AI Video Prompts for Pan Shots

0-5 seconds Camera Work: Low-angle shot, showcasing the immense body of the dragon. Flames and magma splash around, and the dragon's scales glisten in the firelight, creating a tense and oppressive atmosphere. Action: The samurai stands firmly in the center of the cave, feet planted, holding the glowing katana, eyes locked on the dragon. 6-9 seconds Camera Work: The camera rapidly zooms in, capturing the dragon opening its massive mouth, letting out a deafening roar. Flames surge from the dragon’s mouth, the air vibrates, and the entire cavern fills with the overwhelming sound. Action: The dragon's roar stirs up a powerful gust of wind, causing the samurai's clothes to flap violently, but he remains steadfast and unmoved. 10-12 seconds Camera Work: The camera quickly pans upward as the dragon roars, capturing the samurai suddenly leaping into the air, swiftly raising his glowing katana. The motion is smooth and swift, the sword slicing through the air with a flash of light. Action: The samurai leaps towards the dragon's head, the tip of the katana precisely touching the dragon's forehead. The blade emits a dazzling glow, the light spreading from the sword’s tip, filling the entire frame, as if the air has frozen. 13-15 seconds Camera Work: The camera begins a 360-degree rotation, slowly circling the samurai and the dragon, emphasizing the moment of the sword’s contact with the dragon's head. The rotating camera highlights the light emanating from the sword, spreading outwards, bringing a sense of mysterious power. Action: As the sword touches the dragon’s head, the glow intensifies. The samurai and the dragon’s eyes slowly close, entering a deep resonance. The surrounding flames and smoke gradually subside, and the atmosphere becomes calm and mystical. The circular motion of the camera adds an epic feel, as if time has completely stopped.

Use @ img1 as the clean start frame. Don't change anything about the frame. Use @ vid1 as a camera motion reference. Follow the camera movement in the reference exactly. You can move the characters. The mustached man sitting at the table looks at the bald man. The bald man in the center looks at the mustached man next to him, lifts his hands and says "Well, I'm out." The mustached man says with a low voice "Not before you pay your share." The man standing behind him scoffs, gentling shaking his head and says "He doesn't have the money." The bald man looks up at him with anger and says "Well, listen here." Finally, during the pan, the man with the hat draws his pistol, points it at the bald man, and says "Easy there, partner." No music.

FORMAT: 15s / MULTI-CUT / 6 BEATS / HIGH-VIRAL COMEDIC PAYOFF SUBJECTS: A small round-faced figure with huge eyes, copper-red pigtails, a yellow polka-dot dress, and exaggerated cartoon proportions. A tall ice cream vendor with a curled mustache, crimson vest, tilted cap, and a long brass paddle carrying elastic white ice cream. Stylized 3D animation with rounded shapes and squash-and-stretch. ENVIRONMENT: A sunlit stone courtyard in an old hillside town with flower-draped archways, a mosaic fountain, ceramic bowls, and a brass ice cream cart with copper bells. Late afternoon light creates warm highlights on cobblestone. MOOD: Fast slapstick mischief with instant hooks, fake wins, and a crowd-pleasing payoff. COLOR LOGIC: Hyperreal Pop Look TIMELINE: 0:00-0:02: The Scroll Stop. Extreme close-up, 50mm. Huge eyes reflect a spinning white scoop, then pull fast to a wide shot, 35mm, revealing the figure frozen mid-skid as the vendor presents the brass paddle like a stage trick. SFX: sharp gasp, bell flutter, fountain splash. 0:02-0:04: Match cut into The First Miss. Close-up, 50mm. Hands clap shut on empty air as the cone snaps upward. The face stays frozen while the pupils tilt up. SFX: quick whoosh, soft clap, tiny squeak, crowd chuckle. 0:04-0:07: Cut on action into The Side Switch. Medium wide shot, 35mm. The vendor slides the paddle behind his back and pops the cone out on the other side. The figure lunges left, scrambles right, and pinwheels in place. A tea glass rattles on a nearby table. SFX: paddle swishes, shoe skids, glass clink, growing laughter. 0:07-0:09: Reaction cut into The Fake Victory. Medium close-up, 50mm. The cone lands in the waiting hand and the face bursts into victory, then the vendor peels the stretchy scoop away in one smooth move, leaving the cone bare for a beat. SFX: victory chime cut short, peel wobble, laughter pop, offended inhale. 0:09-0:11: Insert cut into The Public Humiliation. Insert shot of a ceramic cat staring from a shelf. Smash cut to a medium shot, 35mm, as the figure sags into noodle posture, then puffs both cheeks and folds both arms while onlookers bounce with silent laughter. SFX: tiny huff, crowd laughter swell, cart bell tinkle. 0:11-0:15: Whip pan transition into The Real Win. Medium close-up, 50mm. The vendor kneels and places the cone gently into the waiting hand with no trick this time. One still beat. The figure looks down, eyes sparkle, then the camera pulls back to a wide shot, 35mm, as the figure leans in for the first taste and the courtyard breaks into applause. SFX: soft handoff, held-breath pause, bright chime bloom, applause burst, warm music lift.

Create a 15-second seamless one-take cinematic video transitioning through [ Image 1 to Image 6] Strictly no hard cuts, no fades, and no opacity changes. Use fluid, continuous camera movements (like whip-pans or zooms) to bridge each scene naturally. Soundtrack: A continuous, groovy cinematic funk track with synchronized transition SFX that match the camera motion. The flow must be uninterrupted from start to finish.

use @[image1] as sequential keyframes for a continuous cinematic glide forming a full 360° exploration smooth path-based motion with seamless interpolation between keyframes, no cuts, no jumps equirectangular 360° projection, full spherical perspective, perfect wraparound continuity camera flows naturally through the environment with varied framing, alternating wide spatial coverage and close proximity passes, maintaining strict spatial coherence and directional continuity foreground elements dynamically pass through frame to enhance depth, consistent parallax across motion stable motion, no flicker, consistent lighting, scale, geometry, and perspective across all transitions immersive single continuous shot, no visual resets, no discontinuities

Use [img1] as the clean start frame. Preserve the train, man, lighting, color, film grain, and composition from the start frame. Use [vid1] as a motion reference for camera choreography and timing. Match the timing and path of the camera move as closely as possible, including the shake, the pan right, the pan back, and the final push-in. The train is already at full speed on frame 1. Because the camera is attached to the side of the train, the train remains relatively stable while the environment, tracks, dirt, dust, and telegraph poles streak rapidly from right to left across the frame. The world rushes past at high speed. The railroad tracks, dirt, grass, dust, and nearby ground streak rapidly from right to left with strong horizontal motion blur. Railroad ties and foreground details whip past in a fast strobing blur. Distant mountains move much more slowly, creating strong parallax. Action: The man leaning out of the doorway ducks as a bullet strikes the side of the train, kicking up sparks and dust. He raises his pistol and fires several shots while the camera pans right. As the camera pans right, reveal a wild west sheriff on horseback in the same relative placement as the green box in [vid1]. The sheriff is galloping hard alongside the train. The landscape is still racing past. The sheriff gets shot and tumbles off the horse away from camera. The horse continues running. The camera then pans back to the man on the train and pushes forward toward him, keeping the same high-speed background streaking and heavy wind the entire time. Do not slow the train down. Do not make the train drift gently. Do not make the landscape move at walking speed. Do not make the shot feel like a slow scenic ride. Keep the train violently fast throughout. No music.

A fast-paced cinematic sequence in a glowing volcanic terrain. A warrior with natural skin tone lands amidst towering elemental figures. He extends his hand, summoning a returning glowing hammer. He channels lightning, moving swiftly and hurling the hammer to push back the figures. Dynamic handheld camera, rapid whip-pans, varied angles, cinematic blur, no music. Shot 1 (0.0-2.0s) - Fast tilt-down; warrior lands smoothly on volcanic rock; kinetic wave pushes the ash away. Shot 2 (2.0-4.0s) - Whip-pan; he extends his arm; a glowing hammer streaks in with blue electricity and lands perfectly in his hand. Shot 3 (4.0 -6.5s) - Dynamic tracking; he weaves through the towering figures, throwing the glowing hammer to repel them; the hammer ricochets and returns to his grip. Shot 4 (6.5-8.5s) - Fast lateral pan; he leaps nimbly between the figures, channeling blue lightning through graceful kinetic movements. Shot 5 (8.5-10. Os) - Fast push-in; he lands and presses the glowing hammer forcefully against the volcanic floor. Shot 6 (1 0.0-12.0s) Extreme wide shot; a massive wave of blue electrical energy bursts outward, directly hitting and sweeping all the towering forces backward into the air.

