Comedy Seedance 2.0 Prompts

Bullet time effect. A young woman in a mustard-yellow jumpsuit slipping and falling backward on a suburban sidewalk in front of a modest house with a wooden fence. A banana peel lies on the ground beneath her, implying the cause of the fall. Groceries burst out of a paper bag mid-air—fresh vegetables, tomatoes, oranges, leafy greens, a baguette, and an egg carton—all suspended in perfect stillness. Her body is tilted horizontally, limbs flailing, facial expression shocked and wide-eyed. All objects—food, packaging, and debris—are frozen in time, floating around her. The environment remains completely still while the camera smoothly orbits 360 degrees at a low angle, emphasizing the dramatic fall. Cinematic composition, overcast natural lighting, shallow depth of field, slight wide-angle lens distortion for dynamic perspective, highly detailed textures, photorealistic style.

Master Settings: Location: Sun-drenched park by vintage ice cream truck, afternoon, sunny breeze, playful tension. Lighting: Soft high-key, warm sun flares. Color: Bright pastels, warm golds. Film Look: Clean, hyper-real Pixar-style, expressive characters, slightly desaturated background, ARRI Alexa Mini LF. Music: Upbeat, whimsical strings/woodwinds. [00:00 - 00:03 | Establishing Shot] Crane up reveals Leo (7, energetic, messy ginger hair, blue tee) and Maya (6, braided hair, glasses, pink dress) circling the truck excitedly. [00:03 - 00:05 | Medium Shot (MS)] Leo tiptoes, reaching for melting cone; Maya watches. Leo: “I can almost reach it!” [00:05 - 00:06 | Medium Close-Up (MCU)] Push-in on wobbling strawberry-vanilla cone, dripping in sunlight. [00:06 - 00:08 | Extreme Wide Shot (EWS)] Dutch tilt: Leo on Maya’s shoulders, both wobbling comically. [00:08 - 00:09 | Over-the-Shoulder] Cone slips away; Leo deflates. Maya: “Careful, Leo!” [00:09 - 00:10 | Two Shot] Low-angle orbit as they huddle, forming a plan. [00:10 - 00:12 | Extreme Close-Up (ECU)] Leo’s fingers tremble inches from cone. [00:12 - 00:14 | Medium Wide Shot (MWS)] Leo on crate grabs cone. “Got it!” [00:14 - 00:15 | Medium Close-Up (MCU)] Ice cream smears on Maya’s face. “Ew, sticky!”

@GumVue

3D animated film style, ultra high quality, cinematic lighting, global illumination, soft shadows, depth of field, ultra detailed fur, cute characters, smooth animation, natural lighting, handheld camera feel, found-footage comedy style, realistic camera movement, playful atmosphere Scene: A group of fluffy forest rabbits stand in a bright forest clearing. The rabbits look directly into the viewer as if they are recording themselves. The camera is never visible at any time. The video feels like discovered footage recorded by the rabbits themselves. Characters: 4–5 cute fluffy forest rabbits, different sizes, expressive faces, soft fur, playful personalities Action Timeline Scene 1 Rabbits appear close to frame, looking directly at the viewer. Bunny 1 (curious): "Is this thing recording?!" Scene 2 Another rabbit gently pushes forward. Bunny 2 (excited): "Move! I'm the main character!" Scene 3 Another rabbit leans in. Bunny 3 (very excited): "Hello internet!!!" Scene 4 Another rabbit tries to squeeze into frame. Bunny 4: "Wait… I want to be famous too!" Scene 5 Rabbits gently push each other, trying to move to the front. They all look directly at the viewer. Cute, playful chaos. Bunny 2 (laughing): "Hey! Give me space!" Bunny 3: "No, me first!" All rabbits softly giggle and continue gently pushing. Scene 6 (Ending) One calm rabbit steps slightly forward. Bunny 5 (calm, smart bunny): "No… they'll probably Follow to Oogie' on X." All rabbits suddenly pause. They slowly turn and look directly at the viewer together. Short silence. Then all rabbits smile at the same time. Camera: POV camera, direct-to-camera talking, handheld feel, gentle natural movement, close-ups, cute framing, camera never visible, no camera falling, stable handheld Audio: Cute bunny voices, soft wind, forest ambience, light giggles, gentle movement sounds Mood: Cute, funny, wholesome, viral-style social media content Ultra detailed, cinematic lighting, 4K, smooth animation, soft fur, expressive animation, high quality rendering

@oggii_0

Character tone: high-end romantic comedy, deadpan flirtation, over-serious male lead, quick-witted female lead, cinematic realism, sweet-chaotic chemistry, every frame like a poster Male lead: bespoke black suit, white shirt collar slightly open, handsome and severe, powerful aura, trying very hard to look cold and dominant, but secretly nervous and flustered, tiny tells betray him: slightly crooked tie, tight jaw, faintly trembling fingertips Female lead [@ Image1]: fitted slip dress / refined Chanel-inspired set, long hair slightly messy, elegant and soft-looking but emotionally sharper than him, stubborn, dryly funny, outwardly cornered for a moment, then visibly unimpressed, holding back laughter Action + expression changes: the male lead forcefully steps in for a dramatic wall-pin pose, one hand braced on the wall, closing the distance too seriously, trying to look intense; his expression starts cold but gradually cracks into restrained embarrassment the female lead [@ Image1] steps back once, eyes widening, then notices his crooked tie and trembling hand; her expression changes from guarded resistance to deadpan disbelief and almost-laughing annoyance their noses nearly touch, breathing overlaps, the tension becomes playful and absurd instead of painful the male lead lightly lifts her chin, trying to recover his cool image; the female lead stares at him like she is watching someone forget his own script Dialogue: Male lead: Are you done yet? Female lead [@ Image1]: Fix your tie first. Male lead: I am being serious. Female lead [@ Image1]: Then stop stepping on my heel. Male lead: ...That was deliberate. Female lead [@ Image1]: Your shaking hand says otherwise.

