlights flare simultaneously. He calmly stands center stage as the frame holds before ending. SFX: massive final bass hit, crowd explosion, phone flash burst.

Create a 10 second vertical cinematic video in the same style: a surreal black and white abstract generative art scene showing glowing white horses running through a dark futuristic tunnel. The horses appear luminous and ghostlike, moving forward with elegant slow motion energy while the camera rushes behind and beside them. The environment is a deep black reflective corridor with stretched white light trails, warped tunnel walls, flowing speed lines, and high contrast monochrome lighting. Add intense motion blur, radial distortion, glossy reflections on the floor, soft glowing edges around the horses, and a dreamlike digital-art atmosphere. The camera movement should feel fast, fluid, and hypnotic, like traveling through a living light tunnel. No text, no logos, no dialogue. Abstract Touch Designer / GLSL generative art aesthetic, cinematic, mysterious, poetic, high contrast, smooth motion,

@bmx_ai13

黒い背景に、グリッジで大きく “HŌÏCHI” というゴシックホラーテイストの青白い文字が浮かぶ。 その下に小さく “at TENROCK Eve Festival” の青白い文字が浮かぶ。 プロフェッショナルでアーティスティックなMV의テキストワーク。 人や物は出さない。フォントだけで格好良く。

@pariparifilm_ai

1920年代の前衛デザインに源流がある「写真を切断し、幾何学図形と文字で再構成する文法」を採用。厳密な余白、非対称配置、グリッド、サンセリフ的な文字処理、1970年代パンクの切り貼り、コピー機、ラフな新聞紙コラージュのバイブス

@CreativeEdge_CL

2つの異なるモチーフ(実写と漫画)のマージ 広角レンズの強制遠近・極端なフォアショートニング、 ダダ的フォトモンタージュ＋構成主義カラーブロッキング＋パンクジン切貼りの3層構造 Voronoi tessellation (破片分割の数学モデル)

@CreativeEdge_CL

--sref 41868083 --sv 6 --sw 500 --stylize 500 --v 8.1

@SrefCodeAi