@Image1 as character reference — maintain exact appearance: blonde curly hair, white crop top, pink tulle skirt, barefoot, pink cigarette, pink suitcase, hoop earrings, bracelet 15-second handheld smartphone footage shot by a male travel companion, POV perspective as if he's filming his girlfriend in a shabby American motel lobby or airport lounge, neon green OPEN sign in background, warm practical wall sconces, teal-pink color cast, late night, slightly underexposed. [0-4s]: medium shot, handheld slight drift, woman crouches beside pink suitcase on tiled floor, cigarette between fingers, thin smoke drifting upward, she looks around the room with mild amusement then glances into camera with a faint smirk, says in American English accent: "You're filming this? This place looks like a dive bar." [4-8s]: camera swings 180 degrees, now filming the man himself in a quick selfie flip, slight motion blur during pan, man gives a casual half-smile directly into lens, says quietly: "Just a test.", then camera pans right toward the bar counter where a female bartender in her 30s is pulling a beer from a tap, focused on her work, practical bar lighting, warm amber glow. [8-15s]: camera swings back to woman, she takes a long slow drag from cigarette, thin steady smoke exhaled through lips, she holds a tired exasperated expression and says with deadpan delivery: "We drove all this way to sleep in a place like this? Nick, I've told you so many times — you have no idea how to pick a hotel." She shakes her head slowly, defeated look, eyes briefly closing. handheld natural shake, no stabilization, phone mic audio with room ambience and bar background noise, direct speech clearly audible, slight room reverb, natural skin texture visible, no filters, avoid jitter in subject faces, avoid bent limbs, avoid identity drift, maintain face consistency across all cuts, stable faces despite handheld camera movement, sharp clarity no ghosting no temporal flicker

A character is the focus of the image. The character is positioned in a busy outdoor location during the golden hour (late afternoon), with warm, natural sunlight. A tiny figure is actively climbing the character. The camera is positioned at a dramatic low angle, looking up from the ground, starting close to the tiny figure and panning up alongside the character to emphasize their immense, colossal scale. As the camera rises, it shows the character's face, looking down with a highly surprised, wide-eyed expression and a slight blush as they notice the tiny figure climbing them. Key Elements: Characters: Tiny figure; Main character as the giant. Action: Tiny figure climbs up the character. Dynamic low-angle panning shot following the figure's ascent. Perspective/Camera: Extreme low-angle looking up, emphasizing the main character's colossal scale. Setting: Outdoor location, golden hour lighting. Details: Main character shows extreme surprise upon noticing the tiny figure climbing them.

Ultra-sleek, high-impact kinetic typography sequence set inside a dark cybernetic projection chamber. The background is a deep navy space featuring a pulsing 3D holographic grid, floating code strings, and subtle digital particle dust that reacts dynamically to the motion of the text. High-contrast specular strobe lighting is emitted directly from the holographic lasers. 0-1s: Bold, semi-transparent 3D letters spelling "FLOW" materialize inside a cylindrical blue laser projection. Volumetric streams of glowing, liquid-cyan data slam together from opposite sides of the grid, instantly assembling the letterforms with a violent digital splash that flings bright pixels outward. 1-2s: The liquid letters instantly crystallize into highly refractive, diamond-cut glass typography with visible golden-wireframe circuitry running through the core. A fast, intense green scanner line sweeps down the text as the camera does a rapid, aggressive 90-degree whip-pan orbit. 2-3s: An ultra-bright orange electric arc whip-cracks directly through the letters. The typography glitches and splits momentarily into sharp red-and-blue chromatic aberrations, shaking violently on a heavy, syncopated electronic beat and leaving holographic trails. 4-5s: The text suddenly collapses into a single microscopic point of light before instantly detonating outward in a blinding, volumetric shockwave of cyan light rings and floating data voxels that sweep across the background grid. 5-6s: The exploded voxels and particles instantly reverse their physics, snapping violently back together to reform the pristine "FLOW" geometry. A heavy cybernetic lock sound rings out as the letters solidify. 6-8s: The camera pulls back quickly to a stable front-on framing. The holographic background grid pulses once in sync as a dramatic white light sweeps across the faces of the letters, highlighting the inner circuits and casting brilliant, sharp lens flares off the glass edges. Style tags: holographic kinetic typography, 3D text "FLOW", high-tech cybernetic projection scene, glass and glowing circuit board textures, digital glitch and heavy synth beat, reverse-voxel snap, zero drift, stable holographic geometry.

TITLE: TOKYO NIGHTS — 15 SECOND HIGH-ENERGY JAPAN VLOG STYLE • vibrant nightlife vlog • rapid-fire editing • handheld camera • fast whip-pan transitions • energetic Japanese rock song throughout • no slow motion • authentic Japanese dialogue • colorful neon lighting • social, fun, chaotic energy • travel vlog aesthetic AUDIO Japanese rock song playing continuously. Crowd ambience. Laughter. Street sounds. Arcade sounds. Restaurant chatter. ━━━━━━━━━━━━━━━━━━━━ 0.0s - 2.0s HOOK SHOT Neon-lit Tokyo nightlife street. Two stunning Japanese women rush into frame from opposite sides, both speaking directly to camera simultaneously with huge smiles and excited energy. WOMAN #1 (Japanese): 「みんなー！今夜は最高に盛り上がるよー！」 WOMAN #2 (Japanese): 「準備はいい！？一緒に遊ぼう！」 Both laugh. Quick camera push-in. Japanese rock song drops immediately. WHIP PAN TRANSITION. ━━━━━━━━━━━━━━━━━━━━ 2.0s - 4.0s Shibuya Crossing. The nerdy tourist appears between several Japanese women. Everyone waves at camera. Selfie-stick perspective. GIRLS: 「イエーイ！」 TOURIST: 「よろしくお願いします！」 Fast cuts. ━━━━━━━━━━━━━━━━━━━━ 4.0s - 6.0s Cosplay district. Cosplayers surround the group. Peace signs. Camera spinning around them. GIRLS: 「写真撮ろう！」 TOURIST: 「もちろん！」 Rapid flash-frame transitions. ━━━━━━━━━━━━━━━━━━━━ 6.0s - 8.0s Arcade sequence. Button mashing. Bright arcade lights. Excited reactions. GIRL: 「すごい！」 TOURIST: 「やったー！」 Everyone cheers. Quick zooms. ━━━━━━━━━━━━━━━━━━━━ 8.0s - 10.0s Karaoke room. The tourist sings enthusiastically. Everyone claps and laughs. GIRLS: 「頑張れー！」 TOURIST: 「ありがとう！」 Japanese rock music blends with karaoke atmosphere. Fast jump cuts. ━━━━━━━━━━━━━━━━━━━━ 10.0s - 12.0s Late-night food alley. Group eating together. Street food. Laughing. GIRL: 「おいしい？」 TOURIST: 「めちゃくちゃ美味しい！」 Everyone laughs. ━━━━━━━━━━━━━━━━━━━━ 12.0s - 15.0s Final montage. Tokyo skyline. Neon streets. Group selfies. Walking together through nightlife district. Everyone talking over each other excitedly. GROUP: 「乾杯！」 Camera rushes forward through the crowd. Music hits the chorus. Abrupt energetic cut. END.

Main subject: young Cuban street percussionist, late teens, lean build, close-cropped hair, a few beaded threads around one wrist. Loose faded red tank top with a small tear near the hem, rolled khaki shorts, worn leather sandals, a thin cord anklet, a bead of sweat tracking down his temple. Realistic skin texture with a natural sheen, expressive quick-moving eyes, restless joyful energy. Maintain consistent identity, clothing, wrist beads, and appearance throughout the entire video. Location: A crumbling but vibrant Havana back street at high noon. Peeling pastel facades — coral, teal, mustard — iron balconies with drying clothes, a chipped colonial doorway, cracked pavement, a rusted bicycle leaned against a wall, hard tropical sunlight and sharp black shadows. A cluster of overturned buckets and a battered cajón serve as drums. No tourists, no cars, no modern signage. Visual Style: Ultra-realistic observational realism. Genuine spontaneous rhythm. Sweat, motion, and muscle tension visible. Unscripted, alive, kinetic street-life feeling. Strong material authenticity — grit, sunlight, worn wood, flaking paint. Camera Style: Late-1980s VHS-C camcorder aesthetic. A friend filming excitedly, whipping the camera around to keep up. Chunky analog color bleed, tracking lines, heavy handheld swing, fast whip-pans that smear, aggressive autofocus hunting, blown highlights in the sun, timestamp flicker in the corner, tape dropout glitches, saturated reds bleeding at edges. No stabilization, no smoothness. 00:00–00:01 Hard whip-pan onto his hands slapping a bucket, motion smeared. 00:01–00:02 Snap cut to his face, mid-grin, head bobbing to the beat. 00:02–00:03 Cut to bare feet tapping cracked pavement, dust puffing. 00:03–00:04 Whip up to a balcony where a neighbor leans out, clapping. 00:04–00:05 Cut back — his hands blur across the cajón, tracking lines rolling. 00:05–00:06 Fast tilt to sunlight flaring off a teal wall behind him. 00:06–00:07 Close cut on his wrist beads snapping with each strike. 00:07–00:08 Jump to a wider frame — a second kid runs in and joins on a bucket. 00:08–00:09 Whip-pan to a dog trotting past, then back, missing the beat. 00:09–00:10 Cut to his face turning to the camera, laughing. 00:10–00:11 Snap to hands, then feet, then hands again — rapid triple cut. 00:11–00:12 Tilt down to the anklet bouncing as he shifts weight. 00:12–00:13 He calls out off-camera, points a drumstick, shouts “¡Dale!” 00:13–00:14 Whip to a woman in a doorway swaying, tape dropout flickers. 00:14–00:15 Cut back tight on the drum, sweat flying off his hand. 00:15–00:16 Fast zoom-in that overshoots, autofocus hunts on his grin. 00:16–00:17 He looks straight into the lens, still drumming, and winks. 00:17–00:18 Abrupt cut to VHS static and blue screen as the tape jams. Audio: Natural ambient sound only — hand drums on plastic and wood, sandals scuffing pavement, clapping, a dog barking, distant salsa from an open window, shouts and laughter, a passing bicycle bell, cicada hum in the heat. No added music track. No sound design. No narration. Goal: A blast of spontaneous street rhythm captured like a battered VHS tape found in a shoebox — fast, glitchy, sun-drenched, chaotic, and bursting with life.