Scene: A dimly lit bedroom at night. Warm, soft bedside lamp lighting creates a calm and cozy atmosphere. Subtle volumetric light rays and global illumination enhance depth. Ultra-clean environment with cinematic depth of field. The camera slowly moves toward the bed in high-end cinematic quality. Subject / Character: A middle-aged man sleeping deeply in bed, relaxed and unaware, highly detailed skin texture, subtle breathing motion A small, cute, highly expressive 3D Pixar-style mosquito holding a tiny microphone, stylized but with physically accurate materials (subsurface scattering, glossy eyes, detailed translucent wings) Action Timeline: The mosquito flies close to the man’s face and hovers steadily in the air with subtle wing motion blur The mosquito remains perfectly stable before impact, with zero drifting or random movement It begins performing the uploaded song, perfectly lip-syncing into the microphone with expressive facial animation The camera slowly dollies in, focusing on the mosquito’s performance with sharp focus and cinematic bokeh The man remains fully asleep throughout the song, showing no reaction As soon as the song ends, the man reflexively swings his hand without opening his eyes The hand clearly and visibly hits the mosquito mid-air (explicit contact moment must be shown in frame) At the exact moment of impact, the mosquito slightly squashes to emphasize collision (cartoon physics) The mosquito must NOT move before contact — its motion starts ONLY as a direct result of the hit The mosquito is launched at extremely high speed in the exact direction of the hand swing (clear cause-and-effect physics) The camera quickly switches to a fast dynamic tracking shot, following the mosquito mid-air with strong motion blur and cinematic speed ramp Add subtle air displacement / motion ripple following the hand swing to emphasize force direction The mosquito crashes violently into the wall Upon impact, cartoon-style spinning stars appear around its head, with slight wall crack detail for comedic exaggeration Immediately after the wall impact, the mosquito loses grip of the microphone The microphone continues slightly upward due to inertia, then falls from the air and hits the mosquito’s head with a small comedic bounce The mosquito falls down to the floor, dizzy and disoriented, eyes spinning The microphone rolls slightly on the floor after hitting the head Camera: Start: Slow cinematic dolly-in toward the bed (high-end film look) Mid: Extreme close-up on mosquito performance (sharp focus, creamy background blur) Impact: Camera angle must clearly show BOTH the hand and mosquito in the same frame during the hit (no cut before contact) Action: Fast dynamic tracking shot with motion blur and speed ramp Impact moment: subtle camera shake + micro vibration for realism End: Slight top-down angle as the mosquito falls to the floor, holding on final comedic frame Audio: Main audio: User-uploaded song synced perfectly to mosquito performance (lip-sync) Background: very subtle nighttime room ambience Impact sound: exaggerated cartoon “thud / boing” effect Microphone drop: light metallic hit + comedic bounce sound After impact: light cartoon sparkle / dizzy sound Style: High-end 3D Pixar-style animation (fully volumetric, not flat) Ultra high resolution, extremely sharp, cinematic render quality (4K–8K feel) Physically based rendering (PBR materials, global illumination, soft shadows) Cute but highly expressive character animation Exaggerated cartoon physics (squash & stretch) Smooth motion blur, depth of field, and film-grade lighting Clean, polished, studio-quality final look

@Logolumos

Generate a video based on the storyboard in 画像1 . funny BGM

@ponzponz15

Theme: Humorous Ragdoll cat salon haircut transformation Visuals: Professional pet salon setting with a ring light, close-up shots of a fluffy Ragdoll cat wearing a black grooming cape, realistic grooming tools and techniques creating a comedic “bowl cut” hairstyle Camera: Close-up macro shots, alternating between front view, side profile, and top-down angles Style: High-key lighting, realistic, comedic pet content, ASMR grooming aesthetic Action: The human hand gently combs through the Ragdoll cat’s silky, long fur upward — soft brushing sounds + smooth fur rustling [cut] Side profile: water mist sprays onto the Ragdoll cat’s head, fur becomes slightly damp and sleek — spray bottle sound + fine water misting [cut] Top-down view: scissors trim a straight line across the wet fur held by the comb — snipping sounds + precise cutting motion [cut] Front view: thinning shears rapidly texturize the front “bangs” — quick snipping sounds + soft fur thinning texture [cut] Side profile: hairdryer blows air, silky fur fluffs up and flows gently in the wind — dryer hum + soft whooshing [cut] Front view: final touch-ups with comb and scissors perfect the round bowl cut shape — gentle combing + tiny snips [cut] Final reveal: the Ragdoll cat sits elegantly with a perfect mushroom-shaped bowl cut, blinks slowly and looks side-to-side at the camera — soft content purring

@doctorwasif

FORMAT: 8–10s / cinematic animation / continuous shot STYLE: High-end 3D animated film style, soft global illumination, detailed fur simulation, expressive facial animation CAMERA: Medium close-up tracking shot, slightly low angle, smooth forward movement with subtle handheld feel SCENE: Quiet residential street in soft daylight, warm tones, clean sidewalk, house entrance in background SUBJECT: Fluffy gray cat sitting inside a baby stroller, oversized expressive eyes, detailed fur, slightly chubby proportions ACTION: 0–3s: Cat looks forward calmly Ears twitch slightly, subtle idle movement 3–6s: Sudden change — cat reacts aggressively Eyes widen, mouth opens wide, sharp exaggerated scream expression One paw lifts and points outward as if yelling at someone 6–9s: Cat continues yelling with chaotic energy Body shakes slightly, fur reacting dynamically Stroller moves slightly from the force of movement STYLE NOTES: Highly expressive animation, exaggerated but believable motion, no glitches, clean rendering

FORMAT: 8s / ONE CONTINUOUS SHOT / MEDIEVAL ABSURD COMEDY / BULLET TIME SETUP CHARACTER: @Image1 as facial reference. A medieval knight with a modern twist: weathered steel plate armor, dark surcoat with faded sigil, leather gauntlets, sheathed broadsword at the hip, dusty boots, stubble, dark hair. Signature dark sunglasses (anachronistic — part of his iconic look, NEVER remove). ENVIRONMENT: A vast post-battle medieval field at dusk. Trampled muddy ground, broken weapons, torn banners stuck in the earth, smoking remains of a small camp in the background. Heavy gray sky with dark clouds, distant orange glow from setting sun. Thick smoke drifting low. Crows circling far away. STRUCTURE: 0-3s — STATIC SETUP: The knight stands MOTIONLESS in the middle of the field, hand on the pommel of his sheathed sword, gazing up at the darkening sky. He does NOT walk, does NOT move his body. Completely still, like a soldier surveying the aftermath. Only movement: surcoat and dark hair shifting in the wind, smoke drifting, distant banners flapping. Camera positioned behind him at low angle, slow subtle push-in toward his back. Face NOT visible. 3-5s — THREAT: A massive dragon (real photographic anatomy in the Game of Thrones Drogon register, dark leathery wings, scaled muscular body, glowing orange eyes, jaws opening to reveal sharp teeth and a glow of fire building inside its throat) descends from the dark sky directly ahead of the knight, wings folded back in a steep dive, framed against the orange horizon. Camera still behind. Knight remains MOTIONLESS. 5-8s — BULLET TIME: At the peak of the dive, time FREEZES for the entire world EXCEPT the knight. Dragon hangs suspended directly ahead, wings outstretched, jaws wide open at chest level with a glowing ember of fire at the back of its throat. Smoke, banners, crows freeze. Camera begins a slow horizontal arc around the knight from behind toward his right side, revealing his profile (sunglasses visible) — calm, almost bored, still gazing up. REALISM_DIRECTIVE: Photorealistic cinematic footage, Arri Alexa Mini anamorphic. NOT 3D, NOT stylized, NOT cartoon, NOT Disney — pure photographic realism, Game of Thrones photoreal register. CRITICAL CONSTRAINTS: 1. KNIGHT STATIC throughout 0-5s — no walking, no body motion. 2. DRAGON descends from SKY ABOVE, directly ahead, jaws open at chest height. 3. SWORD stays sheathed. Hand on pommel. 4. SUNGLASSES ON throughout. NEVER remove. 5. PHOTOREAL DRAGON: GoT Drogon register, NOT stylized fantasy. NO MUSIC. FORMAT: 8s / ONE CONTINUOUS CLOSE-UP SHOT — NO CUTS / MEDIEVAL ABSURD COMEDY / BULLET TIME ACTION + RELEASE START_FRAME: @Image1 is the start frame. Scene begins exactly as shown: close-up of a medieval knight on a post-battle field at dusk, dark sunglasses, weathered plate armor, dark surcoat, stubble, calm expression. He stands in profile, looking toward his right where a massive dragon hangs suspended frozen in mid-air just out of the close-up frame, jaws partially open with a glowing ember of fire at the back of its throat. Time is frozen except for the knight. CHARACTER_CONSISTENCY: - @Image2: contextual reference for dragon's full body and photoreal anatomy (GoT Drogon register). - @Image3: facial reference. Knight's face identical to @Image1 and @Image3 throughout. STRUCTURE — ONE continuous tight close-up framing knight + dragon's head together. NO wide shots, NO reframing, NO cuts. 0-4s — ABSURD ACTION (during bullet time): The knight calmly steps slightly closer to the dragon's frozen head. He pulls a long raw sausage from a pouch at his belt. He holds it with one hand JUST IN FRONT of the dragon's open mouth, close to the teeth but clearly OUTSIDE the jaws. The sausage hovers in the radiant heat from the dragon's suspended inner fire and instantly cooks — sizzling, juices forming, golden brown crust caramelizing. Dragon and environment remain absolutely frozen. Only the knight moves at real-time speed. 4-6s — TIME RELEASE: Time snaps back. The dragon registers what happened — glowing eyes widen in clear surprise, jaw slackening in an unmistakable "oh!" expression. It awkwardly halts its dive and drops down, landing heavily on the muddy ground close in front of the knight. Camera stays close. 6-8s — FINAL STATE: The knight calmly takes a relaxed bite of the cooked sausage held in his hand, chewing with satisfaction. The dragon sits awkwardly on its hind legs at his level, head lowered, eyes following him eating, tail sweeping slowly — visibly embarrassed, like a predator who forgot the plan. CRITICAL CONSTRAINTS: 1. ONE CONTINUOUS SHOT 0-8s. NO cuts, NO reframing to wide. 2. BULLET TIME PHYSICS: dragon ABSOLUTELY frozen during 0-4s. Only the knight moves at real-time speed. 3. SUNGLASSES ON throughout. 4. SAUSAGE held JUST IN FRONT of mouth, NOT inside the jaws. Knight holds it the entire time. 5. DRAGON "OH" reaction at time release. Then sits embarrassed, head lowered. NO MUSIC.