Use @image1 as the clean start frame. Don't change anything about the frame.Use @video1 as a camera motion reference. Follow the camera movement in the reference exactly, including the handheld motion following the girl walking around the car and then the pan left.A young girl stands at a payphone in the South Western United States. She hears trucks approaching from the distance and quickly glances towards the sound, and says "Shit." She drops the phone and quickly scurries around to the driver's side of the car. The camera follows behind her with shaky handheld.The camera whip pans to the left, and we see the side of a dusty highway winding into the desert, with mountains in the far distance. Two pickup trucks approach and pull off from the road driving towards us, skidding and kicking up dust from the ground. No music.

15 seconds, 16:9 24fps. [STYLE + CAMERA + ATMOSPHERE] Authentic 1985 American sitcom shot on studio video cameras, warm tungsten lighting, live-audience energy. Soft VHS texture: gentle scan lines, slight chroma bleed, halation on the disco ball. Two sets: a wood-paneled 1985 living room, and a gymnasium prom with streamers, balloons, a disco ball and a punch bowl table, all decorations generic with no text. Palette: powder blue, dusty rose, mustard yellow, wood-brown, cream, deep teal. [CHARACTERS] No reference images. Create original, locked and consistent throughout: 1. THE DAD: late 40s, thick mustache, brown cardigan over a plaid shirt, warm overconfident sitcom-dad energy. At the prom he wears a chaperone's suit and stands at the punch bowl. 2. THE SON: a young man, feathered hair, powder-blue tuxedo with a ruffled shirt, sweet and terminally nervous. 3. THE GIRL: a young woman, curly dark hair with a ribbon, pink taffeta prom dress, kind eyes, quick to laugh. [AUDIO] Original 80s slow-dance synth ballad in the gym, do not use any real existing songs. Canned laugh track after every gag, audience "awww" before the applause. All dialogue spoken in English. SFX: punch ladle clink, gym-hall reverb, camera-flash pop. 0-2s: [Static wide, living room] The dad adjusts his son's bowtie, hands on his shoulders: "Son, tonight's the night. One line. It never fails." 2-4s: [Punch-in on the dad] Dead serious, he delivers it: "Did it hurt... when you fell from heaven?" and winks. Laugh track. The son nods, mouthing the words like homework. 4-6s: [Whip pan to the gym] Prom in full swing under the disco ball. The son spots the girl across the dance floor, the crowd parting around her in soft focus. 6-8s: [Side tracking shot] He crosses the gym rehearsing under his breath: "fell from heaven, fell from heaven..." Behind him, the dad chaperones at the punch bowl, giving a big thumbs-up. Laugh track ripples. 8-11s: [Static two-shot] He opens his mouth and panics: "Did it hurt... when you fell?" She glances down at her shoes, confused: "When I what?" He doubles down: "From... the ceiling?" Huge laugh track hit. 11-13s: [Punch-in on the dad] At the punch bowl, the dad slowly slaps his forehead and drags the hand down his whole face, shaking his head. Biggest laugh of the night. 13-15s: [Slow push-in on the couple] She bursts out laughing and pulls him toward the dance floor anyway. In the background the dad's facepalm melts into a proud little nod. Freeze frame, audience "awww" into applause, music cuts instantly. NEGATIVE: No text, subtitles, logos or watermarks. No text on banners, sashes or decorations. No brand names on clothing. No real songs or real people. No modern color grading, no cinematic glamour, no character drift, no extra featured characters, no costume changes, no extra limbs.

Use the attached THE FLORIST storyboard as exact visual reference. Create a 12-second 16:9 Pixar 3D animated sequence following all 8 shots exactly. Same young female florist — warm kind face, hair tied back, denim apron over linen dress — small charming flower shop, buckets of fresh flowers, warm golden morning light throughout. Normal speed movement throughout every shot — no slow motion anywhere. Crisp, confident, alive energy in every action. Shot sequence: 1.Wide shot. Florist stands at her counter, morning light flooding through the shop window. She lifts a fresh bunch of flowers with both hands, smells them quickly, looks at the camera and says “Fresh flowers, every morning!” with a warm bright smile. Quick and energetic, not static. 2.Close-up. Her hands moving quickly and confidently through a bucket of flowers, selecting one perfect deep red rose, lifting it out and examining it briefly in the morning light. Fast and decisive, not lingering. 3.Close-up dramatic. Her hand holding the stem firmly, scissors cutting it at a precise angle in one quick confident snip — clean cut, fresh pale green stem, water droplet falling. Sharp and fast. 4.Wide medium with her hands and full body clearly visible throughout. She builds the bouquet quickly — roses, peonies, eucalyptus added one after another with brisk confident hand movements, the bouquet visibly growing fuller with each addition. Her hands always actively moving and visible. 5.Overhead beauty shot with her hands visible arranging the final touches — soft pink, deep red, white and green woven together, her fingers adjusting a few final stems quickly into place. Vivid and colorful, hands actively working not absent. 6.Close-up hero with her hands fully visible. She wraps warm kraft paper around the base of the bouquet in one quick smooth motion — her hands folding and creasing the paper firmly and confidently, stems disappearing into the cone. Her hands never disappear from frame during the fold. 7.Close-up dramatic with her hands fully visible. She wraps a pastel ribbon around the kraft paper and ties it into a bow with both hands working quickly and precisely — the final knot pulled tight and finished in one confident motion. 8.Wide warm shot. Florist hands the finished bouquet across the counter with both hands and a bright smile. Customer receives it eagerly with both hands — face lighting up immediately, a quick delighted gasp, hand coming to her chest. Florist beaming with quick genuine joy. Camera: Wide for opener and handover, close-up for selection and trim, wide medium for the arrange, overhead beauty for the full color display, close-up hero for the wrap, close-up dramatic for the ribbon tie. Every shot has gentle forward camera momentum — slow push ins or slight pans — nothing locked or frozen. Style: Warm golden morning light throughout. Soft pink peonies, deep red roses, vivid green stems, warm kraft paper, pastel ribbon. Pixar CGI vivid and warm. Quick confident energy throughout — her hands must be visible and actively working in every single panel, never absent from the action. Sound: Upbeat warm acoustic music — light guitar with gentle rhythm, bright and moving forward, not slow or drifting. Continuous from first frame to last, no breaks. She says “Fresh flowers, every morning!” at the opener, bright and quick. Natural sounds underneath — stems rustling quickly, scissors snipping sharply, flowers added briskly, kraft paper folded firmly, ribbon tied and pulled tight, customer’s quick delighted gasp at the reveal. Music upbeat throughout, never drops. Goal: 12 seconds. One florist. One bouquet. One moment of joy. Fresh, quick, and made to give.

Preserve the exact footage as provided. Keep the original person completely unchanged. Gentle right to left camera movement. Banner waving in the wind. Text unchanged

Using the attached character reference, create a 15-second ultra-realistic cinematic GRWM (Get Ready With Me) video featuring the exact same woman with consistent facial features, hairstyle, body proportions, and identity throughout the entire sequence. The video begins with her peacefully sleeping in a cozy modern bedroom before an alarm suddenly wakes her. She quickly sits up, rubs her eyes, stretches, and rushes into the bathroom where she splashes water on her face and brushes her teeth. She hurries into the kitchen, opens the refrigerator, grabs ingredients, prepares a quick breakfast, and eats while constantly checking the time. She then rapidly changes from comfortable sleepwear into a stylish professional outfit, slipping on her shoes, grabbing her handbag, keys, and phone before rushing out the apartment. The scene follows her walking briskly through a hallway, entering a metro, standing among commuters while checking the station display, then arriving at a modern office where she scans her access card, sits at her desk, opens her laptop, and begins working. As the workday ends, she returns home, unlocks her apartment, changes back into comfortable sleepwear, washes away the day's stress, relaxes in her softly lit bedroom, and gently falls back onto the bed in the same pose as the opening scene, creating a seamless visual loop. Use smooth cinematic transitions, match cuts, whip pans, natural object wipes, realistic motion blur, expressive facial acting, authentic body movement, soft window light indoors, warm practical lighting, realistic metro and office environments, premium fashion styling, shallow depth of field, cinematic color grading, ultra-realistic skin textures, natural hair physics, glossy commercial quality, 4K HDR, highly detailed, consistent character identity across every shot, with no text, subtitles, logos, or watermarks.

High-speed action shot. From the shadows, DRAEV with his white hair and glowing red eyes blitzes into the frame in a blur. He slams the speaking gangster against the wall with his left hand, gripping his throat as the body turns into dark smoke. Simultaneously, DRAEV spins and kicks the second vampire's chest, throwing him violently against concrete blocks. Fast whip pan, heavy motion blur, violent fluid martial arts movement. No music , No intro sound.

体育赛事电视转播画面，职业篮球比赛现场，万人球馆。转播镜头从观众席快速平移扫过，减速停在一位长黑发亚洲美女身上，她穿着白色深V上衣，察觉自己上了大屏幕，抬头露出自然微笑，随手拨了一下耳边头发。周围观众虚焦，背景LED广告牌光斑闪烁。真实有线电视信号质感，广播压缩噪点，无电影调色。

top down shot of the the woman taking out the all the swordsmen men with and powerful attacks, we only see her from the back - camera pan up establishing, tense, nbody is moving - avoid showing the ground, focus on upper body - then at 3 seconds, jumpcut after jumpcut with blood

Main subject: Japanese woman in her early-to-mid 20s, plain and natural everyday appearance, wearing a loose pale blue-grey short-sleeve cotton blouse and relaxed off-white wide cotton pants, black straight hair tied in a simple low ponytail with a few loose strands, sitting barefoot on a small floor cushion. Realistic skin texture, minimal makeup, gentle and unhurried presence. Modest, wholesome, ordinary daily-life appearance — like a neighbor or a family member, not a model. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video. Location: Old Japanese house interior, hot mid-afternoon in late summer, exactly as in the start frame. Worn tatami mats, low wooden table with a glass of iced cold barley tea — cold drink, no steam, no vapor rising from the glass, old white oscillating electric fan with a ribbon tied to its grille on the left, open shoji sliding doors leading to a blindingly bright overexposed sunlit garden, glass wind chimes hanging in the doorway, folded futon in the right corner with thin mosquito coil smoke drifting near the futon corner only. Quiet residential stillness. No stores, signage, or commercial activity. Visual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Believable human motion. Camera Style: Early-2000s consumer DV camcorder aesthetic. Family member casually recording an ordinary summer afternoon. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, strong exposure pumping between the dark interior and the blinding bright garden, occasional motion blur, subtle rolling shutter, noticeable digital compression artifacts, faded desaturated colors, soft low contrast, visible sensor noise, slight interlacing artifacts on movement. The image quality degrades from the first frame into authentic low-grade DV footage. No stabilization. No cinematic camera moves. No modern color grading. 00:00–00:02 She fans herself slowly with the round paper uchiwa, the ribbon on the electric fan fluttering, loose strands of her hair lifting with each pass. The camera struggles to hold focus on her face. 00:02–00:04 She lays the uchiwa down on the table and reaches for the glass of iced barley tea, taking a small quiet sip — cold drink, no steam. Exposure pumps as the camera drifts toward the bright shoji doors behind her. 00:04–00:06 The glass wind chimes in the doorway ring softly in a faint breeze. She looks up toward them. The camera pans up slightly late, autofocus hunting against the blinding garden light. 00:06–00:08 She sets the glass down and gazes out at the sunlit garden, resting her chin lightly on her hand, completely relaxed. Framing drifts off-center as the operator's arm tires. 00:08–00:10 She notices the camera, gives a small embarrassed genuine smile, and waves one hand lightly at the lens. Recording cuts abruptly to black mid-motion as if the camcorder was switched off. Audio: Natural ambient sound only — dense cicada chorus outside, single glass wind chime ringing, the rhythmic hum and sweep of the oscillating fan, ice clinking softly in the glass, floorboards creaking faintly, distant crow calls, her quiet breath. No music. No sound design. No narration. Goal: An ordinary Japanese summer afternoon captured like a forgotten home video from the early 2000s — candid, imperfect, nostalgic, warm, and deeply believable.

Use @image1 as the clean start frame. Don't change anything about the frame.Use @video1 as a camera motion reference. Follow the camera movement in the reference exactly, including the handheld motion following the girl walking around the car and then the pan left.A young girl stands at a payphone in the South Western United States. She hears trucks approaching from the distance and quickly glances towards the sound, and says "Shit." She drops the phone and quickly scurries around to the driver's side of the car. The camera follows behind her with shaky handheld.The camera whip pans to the left, and we see the side of a dusty highway winding into the desert, with mountains in the far distance. Two pickup trucks approach and pull off from the road driving towards us, skidding and kicking up dust from the ground. No music.

0:00–0:02 | Hook — Walking Selfie Handheld selfie vlog. Young woman already walking through the Marais under golden autumn trees. She smiles naturally, then looks ahead. Copper hair moves in the breeze, a maple leaf drifts past the lens. Warm golden-hour light, realistic skin, subtle handheld sway. 0:02–0:04 | Street Reveal Without cutting, she rotates the camera to reveal charming cafés, patisserie windows, cobblestone streets, and falling leaves, then smoothly turns back to herself. Natural autofocus breathing. 0:04–0:06 | Café Moment She pauses beside a café table. Camera tilts to a steaming café au lait with leaf latte art, then back to her as she gazes down the street before softly meeting the lens. 0:06–0:08 | Autumn Detail Camera tilts to a maple leaf on the cobblestones. She picks it up, holding it toward the lens. Focus shifts from the leaf to her face as she smiles gently. 0:08–0:10 | Follow Shot Third-person follow shot as she walks between cafés and golden trees. She glances back over her shoulder with a subtle smile before continuing. 0:10–0:12 | Selfie Landmark Selfie shot in Champ de Mars. The Eiffel Tower rises behind her. She laughs naturally and points toward the tower as her hair moves in the wind. 0:12–0:14 | Park Reveal Smooth wrist-pan revealing the Eiffel Tower, autumn trees, couples relaxing on the lawn, and leaves drifting through the frame. 0:14–0:15 | Quiet Moment Side-profile shot on a park bench. She holds a travel coffee, slowly takes a sip while admiring the Eiffel Tower. Warm golden-hour light, peaceful cinematic ending. Style: Ultra-realistic, 16:9, handheld DJI Osmo Pocket 3 feel, cinematic autumn lighting, natural movement, no AI artifacts.

Use the provided (@ Reference Image) character reference as the main subject for Chris First. Keep his face, hairstyle, body type, and the exact same outfit from the reference. Do not redesign his clothing, colors, shoes, accessories, or overall look. Create a 15-second realistic televised wrestling match moment in the style of a live Monday Night Raw broadcast. The entire video takes place inside the wrestling ring. Do not start with a high-angle arena shot, entrance shot, or cinematic establishing shot. The camera should already be focused on the in-ring action when the video begins. The shot should feel like a single continuous TV broadcast take, filmed from a realistic ringside hard-camera angle. The camera can subtly pan, zoom, and adjust focus like a real live wrestling broadcast, but it should not cut to dramatic movie angles. Keep both wrestlers visible and make the action clear, grounded, and believable. Chris First is facing The Undertaker in the ring. The Undertaker is tall, imposing, and dressed in dark wrestling gear, with a serious, intimidating presence. Chris First is intense, focused, and athletic. The action starts immediately, as if the match has already been going on. The crowd is visible behind the ring ropes throughout the shot. Fans are standing, cheering, and holding signs supporting Chris First. Several signs should clearly read “WE LOVE FIRST”, while others say “FIRST IS THE FUTURE”, “CHRIS FIRST!”, and “FIRST TO WIN”. The signs should look like real handmade wrestling crowd signs, not perfect digital graphics. Chris First and The Undertaker are already locked up near the center of the ring. Chris First slips behind The Undertaker, fights for control, and uses momentum to hit a basic, realistic wrestling body slam. The move should look like a standard professional wrestling move, not an RKO, not a finishing move, and not overly stylized. Make it clean, physical, and believable for live TV. Timeline 0:00–0:03 The video begins already inside the ring from a realistic TV hard-camera angle. Chris First and The Undertaker are grappling immediately. The crowd is visible behind the ropes, with handmade signs reading “WE LOVE FIRST” and “CHRIS FIRST!” in the background. 0:03–0:06 Chris First pushes back against The Undertaker, ducks under one arm, and shifts position to gain leverage. The camera subtly follows the movement like a live broadcast operator tracking the action. The Undertaker looks powerful, but Chris First is quicker. 0:06–0:10 Chris First gets control, hooks The Undertaker, and executes a realistic basic body slam in the center of the ring. The ring mat reacts with a believable bounce on impact. The crowd rises and cheers as the move lands. 0:10–0:13 The Undertaker is down on the mat. Chris First takes one step back, breathing hard, focused and confident. The camera slightly zooms in the way a live wrestling broadcast would after a big momentum shift. 0:13–0:15 Chris First raises one arm and looks out toward the crowd. Fans behind him are cheering and waving signs that say “WE LOVE FIRST” and “FIRST IS THE FUTURE”. End with Chris First standing tall in the ring, still in the same continuous broadcast-style shot. Visual Style Realistic Monday Night Raw-style live TV broadcast, continuous in-ring camera coverage, no cinematic cuts, no high-angle opening, no entrance sequence, bright arena lighting, real crowd energy, visible handmade fan signs, authentic wrestling ring physics, grounded professional wrestling movement, natural camera zoom and pan, live sports entertainment presentation. Narrator Voice Dialogue — Separate From Timeline “Chris First is taking the fight right to The Undertaker! Look at the quickness, look at the control — Chris First turns it around! He’s got him up… and slams him down in the middle of the ring! The crowd is on its feet for Chris First!”