@Yoni_attlan

FORMAT: 10–15s / cinematic sequence / dialogue-driven pacing STYLE: European cinema tone, natural lighting, soft film grain, realistic color palette CAMERA: Slow dolly and medium close-ups, occasional over-the-shoulder shots, grounded framing SCENE: Old city library, tall wooden bookshelves, warm daylight through windows, quiet atmosphere SUBJECT: Young librarian, composed but slightly tense, wearing simple professional outfit and glasses SUPPORTING CHARACTERS: Group of noisy young men, casual, slightly chaotic energy ACTION: 0–4s: Librarian organizing books Notices noise off-screen, pauses and looks up 4–8s: Camera reveals group talking loudly, ignoring rules She approaches calmly but firmly 8–12s: Short confrontation moment She signals for silence, tension builds but stays comedic 12–15s: They react awkwardly Scene holds on her expression — controlled but clearly done with it STYLE NOTES: subtle humor, character-driven, no exaggeration, natural performance

经典的复古迪士尼动画风格。场景一：在一艘航行于大海的海盗船上，一个肥胖阴险的鳄鱼海盗站在一块木板的末端。三个鸟海盗在船上观望，另一个鸟海盗则站在木板的起点，用剑指着鳄鱼海盗。鳄鱼海盗身穿无袖紧身衣，肌肉发达，他挑衅地看着鸟海盗们，虽然有些不知所措，但并不打算放弃。鸟海盗们则带着邪恶的笑容注视着鳄鱼海盗。气氛紧张，鸟海盗们希望鳄鱼海盗能从木板上跳下去，落入下面的大海。场景二：鸟海盗说一切都结束了。他用爪子猛击木板，木板摇晃起来。鳄鱼海盗失去平衡，从木板上掉了下去。场景3：鸟海盗们发出邪恶的笑声，但随即发现鳄鱼海盗并没有掉下去。相反，他正用一只手抓住木板的末端，手臂伸得笔直。场景4：镜头特写鳄鱼海盗的上半身，鸟海盗带着一丝狡黠的微笑俯下身，伸出一根羽毛，指向鳄鱼海盗抓住木板的那只胳膊的腋窝，说道：“是时候放声大笑了。”场景5：镜头特写羽毛在鳄鱼的腋窝里蠕动，伴随着滑稽的音效。与此同时，我们听到鳄鱼发出咯咯的笑声。场景6：镜头聚焦在悬在空中的鳄鱼的上半身，它傻笑着，闭着眼睛，发出闷闷的笑声，羽毛继续挠着它的腋窝。场景7：镜头扫过鳄鱼海盗的全身；鸟海盗继续挠他的腋窝，很快鳄鱼海盗就哈哈大笑起来。场景8：鸟继续挠鳄鱼海盗的腋窝，逗得他哈哈大笑。突然，鳄鱼海盗笑得太厉害，抓着木板的手松开了，掉进了海里。鸟海盗最后狡黠地轻笑一声，脸上带着满足的笑容，重新站回了木板上。英文语音。

@migrok293703

核心风格：80年代香港邵氏僵尸电影美学，复古港风恐怖片，AI真人电影质感，结合中式僵尸题材的惊悚氛围与青春甜妹的反差感，戏剧张力拉满，电影级叙事镜头，港式恐怖片的经典运镜与构图，强戏剧冲突感，略带复古胶片颗粒感。画面质感：4K超高清，电影级细腻画质，胶片颗粒质感，暖调复古港风色彩，柔和的室内打光，皮肤质感通透自然，发丝根根分明，高动态范围，画面层次丰富，光影对比柔和，80年代邵氏电影的色彩美学，镜头带有轻微的复古柔焦效果，动态捕捉精准，猫咪动作丝滑自然，表情捕捉细腻生动，画面无Al失真，无畸形，人物五官精致自然，皮肤纹理真实，衣物细节清晰，画面整体色调偏暖粉调，带有旧港片特有的朦胧氛围感。场景设定：民国古色古香的闺房卧室，雕花红木床架，粉色条纹纱质窗帘，暖黄色的室内光线，柔软的绸缎床品。镜头1(3s)景别：中景运镜：固定画面：卧室内，女主【图片1】没穿袜子的样子，坐在床边正穿丝袜，一只奶牛猫走进来音频：BGM:轻快俏皮配音：猫：“主人，把你袜子借我用一下!”镜头2(2s)景别：特写运镜：固定画面：女主疑惑看向猫音频：配音：女：“你拿袜子干嘛?”镜头3(3s)景别：特写运镜：固定画面：猫咪一本正经音频：配音：猫：“去银行取钱，没有袋子。“镜头4(2s)景别：中景运镜：固定画面：女主无奈，把丝袜甩给猫音频：配音：女：“行，取来的钱记得分我一半!"镜头5(4s)景别：中景/跟拍运镜：平移画面：两只猫戴丝袜头套，背着/拖着一堆美元走进房间(劫匪既视感)音频：BGM:突然切紧张动作风配音：猫：“主人，我们回来了!”镜头6(1s)景别：特写运镜：固定画面：女主瞬间崩溃尖叫音频：配音：女：“啊?!!”