Use the uploaded images as character and style references. 15-second kawaii hyper-pop music video at BPM 174. No lip-sync. No singing focus. Create a fast, chaotic, cute visual sequence with rapid character switching among all uploaded reference characters. Style: Pastel neon anime, pink, cyan, yellow, mint, lavender, bold outlines, flat shading, stickers, flowers, bows, spirals, halftone dots, manga panels, candy glitch accents. Main motion: Fast BPM174 rhythm, rapid cuts every 0.1–0.4 seconds, cute dance bursts, sudden poses, bouncing, spinning, mob-dance energy, exaggerated reactions, clone echoes, split panels, and visual overload. Lens effects: Use strong fisheye and ultra-wide distortion. Make the center bulge forward. Stretch and curve the edges clearly. Use obvious barrel distortion, warped perspective, tunnel zooms, crash zooms, rotating camera, dutch angles, whip pans, and sudden push-ins. Variation: Do not repeat similar shots. Each section should introduce a different effect: fisheye close-up, spinning camera, split-panel shatter, clone multiplication, kaleidoscope mirror, mob-dance burst, sticker tunnel, wide-angle distortion, radial explosion, multi-character chaos. Timeline: 0–3s: extreme fisheye close-ups, fast character switching, sticker bursts. 3–6s: rotating camera, panel splits, shattered manga frames. 6–9s: clone multiplication, mob-dance bouncing, wide-lens warping. 9–12s: kaleidoscope mirrors, tunnel zooms, crash zoom reactions. 12–15s: maximum chaos, rapid effect relay, all characters in fast succession, final distorted cute impact frame. Important: Make the fisheye distortion visually obvious, especially at the edges. Keep faces cute and readable. Use many different visual tricks, not one repeated effect. Negative prompt: weak fisheye, only round frame, static camera, repetitive shots, slow motion, lip-sync, realistic style, horror, grotesque face, broken anatomy, extra limbs, muddy colors, low energy

Use [image1] as the clean start frame. Don't change anything about the frame. Use [video1] as a camera motion reference. Follow the camera movement in the reference exactly, including the handheld motion following the girl walking around the car and then the pan left. A young girl stands at a payphone in the South Western United States. She hears trucks approaching from the distance and quickly glances towards the sound, and says "Shit." She drops the phone and quickly scurries around to the driver's side of the car. The camera follows behind her with shaky handheld. The camera whip pans to the left, and we see the side of a dusty highway winding into the desert, with mountains in the far distance. Two pickup trucks approach and pull off from the road driving towards us, skidding and kicking up dust from the ground. No music.

Create a 15-second cute animal basketball animation based on the reference image. Keep the same soft mobile-game cartoon style, top-down and slightly angled camera views, pastel colors, rounded animal characters, and playful basketball court setting.

Have the Pharaoh walk across the scene, moving from the center to the left side of the screen. He should act as if he is enraged, then seamlessly transition to the right side of the screen. Ensure the movement is fluid and continuous. Use energetic EDM music. The audience should be visibly interacting—jumping, dancing, cheering, and recording the performance with their smartphones.

A hyper-realistic FIFA World Cup live broadcast shot inside a massive football stadium, filmed entirely from the perspective of an authentic televised crowd camera. Everything is seen through the official live TV broadcast feed, with realistic sports channel graphics always visible on screen: scoreboard showing “BRA 2 - 1 ARG”, match timer around 78:34 The broadcast crowd camera quickly scans across thousands of screaming football fans before stopping on reference Image . She is fully immersed in the game at first, wearing a yellow Brazil jersey and holding a small Brazilian flag. Suddenly she notices herself appearing on the giant stadium screen and live television feed. Her eyes widen in excitement and she instantly reacts naturally like a real fan caught on camera. She jumps up excitedly, waves directly at the camera, blows a kiss toward the lens, and energetically waves her small Brazil flag while shouting in Portuguese: “Vamos, Brasil!”

Absurdist Corporate Satire – "The Daily Grind" Visual Style: 1980s retro-office catalog aesthetic, photorealistic but surreal. The Story: A giant, chill Capybara wearing a custom three-piece business suit and wire-rimmed glasses sits at a tiny cubicle. It typing slowly on an old mechanical computer keyboard, sips from a "World's Best Boss" mug, and answers a landline telephone. The camera pans out to reveal the rest of the busy office is staffed entirely by ducks wearing neckties. BGM Vibe: "Satirical 1980s corporate elevator synth track, cheesy digital keyboard chords, mechanical keyboard clack beats, ending on an elevator ding at 15 seconds." Solarpunk Ghibli Nostalgia – "The Cyber-Greenhouse" Visual Style: Painterly hand-drawn anime aesthetic, soft watercolor backgrounds, warm light leaks. The Story: A young girl tending to a rooftop greenhouse in a futuristic sky-city. The garden is a mix of normal flowers and glowing fiber-optic vines. A tiny mechanical clockwork sparrow waters the flowers, and as the morning sun rises over the metal skyline, the entire garden blooms in a burst of warm colors. BGM Vibe: "Nostalgic anime orchestral theme, warm solo piano intro, swelling strings, acoustic guitar, rising to a grand, emotional sunrise climax at 15 seconds."

Main Subject: Young Japanese woman, early 20s, effortless natural beauty, warm genuine smile, sun-kissed realistic skin texture, minimal makeup, relaxed and friendly personality. Wearing a washed sand-beige oversized linen shirt worn open over a muted seafoam ribbed tank top, loose ivory drawstring linen pants with rolled cuffs, cream canvas sneakers carried in one hand while walking barefoot on the sand, delicate gold necklace, small silver hoop earrings, black straight hair tied in a loose low ponytail with soft face-framing strands. Maintain identical identity, clothing, hairstyle, facial features, and appearance consistently throughout the entire video. Location: Quiet Japanese coastline during a peaceful late afternoon in summer. Wide sandy beach, gentle Pacific waves, weathered concrete seawall, driftwood scattered naturally, distant fishing boats, rocky shoreline, native coastal grasses moving in the wind, a small lifeguard tower in the distance, clear horizon, soft sea breeze. No crowds, no beach bars, no umbrellas, no advertisements, no commercial activity, no staged scenery. Authentic local atmosphere. Visual Style: Ultra-realistic observational documentary. Genuine slice-of-life moments. Completely candid behavior. Natural body language. Rich environmental details. Everyday realism. Warm emotional authenticity. Contemporary 2026 color science with soft natural contrast, realistic skin tones, gentle highlight roll-off, subtle pastel coastal palette, slightly airy exposure, faithful HDR lighting, no stylized filters. Camera Style: Modern compact mirrorless camera recording handheld by a close friend. Natural handheld movement with slight micro-shake. Occasional focus breathing. Face detection occasionally misses focus. Small framing imperfections. Gentle rolling shutter during quick movement. Realistic autofocus transitions. Natural lens characteristics. No cinematic gimbal shots. No dramatic drone footage. No excessive slow motion. No artificial camera moves. Feels like an authentic personal vacation recording from 2026. 00:00–00:02 She walks barefoot near the shoreline carrying her sneakers, letting small waves wash over her feet. Wind gently lifts loose strands of hair. She laughs quietly while looking toward the ocean as autofocus briefly searches. 00:02–00:04 She notices several small seashells and crouches to examine them. The camera arrives slightly late and reframes awkwardly while trying to keep her centered. Gentle surf fills the background. 00:04–00:06 She picks up an interesting shell, smiles naturally, then places it back into the sand. A stronger breeze moves her oversized shirt. Sunlight sparkles across the water behind her. 00:06–00:08 She walks along the seawall sipping iced tea from a clear reusable bottle. A cyclist passes in the distant background. The camera briefly overexposes as it pans toward the bright ocean before correcting itself. 00:08–00:10 She sits on a large piece of driftwood watching waves roll in. She absentmindedly brushes hair behind her ear while listening to seabirds. Loose handheld side angle slowly drifts without deliberate composition. 00:10–00:12 Close three-quarter profile. Someone behind the camera jokes with her. She turns unexpectedly, smiles with genuine amusement, softly laughs, and casually says, "Kirei da ne." ("It's beautiful, isn't it?") The camera catches her reaction a moment too late. 00:12–00:15 She continues walking slowly along the water's edge, occasionally glancing toward the camera before returning her attention to the horizon. Small waves reach her feet. The recording ends abruptly mid-step as if the camera operator accidentally stopped recording. Audio: Natural location sound only — gentle ocean waves, distant seabirds, soft coastal wind, footsteps in wet sand, occasional fishing boat engine far offshore, fabric moving in the breeze, subtle water splashes, quiet conversation from far away...