@john87445528

realistic live-action, single continuous shot, full first-person POV, no cuts, no angle changes, no scene transitions, no montage, no flash cuts, no music, no subtitles. Only two characters: my unseen first-person POV and @ Image1 sitting across from me. Natural ambient sound only: light restaurant noise, tableware, distant water, faint voices, chewing, spitting, rinsing, my laughter. Setting: Outdoor dining table beside West Lake, Hangzhou, near the water, calm daylight or soft late afternoon light. Real smartphone-video realism, grounded textures, realistic food, realistic body and hand motion, accurate chopstick use, accurate mouth movement, accurate eye focus. The lake stays visible to one side of frame. Character: @ Image1 is the only visible person. She can switch seamlessly between slightly fierce-cute and soft adorable. Lip sync, voice, expressions, and body language stay fully synchronized. Emotional arc: cheerful and relaxed while eating, then shocked disgust, then angry embarrassment. Table: Exactly 7 dishes on the table. One dish is the West Lake vinegar fish shown in @ Image2. @ Image1 is happily eating rice and the other dishes, but not the fish at first. The table feels full but readable. The fish dish remains clearly visible before I offer it to her. Camera: Entire video is from my seated first-person view across the table. My hand and chopsticks may enter frame naturally. Slight handheld micro-shake from breathing and laughter only, never chaotic. No third-person shots, no reverse shots, no overhead shots, no cutaways. Continuous believable framing centered on @ Image1 with part of the lake visible. Action: @ Image1 sits opposite me, happily eating from her bowl, enjoying rice and other dishes except the West Lake vinegar fish. She looks bright, playful, relaxed, cute. From first-person POV, I pick up one bite of the fish with chopsticks and slowly extend it toward her. She notices it immediately, trusts me, leans forward, opens her mouth happily, and makes a cute “aam” sound as she bites the fish. I gently pull the chopsticks and my hand back out of frame. She chews happily for about one second, expecting it to taste good. Then the taste hits. Her expression changes instantly into exaggerated but believable disgust. Her face shifts into a comedic purple-disgust reaction while staying within realistic live-action style. She quickly turns toward the lake and spits it out with repeated “ptui, ptui, ptui” sounds. The motion is fast, fluid, and continuous from chewing to rejection. The moment she starts spitting, I begin laughing in first-person POV and keep laughing through the whole reaction. My laughter sounds genuine, amused, and uncontrollable, coming from behind the camera. The camera shakes slightly from laughing. After spitting, @ Image1 sticks out her tongue in disgust, immediately grabs the water on the table, and rinses her mouth quickly. She looks offended, embarrassed, irritated, but still vivid and cute. After rinsing, she snaps into angry frustration, grabs the entire fish dish from the table, and throws it into the nearby lake in one continuous motion. Ending: She finishes the throw angrily, still facing the lake, clearly annoyed and feeling betrayed, while I remain in first-person POV laughing. Keep the action continuous and clean. No extra characters enter frame.

A photorealistic 16:9 in-game screenshot of a fictional next-gen open-world RPG titled "BULK: A Members-Only Adventure". Third-person over-the-shoulder camera following the player character — a tired suburban mom in yoga pants pushing an oversized flatbed cart down the aisle of a Costco warehouse store. Scene captures hyper-realistic warehouse lighting, towering pallet stacks, a free sample station ahead with an NPC in a hairnet glowing with a yellow exclamation mark above her head. Game HUD overlay: top-left mini-map showing aisle layout with quest markers; top-right stamina bar labeled "PATIENCE" three-quarters full; bottom-left compass with objective text "PRIMARY: Locate Kirkland Almond Butter (Aisle 11)" and below "SECONDARY: Sample 3/5 cocktail meatballs"; bottom-right item quick-slots showing membership card, car keys, snack bar; center crosshair with subtle interaction prompt "[E] Take Sample". Cinematic depth of field, slight chromatic aberration, photo-mode quality. All UI text crisp and legible. Realistic Costco signage in background spelled correctly. No watermark, no real Costco logo (use generic warehouse-club aesthetic).

@ChangningL29508

请制作一段以怪物沃里克为主角的动画短片。此时，一群祖安士兵正驾驶机甲将一些重要货物吊到空中。怪物沃里克发现了这一幕，他纵身跃起，高举双臂抓住货物。两只末端戴着手套的机械臂伸向沃里克，靠近他裸露的腋窝。手套开始挠沃里克的腋窝，手指扭动着，发出“痒痒痒”的声音。与此同时，我们可以听到沃里克闷闷不乐的笑声，随后看到他咧嘴大笑，露出傻乎乎的表情，笑声也更大了，表明他非常怕痒。手套继续在沃里克的腋窝里扭动手指，沃里克也放声大笑，最后松开了货物，笑得前仰后合，摔倒在地，祖安士兵则趁机逃走。场景中不要出现突兀的停顿。

@migrok293703

A Chinese mythical youth with two bun hairstyles, a red mark on the forehead, and wearing a red ribbon, walks into a Chinatown filled with red lanterns. He is searching for a group of yellow capsule-shaped creatures with single or double eyes, wearing blue overalls. Subsequently, the youth engages in a humorous chase with these yellow small creatures, waving his red silk ribbon.

@Dow Ma

A strikingly confident young woman strides through a sleek modern office lobby in slow motion, hair flowing perfectly, designer outfit immaculate, sunglasses on she owns every inch of the room. The camera tracks her at a low angle, epic orchestral music building to a crescendo. Other people turn to watch in awe. She raises her chin slightly, the picture of absolute confidence. Then SMACK she walks full-speed into a spotless glass door. The impact ripples across the glass in slow motion. Her sunglasses slide down her nose. Papers fly in the air around her. The camera slowly zooms into her frozen expression of stunned disbelief. She straightens up, smooths her jacket, fixes her glasses, and walks away as if nothing happened pure dignity. The music swells dramatically as she disappears around the corner, and one bystander slowly slow-claps.

@jasminekhan90_

Make a horror and thriller like ad of pop tarts with a comedic plot twist at the very end. use me as the character I need you to create an insanely dynamic and over-the-top k-pop music video using CAMI character ref. please research first some blackpink over music video moments, and use it as a video reference. use the short ads skill, create a video of you in Versace, fashion campaign vibe, absolutely cinematic and cool, ends with a black screen Can you research that seedance asian drama with the slap? and then use it as reference but with these two characters (Shiro and Cami) to recreate the same scene. use the Short Ad Skills to create Mello Yello ad. Make an ad for a VW Beetle. Gen Z hyperpop chaos style — BOING entry, anime headlight eyes, deconstruction, meme infographics, rainbow confetti, hyperpop beats. VO: "Volkswagen Beetle. Born to stand out."

@pika_labs

Format: horizontal 16:9 Duration: 15s FPS: 24 Style: cinematic podcast show, American dark comedy, subtle absurdism, claymation + semi-realistic hybrid Audio: light lo-fi podcast intro → awkward silence → sudden TV SFX → audience laugh track + applause Lighting: warm studio key light, soft shadows, slight flicker from old TV 0:00–0:02 — Establishing wide shot A cozy recording studio. LEFT: a white cat host wearing silver-rim glasses, pink dress, lavender eyeshadow, bright red lipstick, resting chin on one hand, bored elegance. Beside her, an old CRT TV (screen off, dusty). RIGHT: Einstein as a clay puppet, oversized head, messy white hair, wrinkled suit, holding a book titled “AI Physics.” Soft lo-fi intro music fades. HOST (dry tone): “So, Professor… what do you think about Cat Master making dumb comedy videos?” 0:02–0:04 — Medium close-up on Einstein He adjusts the book slowly, eyes slightly unfocused but confident. EINSTEIN: “In my professional opinion… stupidity is a fundamental force of the universe.” Audience: light chuckle 0:04–0:06 — Shoulder view from behind host toward Einstein Einstein leans forward slightly, more engaged. EINSTEIN: “And Cat Master… is simply harnessing it.” Audience: louder laughter + claps 0:06–0:07 — Quick close-up on host (NEW BEAT) She raises one eyebrow slightly, curiosity breaking her bored expression. HOST (short, curious): “…Harnessing it?” 0:07–0:09 — Sudden TV activation (wide shot) The CRT TV beside the host flickers ON with a loud bzzt. Static → cuts to chaotic footage: An orange cat in a gray Taoist robe fighting suited hyenas wearing sunglasses in an ancient courtyard (sanheyuan), dust flying, exaggerated kung-fu chaos. 0:09–0:11 — Close-up on Einstein, TV light flickering on his face He watches intensely, eyes widening like revelation. EINSTEIN (excited whisper): “This… confirms my theory.” 0:11–0:12.5 — Insert TV footage (dynamic zoom) Orange cat launches into absurd slow-motion spin kick while hyenas dramatically overreact. Audience: explosive laughter 0:12.5–0:14 — Close-up on Einstein He raises one finger like a genius breakthrough moment. EINSTEIN: “Quantum physics suggests… a parallel cat universe.” 0:14–0:15 — Wide shot (final punchline) Host side-eyes the camera. Einstein stares directly forward. EINSTEIN (dead serious): “Also… statistically speaking… the audience might be AI.” Beat. Audience: HUGE laughter + applause TV flickers. Freeze frame energy. End.

@drjoetw

Nostalgic 1986 American summer comedy, Fast Times at Ridgemont High aesthetic with golden-hour polish. A sun-drenched beachside diner at magic hour — red vinyl booths, chrome edges, a lazy ceiling fan, a Coca-Cola neon sign buzzing in the window. Two friends in their early twenties sit across from each other in a booth: Jessie in a red tee tied at the waist and denim cutoffs, long blonde hair in a loose ponytail; Mara in a fitted white t-shirt and faded Levi's, dark wavy hair. Between them sits a shared banana split with two spoons, towering whipped cream, one maraschino cherry on top. Outside the window, a red Corvette, the Pacific glinting gold behind it. [0s–4s] Medium shot of the booth, slow push-in. Jessie and Mara both eye the cherry at the top of the sundae. They glance at each other, then back at the cherry. A slow, knowing smile spreads across each face. Mara's hand drifts toward her spoon. [4s–8s] Whip-pan to a tight two-shot across the table. Both friends reach for the cherry at the same time — their spoons meet in the air with a bright ting. They freeze, eyes locked across the sundae. The ceiling fan spins lazily above them. A bead of melted ice cream rolls down the glass. [8s–12s] Cut to a low angle between their faces. They slowly lower their spoons, still staring each other down. Jessie raises one eyebrow. Mara raises one eyebrow back, higher. Jessie raises both. Mara raises both and adds a smirk. Jessie cracks first, bursts out laughing, throws her head back. Mara laughs too. [12s–15s] Wide pull-back. Mara, still laughing, casually picks up the cherry with her fingers and eats it in one bite. Jessie's laugh cuts off. Her jaw drops. Mara shrugs, grins directly at the camera. Freeze- frame on Jessie's shocked expression, Mara mid-grin. Warm 3600K golden-hour sunlight streaming through the windows as key, cool 5200K fluorescent fill, soft pink neon spill from the Coke sign, rim-lit blonde hair. 1986 Kodachrome palette — cherry reds, butter cream, denim blues, chrome silver. Anamorphic 2.39:1, shallow DOF, visible 35mm grain, subtle film-halation on highlights. Audio: Fender Rhodes groove underneath, a sax riff entering at 4 seconds, ambient diner sounds (sizzling grill, distant jukebox, quiet chatter), a bright metallic ting on the spoons meeting at 5 seconds, both friends' laughter at 10 seconds, a single vinyl record-scratch when Mara takes the cherry at 13 seconds. No dialogue. Maintain distinct identity: Jessie in red with blonde ponytail, Mara in white with dark wavy hair. No color or hair swaps. Preserve sundae geometry, stable booth layout. Avoid morphing between the two characters. --duration 15 --camerafixed false --ratio 21:9

主题： 一只认真到离谱的猫，在现代化家庭厨房里做番茄炒蛋，整个过程像史诗级料理任务，严肃又搞笑。 人物： 一只圆脸橘色虎斑猫，胖乎乎，表情极其严肃，像专业大厨一样专注。它站在灶台前，用猫爪握着木铲翻炒番茄炒蛋，动作笨拙但充满仪式感。 服装： 黑色小厨师围裙，围裙正面有白色中文文字。 重要：如出现文字，必须精确拼写为“认真做菜”，勿更改、勿翻译、勿变形。所有镜头中文字保持可见、可读、字体一致。不要出现其他文字。 环境： 现代化家用厨房，深色橱柜，干净石英台面，嵌入式燃气灶，暖色柜底灯，背景有锅具、鸡蛋、番茄、葱花、小碗和木质砧板。厨房整洁高级，但猫做菜的行为带来反差喜感。 氛围： 严肃、紧张、荒诞、可爱、电影感强。像一场决定命运的料理比赛，但主角是一只猫。节奏快速，动作清晰，笑点来自猫的认真表情和夸张的厨师姿态。 音乐： 严肃管弦乐 + 低音鼓点 + 轻微喜剧拨弦，约100 BPM。前半段像史诗任务，后半段加入滑稽节奏，最后以庄严收束音结束。 色彩逻辑： 主色为暖黄、深灰、番茄红、鸡蛋金黄。厨房背景偏高级冷灰，锅中番茄炒蛋颜色鲜亮，火焰和蒸汽营造热烈视觉中心。 风格： 电影广告质感，高清写实，轻微夸张喜剧风，快速剪辑，浅景深，动态运镜，食物特写诱人，猫的表情要连续一致。 逻辑规则： 保持同一只橘色虎斑猫；保持黑色围裙和“认真做菜”文字一致；保持现代厨房空间一致；不要加入人类或其他动物；不要切换到无关场景；整个视频控制在15秒左右；镜头切换快速但动作清晰；番茄炒蛋从下锅、翻炒到出锅形成完整递进。 镜头1： 近景，35mm，低机位缓慢推进 / 橘猫戴着黑色围裙站在灶台前，眼神严肃盯着锅 / 围裙文字“认真做菜”清晰可见 / 音效：低沉鼓点开始。 镜头2： 特写，85mm，俯拍 / 猫爪把切好的番茄推入热锅，油花轻微飞溅 / 红色番茄与黑色锅形成强对比 / 音效：滋啦声。 镜头3： 中近景，50mm，手持轻微晃动 / 猫双爪握木铲，笨拙但认真地翻炒番茄 / 猫脸严肃得像在执行重大任务 / 音效：管弦乐加强。 镜头4： 极近特写，100mm微距 / 金黄色鸡蛋液倒入锅中，迅速凝固，与番茄混合 / 食物色彩鲜亮诱人 / 音效：鼓点加快，轻微喜剧拨弦。 镜头5： 中景，35mm，横向跟拍 / 猫用力一翻锅，番茄炒蛋短暂腾空，动作夸张但不混乱 / 蒸汽升起，火焰跳动 / 音效：夸张“呼”的一声。 镜头6： 近景，70mm，快速推近 / 猫停顿一秒，眯眼审视锅里的菜，表情像严厉大师 / 严肃与可爱形成强反差 / 音效：音乐突然短暂停顿。 镜头7： 成品特写，50mm，缓慢下移 / 番茄炒蛋被盛入白色盘子，颜色红黄鲜亮，热气上升 / 猫爪把盘子推到镜头前 / 音效：庄严收束音。 镜头8： 正面中近景，35mm，轻微推进 / 橘猫站在盘子后面，仍然一脸严肃，像完成了伟大使命 / 围裙文字“认真做菜”最后一次清晰可见 / 音效：严肃管弦乐结尾加入一个滑稽小音符。