15 seconds, 16:9 cinematic, single continuous aerial drone shot, smooth uninterrupted flight path, no cuts. Global setup: Epic cinematic drone footage, ultra smooth gimbal stabilization, wide angle aerial lens with subtle motion blur on fast movements. Golden late afternoon light, long soft shadows. Setting: a dramatic coastline where cliffs meet turquoise ocean, a winding coastal road, small whitewashed village clinging to the hillside, scattered sailboats on the water. Ambient sound: wind rush, distant waves, soft orchestral/ambient score building gradually. [0:00–0:03] Drone starts low and close, skimming just above rolling ocean waves, spray faintly visible below, camera angled slightly downward. Speed picks up as it glides forward. [0:03–0:06] Drone rises smoothly and banks left, revealing towering cliffs ahead bathed in golden light, a narrow coastal road cut into the rock face with a single car driving along it. Altitude continues climbing. [0:06–0:09] Drone crests over the cliff edge, revealing the whitewashed village spilling down the hillside, terracotta rooftops catching the light, narrow streets, a small plaza with a fountain. Camera pulls back and up. [0:09–0:12] Drone continues rising and rotating slowly, full coastline now visible village, cliffs, road, and open ocean dotted with sailboats, long shadows stretching across the land. Sweeping wide reveal. [0:12–0:15] Drone ascends further into a final wide aerial shot, sun beginning to touch the horizon, entire landscape glowing in warm gold and deep blue, camera slows to a graceful stop. Fade to black. Style: hyper-realistic cinematic color grade, rich golden hour tones, epic scale, no CGI artifacts, natural atmospheric haze in distance. Constraints: smooth continuous drone motion with no jitter, consistent lighting and shadow direction throughout, physically plausible flight path, no text overlays, no sudden altitude jumps.

This is handheld documentary footage recorded on an early-2000s consumer DV camcorder by someone sitting in the audience at Stanford University. The footage feels like real, imperfect home video of a historic inspirational speech. The recording shows Steve Jobs standing at the podium on an outdoor stage during a sunny graduation ceremony. He is wearing his signature black turtleneck and jeans, speaking passionately while occasionally looking down at his notes. Rows of graduates in caps and gowns sit in front of him, with proud families and faculty visible in the background under bright California sunlight. The camera moves naturally with small movements from the person sitting in the audience, occasionally panning slightly toward the stage and back to the crowd, while maintaining the unstable handheld feel. It captures Jobs’ gestures, the graduates listening intently, and occasional reactions from the audience with realistic timing. The handheld camera shows constant small movements from people shifting in their seats, heavy shake, drifting framing, autofocus struggling with the bright sunlight and moving subjects, lens breathing, and typical DV camcorder imperfections. Despite the imperfections, motion remains coherent and natural. Natural sound only: Steve Jobs’ clear voice delivering the speech, occasional applause and laughter from the crowd, light wind, and ambient outdoor sounds. No music. The result must feel like real footage filmed by someone during Steve Jobs’ Stanford Commencement Speech in June 2005, captured on an old DV camcorder. Prioritize realistic physics, natural human movement, and authentic camcorder behavior.

Create a 10-second whimsical folk-art storybook animation using the uploaded storyboard and character image as exact references. Preserve the same 10-year-old boy: soft round child face, messy dark hair, gentle eyes, red hooded jacket, black-and-cream striped shirt, loose dark blue pants with red patches, black sneakers, and vintage red bicycle with front basket. Keep his age, outfit, bicycle shape, proportions, and innocent expression consistent across all shots. Art style must match the original folk-art painting references, not modern cartoon or anime. Use textured acrylic-on-canvas look, handmade naive art, flat frontal composition, soft imperfect brush texture, deep teal-blue sky, muted red, mustard, cream, black accents, tiny village houses, thin trees, floating flowers, birds, delicate decorative details, poetic calm storybook mood. Keep painterly texture visible in every frame. Storyboard timing: 0:00–0:01 P01: Boy comes out from his small village home with the red bicycle beside him. Frontal wide shot, blue door, red roof, flowers around. 0:01–0:02 P02: He slowly walks forward toward camera, holding the bicycle handle. Gentle push-in camera. 0:02–0:03 P03: Closer front shot, basket and bicycle wheel visible, birds floating in teal sky. 0:03–0:04 P04: He mounts the bicycle and takes a slow left turn near village houses. Camera pans left. 0:04–0:05 P05: Side view of him cycling calmly through the flower-lined street. 0:05–0:06 P06: Wide shot, he cycles farther away from town, tiny houses and tall trees behind. 0:06–0:07 P07: Cut to riverside path, he cycles toward the river sign and slows down. 0:07–0:08 P08: Wide riverside reveal: blue river, small sailboat, distant village, birds and flowers. 0:08–0:09 P09: He parks the red bicycle near a tree, standing quietly beside it. 0:09–0:10 P10: He sits near the riverbank, bicycle beside him, looking at the calm water. Camera movement should be gentle and storybook-like: slow push-ins, soft pans, simple side tracking, no fast cuts, no dynamic modern action. Keep all movement subtle, dreamy, handmade, and peaceful. No anime, no 3D, no photorealism, no glossy render, no cinematic realism, no modern digital cartoon, no exaggerated motion, no changing outfit, no changing bicycle.

Main Subject: Young Japanese woman, early 20s, effortless natural beauty, warm genuine smile, sun-kissed realistic skin texture, minimal makeup, relaxed and friendly personality. Wearing a washed sand-beige oversized linen shirt worn open over a muted seafoam ribbed tank top, loose ivory drawstring linen pants with rolled cuffs, cream canvas sneakers carried in one hand while walking barefoot on the sand, delicate gold necklace, small silver hoop earrings, black straight hair tied in a loose low ponytail with soft face-framing strands. Maintain identical identity, clothing, hairstyle, facial features, and appearance consistently throughout the entire video. Location: Quiet Japanese coastline during a peaceful late afternoon in summer. Wide sandy beach, gentle Pacific waves, weathered concrete seawall, driftwood scattered naturally, distant fishing boats, rocky shoreline, native coastal grasses moving in the wind, a small lifeguard tower in the distance, clear horizon, soft sea breeze. No crowds, no beach bars, no umbrellas, no advertisements, no commercial activity, no staged scenery. Authentic local atmosphere. Visual Style: Ultra-realistic observational documentary. Genuine slice-of-life moments. Completely candid behavior. Natural body language. Rich environmental details. Everyday realism. Warm emotional authenticity. Contemporary 2026 color science with soft natural contrast, realistic skin tones, gentle highlight roll-off, subtle pastel coastal palette, slightly airy exposure, faithful HDR lighting, no stylized filters. Camera Style: Modern compact mirrorless camera recording handheld by a close friend. Natural handheld movement with slight micro-shake. Occasional focus breathing. Face detection occasionally misses focus. Small framing imperfections. Gentle rolling shutter during quick movement. Realistic autofocus transitions. Natural lens characteristics. No cinematic gimbal shots. No dramatic drone footage. No excessive slow motion. No artificial camera moves. Feels like an authentic personal vacation recording from 2026. 00:00–00:02 She walks barefoot near the shoreline carrying her sneakers, letting small waves wash over her feet. Wind gently lifts loose strands of hair. She laughs quietly while looking toward the ocean as autofocus briefly searches. 00:02–00:04 She notices several small seashells and crouches to examine them. The camera arrives slightly late and reframes awkwardly while trying to keep her centered. Gentle surf fills the background. 00:04–00:06 She picks up an interesting shell, smiles naturally, then places it back into the sand. A stronger breeze moves her oversized shirt. Sunlight sparkles across the water behind her. 00:06–00:08 She walks along the seawall sipping iced tea from a clear reusable bottle. A cyclist passes in the distant background. The camera briefly overexposes as it pans toward the bright ocean before correcting itself. 00:08–00:10 She sits on a large piece of driftwood watching waves roll in. She absentmindedly brushes hair behind her ear while listening to seabirds. Loose handheld side angle slowly drifts without deliberate composition. 00:10–00:12 Close three-quarter profile. Someone behind the camera jokes with her. She turns unexpectedly, smiles with genuine amusement, softly laughs, and casually says, "Kirei da ne." ("It's beautiful, isn't it?") The camera catches her reaction a moment too late. 00:12–00:15 She continues walking slowly along the water's edge, occasionally glancing toward the camera before returning her attention to the horizon. Small waves reach her feet. The recording ends abruptly mid-step as if the camera operator accidentally stopped recording. Audio: Natural location sound only — gentle ocean waves, distant seabirds, soft coastal wind, footsteps in wet sand, occasional fishing boat engine far offshore, fabric moving in the breeze, subtle water splashes, quiet conversation from far away. No music. No narration. No sound effects. No artificial ambience. Goal: An authentic Japanese coastal afternoon captured like a genuine personal vacation recording from 2026—warm, spontaneous, imperfect, deeply believable, and naturally beautiful with modern realistic color reproduction.

A dynamic, cinematic action sequence in a modern upscale hair salon at night. A confident young Western woman with shoulder-length wavy blonde hair, fair skin, and striking blue eyes is the hero. She wears a stylish white cropped blazer, white crop top, and white shorts with a belt. She single-handedly fights and defeats multiple aggressive male attackers dressed in black tactical gear who are armed with knives and batons. The intense fight features fast-paced martial arts choreography: she dodges attacks, delivers powerful kicks and punches, spins with flowing blonde hair, shatters large mirrors and glass panels in dramatic slow-motion explosions of shards, throws attackers into salon chairs and shelves, and creates chaos as hair products, equipment, and debris scatter across the glossy floor. Smoke and flying glass particles fill the air. The camera follows the action with dynamic handheld shots, pans, and dramatic angles. At the end, she stands victorious amid the destroyed salon, surrounded by defeated attackers lying on the floor. She looks directly forward with a calm, intense expression, runs a hand through her wavy blonde hair, and gazes at her reflection in a shattered mirror. High production value, realistic lighting, dramatic cinematic style, 4K.