@dapenti

[1-2s] MCU 50mm Desk. Close up of laptop screen with cluttered tabs. Cut to: [3-4s] MCU 50mm The man looks at his computer, trying to work. Blob holds a phone with cat videos in front of him. His eyes drift to the phone. Cut to: [4-5s] MCU 50mm — Close up of the smartphone

@angelveedal

[CINEMATIC SETUP] Full-color 3D animated comedy short, cinematic cartoon style, bright sunny park, polished lighting, expressive faces, vibrant colors. Keep left-right continuity: the squirrel always runs from screen left to right straight toward the raccoon and donut box. The raccoon stays by the bench. [CHARACTERS] Chubby donut-loving raccoon with striped tail. Small hyperactive squirrel with fluffy tail. [TIMELINE] 0–1.5s: [Wide / Static] Raccoon finds a donut box on a park bench. 1.5–3s: [Medium / Push-In] Raccoon opens the box in awe. 3–4.5s: [MCU / Pan] Raccoon hears rustling from screen left and looks that way. 4.5–6s: [Wide / Tracking] Squirrel sprints from screen left toward the bench and donut box. 6–7.5s: [Medium / Push-In] Raccoon protects the donut box. 7.5–9s: [Close / Forward] Squirrel crashes into raccoon, donuts fly. 9–11s: [Close / Tight] Both scramble for falling donuts. 11–13s: [Medium / Static] Both freeze, each holding half a donut. 13–15s: [Wide / Final Hold] They glare, then bite at the same time. [STYLE & QUALITY] Sunny park, green grass, grey-brown raccoon, orange-brown squirrel, pink icing, smooth comedic timing.

@MayorKingAI

STYLE: High-end stylized 3D animated character, cinematic lighting, expressive faces, polished materials, exaggerated but believable motion, comedic visual storytelling with split-screen sequences. WARDROBE: Man Image2 — oversized graphic tee and jogger pants entire film, never changes. Woman Image1 — western casuals shots 1–6, sharp blazer trousers and heels shots 7–13, nighty shots 14–15. Daughter — school uniform shots 4–6. ENVIRONMENT: Shared bedroom, kitchen, building gate, metro station, footwear design studio, conference room, home living room, bedroom at night. MOOD: Chaotic, rushed, comedic exhaustion, blissful obliviousness, ending in tender defeat. SHOT 1: ECU, 85mm push-in / Alarm on bedside table, screen shows 6:00. Her hand shoots out and kills it. His hand pulls the blanket up tighter. SHOT 2: MCU, handheld 50mm / She sits up, looks at him buried under the blanket, says: "Get up." He says: "Two minutes." He will not get up. SHOT 3: MS, 35mm slide / She is in the kitchen, eggs on the pan, tiffin box open, phone wedged between ear and shoulder, all three burning simultaneously. SHOT 4: Top-down detail shot, 35mm / She ties the daughter's hair with one hand while checking the tiffin with the other. The daughter squirms. The eggs go cold. SHOT 5: MCU, 50mm / SPLIT SCREEN begins. Left: she stuffs the daughter into school shoes, zips the tiny backpack, grabs her own bag, pushes them both toward the door. Right: he rolls over, opens laptop in bed, starts typing a prompt, face glowing, completely serene. SHOT 6: WS, 24mm / She walks the daughter down to the building gate in casuals, waits for the school van, waves it off, turns around and sprints back upstairs to get ready. No time. SHOT 7: MS, 50mm snap push / SPLIT SCREEN. Left: she squeezes into the metro fully dressed in blazer and heels, crushed between strangers, tablet open, reviewing shoe sketches with her thumb. Right: he sits at his desk, cracks his knuckles slowly, says to himself: "Let's create." SHOT 8: MCU, 50mm / SPLIT SCREEN. Left: conference room, her foreign boss holds up a heel and says in a clipped accent: "The toe box. It needs to breathe more." Her pen taps the sketchbook. Right: his AI video finishes rendering. He leans back, crosses arms, watches the view counter. Nods. Types: "Not bad." SHOT 9: MS, 35mm / SPLIT SCREEN. Left: she presents a mood board, points at materials, answers three questions at once, measuring tape around her neck. Right: he enrolls in a new AI course, credit card in hand, eyes lit up like a child at Christmas, says: "This is the one." SHOT 10: WS, 35mm / SPLIT SCREEN. Left: she is last to leave the studio, turns off the light herself, bag heavy, heels off in her hand, phone shows 8:47 PM. Right: he wraps up a video call about AI, stretches big, says to the room: "Productive day." SHOT 11: MCU, handheld 50mm / She walks in the front door still in her blazer. He looks up warmly and says: "You're back! I made tea." ECU on the single cup. His mug. His tea. SHOT 12: MCU, 50mm / She stares at the cup. Then at him. Then at the kitchen. She puts her bag down, kicks off her heels, and walks into the kitchen still in her blazer. SHOT 13: WS, 24mm / Family dinner. Daughter chatters. He describes an AI-generated image with his hands: "It was a mountain, but make it cinematic." She passes everyone food. Serves herself last. Eats standing. SHOT 14: MS, 35mm fast push-in / She comes out of the bedroom changed into her nighty, collapses onto the couch, eyes closing mid-sit. He nudges her, holds up his phone: "Look at this prompt I wrote, it's genius." She says: "Mmm." She is already gone. SHOT 15: WS, 24mm slow pull-back / Bedroom. Both in bed. She is in her nighty, face buried in the pillow, completely dead to the world. Him propped up on pillows in his same graphic tee, earphones in, screen glow on his face, watching an AI tutorial, perfectly content. The city outside is quiet. The day is done. TITLE CARD, fade to black: "She ran t

@dasachins

A tiny golden hamster with a headband and absurdly small tank top flexes in the mirror of a human-sized gym, surrounded by equipment thousands of times his size. High budget 3D animation, quality lighting and fur rendering. [0–1.5s] The hamster struts into frame at floor level, doing a slow-motion walk. Dramatic gym montage lighting. He cracks his tiny knuckles. A protein shake (a thimble of milk) sits nearby. He downs it. Milk mustache. He nods at his reflection: "Beast mode." [1.5–3s] He approaches a dumbbell. It's a regular human dumbbell. He wraps his arms around it. Pulls. Strains. His cheeks puff. His eyes bulge. It doesn't move one millimeter. He pretends he was just stretching. [3–5s] He finds a Cheerio on the floor, rolls it to the bench press, and "lifts" it with maximum effort. Grunting. Veins popping on his tiny forehead. He racks it and flexes triumphantly like he just broke a world record. "LIGHTWEIGHT!" [5–7s] He spots a cat on the treadmill next door — a bored Persian walking at setting 1. The hamster cranks his own treadmill to maximum. His legs become a blur. He's launched off the back into a stack of yoga mats, creating a hamster-shaped crater. [7–9s] He climbs a pull-up bar (the towel rack). Does one shaking pull-up. Gets stuck at the top. Hangs there. A gym-goer hangs their towel on him, not noticing. He dangles beneath the towel, whispering: "This counts as a set." [9–11s] He discovers a hamster wheel someone left as a joke. His eyes light up. He SPRINTS. The wheel spins so fast it detaches from the stand, rolls across the gym floor with him inside, bowling through a yoga class. [11–13s] The wheel crashes into the smoothie bar. He tumbles out, covered in blended kale. He stands up. A huge bodybuilder dog (a pit bull in a tank top) looks down at him. Silence. The hamster flexes one arm up at him. "You mirin'?" [13–15s] The pit bull flexes back. The hamster passes out from intimidation, falling backward stiff as a board. Cut to: he's being carried out on a stretcher made of popsicle sticks by two concerned mice paramedics. He gives a thumbs up to camera. Cut to black. Style: 3D animated, quality fur/lighting, gym comedy, hamster slapstick, motivational parody, cinematic 4K.

@Dheepanratnam

Create a detailed full-color storyboard sheet for the first 15 seconds of a hybrid music video sequence. Wide 16:9 storyboard sheet, 3 rows x 4 columns, 12 panels. Add timecodes, scene labels A/B/C, camera notes, and short English descriptions under each panel. Title text: “15s MV Storyboard | Part 1: Oversleeping to Leaving Home” Timeline: This first-half segment starts at 0:00 and ends at 0:15. Core rule: The main character and collage elements are anime/illustration style. Everything else must be live-action or photorealistic: bedroom, bathroom, hallway, kitchen, entrance, props, lighting, camera feel, depth of field, motion blur, shadows, reflections, and environment. Do not make the whole image anime. Use a hybrid look: an anime character composited into real live-action footage, with graphic collage overlays. Use the attached reference image as the main character design. Main character: A cute anime girl with bright pink twin-bun hair, soft bangs, pink eyes, colorful blue-pink hair tips, oversized pink-and-white hoodie with playful graphic details, black shorts, white socks, chunky pink sneakers, choker and small accessories. Keep her design consistent across all panels. She is expressive, clumsy, energetic, slightly pouty, chaotic-cute, wholesome, and comedic. Important: No title-back scene. No location name text. No school uniform. No printed-paper tapping scene. The rolled-up textbook gag may appear only as an item in her bag. Use many collage overlays throughout the sequence. This first 15 seconds covers: waking up, stopping the alarm, realizing she is late, rushing through morning prep, and leaving the house. Overall visual language: Hybrid live-action + anime character music video storyboard, photorealistic environments, anime character compositing, colorful pop anime character, chaotic cute morning comedy, fast-paced montage, close-up heavy, dynamic camera angles, extreme low angles, macro shots, top shots, handheld-like motion, crash zooms, whip pans, match cuts, picture-in-picture frames, scrapbook collage overlays, glitchy pop typography, ZINE aesthetic, playful handwritten English notes, rhythmic jump cuts. Scene labels: A = anime-style original chaotic collage / inner panic graphics B = anime-style flowing music-note / motion transition C = hybrid scene: anime character inside photorealistic live-action environment Color design: Photorealistic backgrounds use warm morning sunlight, natural room colors, real bathroom reflections, real Japanese home interior, realistic lens blur and film grain. The anime character remains vivid: pink hair, pink eyes, oversized hoodie, black shorts, white socks, chunky pink sneakers. Collage overlays use vivid pink, cyan, yellow, red, black, white, and electric blue with high contrast. Blend the character into live-action using matching shadows, contact shadows, reflections, depth of field, and slight camera motion blur. Original collage direction: Do not use a generic traffic sign collage. Make the collage feel like the character’s messy pop-anime brain. Mix alarm clocks, smartphone notifications, giant cut-out anime eyes, pink hair strands, hoodie graphics, sneaker soles, hand-drawn arrows, yellow caution tape, broken clock hands, bus icons, soundwave shapes, checker patterns, torn paper, sticker stars, doodle hearts, manga speed lines, musical notes, red correction marks, and handwritten English text: “WAKE UP!”, “OH NO!”, “TOO LATE!”, “RUN!”, “HURRY!”, “3 MIN LEFT”, “NO WAY”, “NOW!” The collage should appear not only as transitions, but also as overlays inside live-action/anime composite panels. Storyboard panels: 1. 0:00.0-0:01.2 / A Explosive anime-style chaotic collage opening. Alarm clocks, giant pink anime eyes, sneaker soles, hoodie graphics, clock hands, arrows, caution tape, stickers, torn paper, and handwritten “WAKE UP!” overlap in a dense ZINE-style composition. Camera feels like it is falling into her brain. English note: “Alarm chaos” 2. 0:01.2-0:02.4 / C + A Photorealistic bedroom, soft morning light through real curtains. The anime girl sleeps curled up in bed wearing her oversized hoodie. Collage stickers and alarm icons float above her head like a dream cloud. Top shot. English note: “Still dreaming” 3. 0:02.4-0:03.6 / C Photorealistic macro shot of smartphone alarm reading “8:12” on a real bedside table. Her anime-styled hand enters frame half-asleep, misses once, then finally slaps the phone. Small comic SFX “SLAP”. English note: “Stop the alarm” 4. 0:03.6-0:04.8 / C + A Extreme close-up of her anime pink eyes snapping open, composited against real bedding and warm window light. Reflections of clocks and “NOW!” typography appear in her pupils. She jolts upright, twin buns bouncing. English note: “She realizes” 5. 0:04.8-0:06.0 / A + B A huge anime-style clock face cracks into collage fragments. Handwritten “3 MIN LEFT”, “NO WAY”, sneaker prints, bus icons, and real photo scraps of the room scatter. Flowing black music notes turn into pink hair ribbons and water splashes. English note: “Time breaks” 6. 0:06.0-0:07.2 / C Photorealistic bathroom sink. She rushes to the sink. Low angle from inside the real basin as water splashes toward the lens. Her anime pink twin buns swing forward, reflected faintly in the mirror. English note: “Bathroom rush” 7. 0:07.2-0:08.4 / C + A Photorealistic toothpaste macro on a real toothbrush. She squeezes out too much toothpaste, then brushes at high speed in a real bathroom mirror. Anime collage text “TOO MUCH!” and arrows explode around her. English note: “Fast brushing” 8. 0:08.4-0:09.6 / C + A Real bathroom mirror shot. She pulls her hoodie into place, adjusts choker and hair accessories, then checks her black shorts and chunky pink sneakers. Collage stickers and hand-drawn stars decorate the mirror. English note: “Quick outfit check” 9. 0:09.6-0:10.8 / C + A In a real kitchen or dining area, she bites toast while trying to tie her hoodie strings. Her eyes dart to a real wall clock. Collage text “HURRY!” and “NOW!” surround her. English note: “Toast rush” 10. 0:10.8-0:12.0 / C Real bag POV. She throws items into a colorful bag: phone, notebook, small charm, earbuds, rolled textbook. Anime hands drop the items toward the camera. The rolled textbook briefly pops into view with “COMEDY ITEM?” English note: “Pack the bag” 11. 0:12.0-0:13.4 / C Real entryway floor. She hops on one foot while forcing on chunky pink sneakers. Floor-level low angle. One shoelace flies dramatically toward the lens, realistic motion blur. English note: “Shoes on” 12. 0:13.4-0:15.0 / C + A Real front door bursts open. Extreme wide-angle from outside, door swings toward lens. Anime girl jumps out with toast still in mouth. Hoodie sleeves and twin buns bounce. Strong contact shadow on real ground. Collage arrows, bus icons, clock fragments, and “RUN!” chase her into the next segment. English note: “Out the door” Design requirements: The sheet must be readable as a practical storyboard. Each panel should show clear camera position, character action, facial expression, and movement direction. Keep the main character and collage elements anime/illustration style, while all environments and props are photorealistic live-action. Use realistic lighting, shadows, reflections, depth of field, and motion blur to integrate the anime character into the real footage. Use many close-ups and dynamic low angles. Make the collage frequent and visually dominant. The character must stay consistent with the attached reference image: pink twin-bun hair, oversized pink hoodie, black shorts, white socks, chunky pink sneakers, choker, pop anime streetwear. No title-back. No location name. Keep the tone chaotic, cute, fast, colorful, comedic, and music-video-like.