@.Image1 Create a 15 second photorealistic live sports broadcast video using the exact tiny 3D pixel art boxing mascot from the uploaded reference image. Preserve the same voxel body, face, hair, pixel eyes, red boxing gloves, red shorts, boots, playful grin, cute underdog energy, and identity. Do not change the mascot or make it human. Official BMX TV SPORTS live broadcast during a packed Argentina vs Brazil football match in a modern stadium at golden hour. Professional high angle broadcast camera from the main gantry, long optical zoom lens, smooth tripod pan/tilt, natural 4K live TV texture, slight broadcast compression. Static top-left scoreboard: “BMX TV SPORTS | 67:42 | ARG 2 – 1 BRA | LIVE HD”. Static top right white and blue “BMX TV” logo. Keep graphics fixed and readable. 0–4s: Camera cuts to the front row crowd. Argentina and Brazil fans cheer naturally. The camera finds the tiny pixel boxing mascot sitting like a normal fan, holding a small burger with a blue soda can beside it. It notices itself on the giant stadium screen, pauses, gives a cheeky confident grin, and taps its red gloves together. Voiceover 0–4s: “Wait a second… the crowd cam just found the tiniest champion in the stadium!” 4–8s: Stewards open a small pitch-side access gate for a planned BMX TV halftime fan challenge. The mascot places the burger and soda on the seat, jumps down, and walks onto the grass with tiny confident boxer energy. Camera pans and zooms out smoothly, showing the huge stadium around it. Voiceover 4–8s: “It’s stepping onto the pitch for the BMX TV halftime challenge!” 8–12s: An Argentina player in a white warm-up bib gently rolls the ball to the mascot’s feet while a Brazil player smiles nearby. The mascot traps the ball with one boot, steps back, bounces once like a boxer, then kicks the ball cleanly and powerfully. A sharp “thwack” is heard. Voiceover 8–12s: “Look at that control… and here comes the shot!” 12–15s: The ball flies in a fast believable arc into the top corner. The goalkeeper dives late and misses. The net snaps back. The stadium erupts with laughter, applause, and a huge roar. The mascot celebrates with a tiny boxer shuffle, turns to the lens, smiles proudly, then covers the camera with one red glove. Voiceover 12–15s: “Unbelievable! Top corner! A legendary BMX TV moment!” Audio: live commentator voiceover, crowd hum, flag rustle, announcer echo, boot-ball impact, net snap, applause, laughter, huge crowd roar. No music, no slow motion, no drone shot. Photorealistic 4K, 60fps, natural daylight, realistic optical zoom, believable ball physics, proper shadows, real grass contact. Negative prompt: different mascot, changed design, human boxer, flat 2D cartoon, scary mascot, inconsistent face, extra limbs, warped body, fake crowd, empty stadium, pitch invasion, moving scoreboard, floating logo, distorted text, impossible ball physics, handheld shake, glossy fashion commercial look, brand logos except BMX TV.

LOOK: raw film camera footage, overcast rainy day (grey cloudy sky, steady moderate rain with visible streaks — not a downpour, kept light enough to read faces — wet reflective streets and puddles, soft flat daylight). Same rain intensity in every shot. Natural light, NO color grading — looks like real unedited footage, not glossy, not graded. CAMERA: handheld shaky throughout, highly dynamic: quick zoom in/out, fast whip-pans, snap pushes timed to throws/catches/impacts; steadier only on tight close-ups. PERFORMANCE (distinct acting per character): - the Clown: rubbery, theatrical circus-clown physicality — bouncy springy movement, big sweeping arm flourishes, exaggerated lunges and recoils, elastic face (eyes popping wide, brows flying, mouth stretching huge), gleeful and unhinged, always over-the-top. - the Colonel: cranky old-boomer energy — stiffer, slower, heavier; dismissive scowls and eye-rolls, a sour set mouth, deliberate cane taps and curt hand waves, grumpy and unimpressed even when he attacks. Both read big and comedic but stay fully photoreal, never animated-looking. EMOTION = BODY (not labels): show every feeling through visible movement: eyes, brows, mouth, head tilt, hands, shoulders, stance. Keep both characters alive in every shot even when still: breathing, blinks, small weight shifts, rain landing on them. VOICE: lifelike voice (use this voice @[Audio 1](audio_1) for Colonel / use this voice @[Audio 2](audio_2) for Clown): natural breaths and rhythm, not flat TTS; the emotion of each line matches the action on screen (furious, taunting, straining, weak, smug). CHARACTERS: "the Colonel" (KFC — white suit, white goatee, glasses, cane) vs "the Clown" (McDonald's — red hair, yellow jumpsuit, red-white stripes); they duel by hurling food across the street — Colonel throws fried chicken, Clown throws burgers. @[Image 1](image_1) is the Colonel, @[Image 2](image_2) is the Clown ENVIRONMENT (identical every gen): rainy wide American downtown street: overcast grey sky, steady moderate rain (visible streaks, not a downpour), wet reflective asphalt, puddles; two fast-food restaurants on opposite corners (red-white vs yellow-red). Reference @[Image 3](image_3) is wide street + @[Image 4](image_4) is KFC Store, @[Image 5](image_5) is McDonald's Store STAGING (fixed): Colonel always at the KFC storefront, Clown always at the McDonald's storefront opposite, facing across the street — never together in the middle; each keeps his own store visible behind him. AUDIO: no music or score; only diegetic sound (steady rain, footsteps in puddles, food whooshes, wet impacts and splashes, street tone). TEXT: No on-screen text or subtitles. Shot 1: medium shot on the Colonel standing right in front of KFC store — he lifts one hand to catch it... the burger swerves past his palm and splats square into his face, then peels slowly down leaving a smear of sauce and leftovers. quick zoom in, his face begins to tremble — a vein bulging at his temple, jaw muscles twitching, nostrils flaring, one eye ticking, knuckles whitening as his fist crushes the cane — fighting with everything he has to hold his temper in. He drags one slow, shaking breath through gritted teeth. Then, low and quaking with barely-contained fury, right on the edge of erupting but forcing it down: "You brought a Happy Meal to a gunfire, boy." Shot 2: hard cut to high angle close up shot of the Clown doubled over laughing, head thrown back, slapping his knee, eyes squeezed to manic slits. He howls: "What about a cannon?" laugh and slapping his knee

Create a new version of @Video1 where the main person is replaced by the person in @Image1 . Keep the original actions, camera angles and timing. set background as dark tron futuristic setting. start with a whip pan then focus on her dancing respecting camera movements. End with and extreme close-up shot

A man in a brown t-shirt and glasses sitting at a mall café table with an iced coffee. The camera smoothly pans 360 degrees around the modern indoor mall background, showing shops and plants, before returning to him smiling.

PROMPT · Seedance 2.0 — 【character name】 STEP OUT · walks out of the 4D booth screen (fan reactions) [STYLE] Hyper-realistic handheld smartphone footage filmed by a fan in the crowd at a packed anime convention in Japan, one continuous unbroken take, no cuts. Raw "phone-in-the-crowd" look: screen-glow overexposure, mild rolling shutter, constant handheld sway escalating to excited shake when they step out. Surreal effect: the anime character on the booth's big "4D" screen physically STEPS OUT of the screen into the real hall. On-screen character = high-quality 2.5D anime; the booth, merch and crowd = photoreal. Japanese anime fans. Ratio 4:3. [SETTING] The character's merch booth: big glowing "4D" screen playing 【character — hair / eyes / outfit / colors】, their name on the signage, tables of their figures/standees/plushies/posters, a dense crowd filming on phones. Keep the character faithful to the reference. [00:00-00:03] Shaky phone footage films the glowing screen. On screen, the character is mid idol-wave, their signature 【effect / motif — e.g. embers & petals】 swirling. They lock eyes with the crowd, smile, and reach a hand toward the screen surface. The crowd murmurs, phones rise. [00:03-00:06] The screen surface ripples like liquid light; the character pushes their hand THROUGH it and STEPS OUT onto the booth stage — turning from flat 2.5D anime into a real, dimensional presence as they cross. A burst of their 【signature effect】 spills out of the screen with them. The phone jolts; loud gasps erupt. [00:06-00:09] Standing in the real booth, the character flips their hair, strikes a confident idol pose and calls out brightly in Japanese: "【your line — e.g. みんな、会いに来たよ！】". The camera whips and pans across the crowd — real Japanese fan reactions: hands over mouths gasping, jumping and screaming with joy, one rubbing their eyes in disbelief, a cosplayer fangirling, phones shooting higher. [00:09-00:12] The character steps down to the front row and high-fives a stunned fan, then leans in shoulder-to-shoulder for a quick selfie with them, smiling as their 【effect】 drifts around. The fan lights up with disbelieving joy; nearby fans lean in cheering and filming. [00:12-00:15] They straighten up, give the crowd a playful wink and a finger-heart, and wave. The crowd ROARS, everyone filming. The handheld camera shakes and settles on the delighted crowd, the glowing booth behind them. [SOUND] booth ambience + muffled anime audio from the screen, a wave of Japanese gasps ("えっ!?" "うそ!?"), the character's bright line, then screams, cheering, delighted laughter, phone-muffled crowd roar. [NEGATIVES] screen breaking/shattering, character identity drift, deformed faces or hands, fused fingers, blurry character, garbled signage text, real brand / convention / anime IP logos, sexualization / exposure, dark faces, static locked camera, fans staring blankly into the lens, gore. Settings: Seedance 2.0 · 15s · 720p · 16:9.

Main subject: Hundreds of ordinary civilians gathered inside Jallianwala Bagh, Amritsar, on 13 April 1919 during the Baisakhi festival. Men, women, elderly people, and children wearing historically accurate early-20th-century Punjabi clothing—cotton kurtas, turbans, shawls, sarees, dhotis, and simple village attire. Natural appearances, realistic skin textures, minimal styling. Maintain consistent identities, clothing, hairstyles, and appearances throughout the entire video. Location: Historically accurate Jallianwala Bagh, Amritsar, British India, afternoon of 13 April 1919. High surrounding brick walls, narrow entrance passage, uneven dusty ground, scattered trees, the historic Martyrs' Well, brick buildings overlooking the garden, warm April sunlight, and a densely packed Baisakhi gathering. No modern buildings, vehicles, advertisements, or contemporary objects. Visual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion. Camera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading. 00:00–00:02 The camera casually records families sitting together during the Baisakhi gathering. Children run across the open ground while elders talk peacefully. The operator slowly pans across the crowd. 00:02–00:04 People near the narrow entrance suddenly turn toward arriving British Indian Army soldiers. Conversations stop. The camera zooms slightly as the operator tries to understand what is happening. 00:04–00:06 Confusion spreads through the crowd. Families stand up, people begin moving quickly, and parents pull children closer. Framing drifts off-center as the camera operator reacts. 00:06–00:08 Large numbers of civilians run toward the narrow exit while others move toward the surrounding walls looking for safety. Heavy handheld shake increases as the cameraperson also begins moving. 00:08–00:10 Dust fills the air as frightened civilians push through the crowded garden. People help elderly family members and carry small children. Autofocus repeatedly shifts between nearby faces and the moving crowd. 00:10–00:12 Near the Martyrs' Well, civilians desperately search for space as the packed crowd continues moving in every direction. Exposure changes as dust briefly obscures the sunlight. 00:12–00:15 The cameraperson retreats toward the entrance while continuing to record the chaotic crowd. The recording abruptly cuts to black mid-motion as if the camcorder was switched off. Audio: Natural ambient sound only — crowd conversations, footsteps on dusty ground, birds, distant voices, rustling clothing, children calling for family members, wind, and realistic environmental ambience. No music. No sound design. No narration. Goal: Authentic historical reconstruction of the confusion and panic inside Jallianwala Bagh on 13 April 1919, captured like a forgotten handheld recording with a strong documentary feel.

STYLE Authentic self-recorded weekend vlog. Wide-angle vlog lens. REC icon visible. Natural handheld movement. Autofocus breathing. Warm golden-hour lighting. Western city with brick sidewalks, indie cafés, record stores, murals, vintage shops. Soft indie lo-fi music mixed with real ambience. CUT 1 (0–3s) Jessy walks through a lively downtown holding the vlog camera at arm's length. She smiles, gives a casual two-finger wave, and says: "No plans today... just exploring." A one-frame digital glitch instantly flips her cap from backward to forward. She doesn't notice. Transition: quick whip pan. CUT 2 (3–6s) She crouches beside a friendly golden retriever, films it, takes one photo with the camera, then laughs as the dog licks the lens. Dialogue: "You're adorable." Owner laughs off-camera. Transition: stands up quickly, camera swings upward. CUT 3 (6–9s) Inside an indie coffee shop. Jessy pans the cozy interior, then flips back to selfie mode. She blows one bubblegum bubble, it pops softly, then she points the camera toward the menu. Dialogue: "Brown sugar iced latte... easy." Barista waves. Transition: camera pushes toward the drink. CUT 4 (9–12s) Window seat. Camera rests on its mini grip beside her iced coffee. Golden sunlight crosses her face. She watches people outside. Dialogue: "I love busy streets... everyone's going somewhere." Small smile. CUT 5 (12–15s) Back outside during golden hour. Jessy slowly pans the street, then turns the camera back to herself. Dialogue: "See you next weekend." She smiles, reaches toward the lens, covers it with her hand, and the recording cuts to black.

Use @[Image1](image-2343ddb9-36c8-4b45-996b-b33f8d0b41fa) as storyboard reference for cinematic sequence. use as first shot 01 A 10-second dynamic cinematic sequence transitioning smoothly through all 7 storyboard panels. Visual style: photorealistic tropical luxury, golden hour lighting, high-definition fluid simulation, 8K. CRITICAL: Absolutely NO frames, borders, film strips, numbers, UI, or text. Render as seamless full-screen cinematic shots only. Ignore grid layout completely. Shot 1 (0-1.4s): Macro close-up. Golden sunlight hits the textured, fibrous husk of a coconut. A deep crack forms and slowly widens as the sun flares. Camera focuses sharply on the details. Shot 2 (1.4-2.8s): Cut to the coconut split open on the sand. Fresh white milk splashes dynamically out of the shell. The camera captures the liquid in slow motion, highlighting the contrast between the brown shell and white milk. Shot 3 (2.8-4.2s): The splashing milk lands on the golden sand, creating a white pool. The camera pans rapidly from the white milk pool towards the turquoise ocean waves approaching the shore. Shot 4 (4.2-5.6s): Transition underwater. The white milk swirls and mixes with the blue seawater, creating beautiful marble patterns and bubbles. The camera dives deeper, following the flow of the liquid. Shot 5 (5.6-7.0s): Underwater view looking up. Sunlight pierces through the rippling surface of the water, creating divine light rays. The camera rises quickly towards the surface, breaking through the water line. Shot 6 (7.0-8.4s): Emerging from the water. A wide shot of a tropical bay with limestone cliffs. Waves crash gently onto the beach. The camera stabilizes, revealing the majestic sunset landscape. Shot 7 (8.4-10.0s): Final wide shot. The camera pulls back to reveal the entire pristine beach with palm trees. In the foreground, the split coconut rests on the sand as waves lap at the shore. The video ends on this peaceful, golden scene. ZERO TEXT. Style reinforcement: seamless transitions, fluid motion, tropical atmosphere, consistent lighting, NO text, NO grid, NO numbers.

00:03 the shot pans a desk of code, a glowing keyboard and a phone

This is real early 2000s home video footage shot on a VHS camcorder at a crowded public swimming pool. The video has the typical grain, color, and soft quality of consumer video from that era. The camera is very shaky and handheld, starting with a wide open shot of the pool. In the middle of the pool, the water has been parted, creating a long empty strip without water, like a dry path down the middle. Moses is standing in the parted water, holding his arms open as he keeps the waters separated. A very fat man jumps off the diving board and falls straight down into the empty space where there is no water. Just before he hits the bottom of the pool, Moses quickly closes the waters. The man falls into the water instead of crashing onto the floor. He hits the surface hard and disappears under the water for a moment before coming back up. The shaky camera then quickly pans over to Moses, who is now standing normally in the water. He looks toward the camera, winks, and takes a shot of tequila from a small glass he was holding. The camera movement is extremely shaky and reactive the entire time, with constant handheld motion, motion blur, and the typical imperfections of someone filming with an old camcorder in a crowded place. There are several fast, unplanned cuts as the person filming tries to follow the action. Natural sound only: the big splash when the man hits the water, people gasping and reacting loudly, and general pool ambience recorded with the camcorder microphone. The result must feel like authentic raw early 2000s home video of someone casually filming a surreal moment at a public swimming pool.

Use the reference image as the base for the architecture, the shell tower, the small character, the color palette, the line work, and the cel-shaded lighting. Replace the flat purple background with a bright blue sky full of slow-drifting cumulus clouds: the shell tower now stands on an island of clouds high above the world. Extend the static image into living animation footage of a quiet moment in that same place. This is 1990s Japanese theatrical anime, hand-painted cel animation photographed on 35mm film. Cuts happen slowly, roughly every 2 to 3 seconds, moving between different views within the same scene: the full tower against the blue sky, closer shots of individual windows and weathered shutters, the white cloth flapping from the open window, the clouds drifting below the stone platform, and the small figure standing at the base looking up. The editing feels calm and deliberate, like the establishing shots at the beginning of a film. The camera is completely steady, either locked off or moving in slow horizontal and vertical pans, like a rostrum camera gliding over a painted background. Animation is limited and economical: the cloth and curtains flap in the wind, clouds drift slowly, the character's hair and coat stir slightly, everything else holds perfectly still. The footage has the texture of real hand-painted cel animation on 35mm film: visible film grain, slight gate weave, soft halation on bright edges, flat painted backgrounds with hard-edged shadow shapes. Natural sound only: wind, fabric flapping, the faint creak of wooden shutters, with the quality of a 1990s anime optical soundtrack, warm and slightly hissy. The result must feel like a genuine sequence from a 1990s hand-painted Japanese anime film, showing quiet everyday stillness around a giant shell tower standing on clouds under a blue sky, based directly on the reference image.

slow 20-degree rotation, product centered, label fictional, no zoom, no new objects, stable lighting.