@manaimovie

STORY FORMAT: 15s / 150 BPM / MULTI-CUT with one continuous acrobatic segment / American dark comedy with absurd ninja satire / playful mischief with a twisted punchline TONE: sneaky curiosity → rising temptation → covert action → sudden exposure → ridiculous charm reversal SETTING: Nighttime traditional Japanese house, wooden structure, tiled roof, soft moonlight, Mount Fuji silhouette in the background, pine trees swaying, cool blue tones with warm kitchen light contrast CHARACTERS: Orange cat ninja: dressed in full black ninja outfit, only eyes and mouth visible, agile, sneaky, slightly goofy greed-driven personality White cat cook: wearing a pink kimono, gentle but easily startled, expressive reactions Black bear father: wearing a red belly cloth, sitting at a wooden table in the courtyard, stern and impatient, loud presence CAMERA STYLE: cinematic push-ins, stealth POV shots, smooth tracking, sudden comedic snap zooms, light handheld shake during action, exaggerated smoke effects SCENE 0–2s Wide shot: Rooftop silhouette The orange cat ninja crouches on the edge of a tiled roof, moonlight outlining his figure Mount Fuji and pine trees in the background He slowly leans forward, peeking into a lit kitchen window 2–4s POV shot into kitchen The white cat stands by the stove, stir-frying with a spatula Thick white smoke rises heavily The smoke drifts upward… reaching the ninja Close-up: ninja sniffing He pauses… then grins A little drool forms Orange cat (whispering): “Oh yeah… that smells illegal.” 4–6s Cut to courtyard The black bear sits at a wooden table, tapping impatiently Black bear (yelling): “Kid! Is dinner ready or what?!” 6–7s Cut back to kitchen White cat panics She hurriedly scoops food from the pan onto a cracked plate White cat (nervous): “It’s ready! Coming!” Some food still remains in the pan 7–9s She carefully carries the plate outside Places it in front of the black bear He nods with smug satisfaction Black bear: “About time.” 9–10s Cut to rooftop Orange cat narrows eyes Orange cat (whispering): “Perfect timing.” 10–13s CONTINUOUS ACTION SHOT The ninja launches — flips off the roof in one smooth motion — lands silently near the kitchen entrance — quickly looks left and right No one He slips inside Runs to the stove Starts grabbing food with his bare hands Orange cat (excited whisper): “Five-finger buffet, let’s go.” He lifts food toward his mouth 13–14s Suddenly White cat appears in the doorway White cat (shocked): “Who are you?!” Freeze beat 14–15s FINAL PAYOFF The ninja instantly throws a smoke bomb to the ground Orange cat (shouting): “SMOKE EXIT, BABY!” Black smoke bursts everywhere When it clears The ninja is gone In his place— A small, cute white fox The white cat gasps, hands clasped White cat (soft, melted): “Oh my gosh… you’re adorable…” Final shot The white fox looks directly at camera Winks one eye A sly, mischievous grin forms Orange cat (voiceover, low): “Works every time.”

@drjoetw

Use the attached storyboard @(add your ref) only as a planning and sequence reference. Do not show the storyboard itself. Do not add the round numbers on the panels Do not show panels, numbers, grids, timing tables, or a full storyboard board. Create a finished 15-second ad video, not a storyboard image. Create a catchy, fast, funny elevator ad for FUTURE VIDEO. Style: energetic pop-art commercial, bold comic text, quick cuts, expressive presenter, bright teal, coral, pink, orange, white, and black. The presenter is a white woman with dark hair, wearing a red blazer and white shirt. She is expressive, funny, confident, and slightly over-the-top. Follow this sequence: Shot 1: Tight close-up. She grabs her head in frustration. On-screen text: “NO RESULTS?!” Shot 2: Medium close-up. She rolls her eyes and raises one hand. On-screen text: “WEEKS FOR ONE AD?!” Shot 3: Dramatic angle. She panics with big expression. On-screen text: “BUDGET GONE?! NO WINNER?!” Shot 4: Front close-up. She points directly at camera with a big smile. On-screen text: “EMAIL FUTUREVIDEO!” Shot 5: Energetic hero shot. On-screen text: “ONE IDEA! TEN TESTS!” Shot 6: Create a real 3-way split-screen montage, not a storyboard. i repeat do not show the storyboard image here Show the same woman in three vertical panels with different poses and expressions. Panel 1 text: “SMALL TEAM. BIG OUTPUT!” Panel 2 text: “ADS IN DAYS!” Panel 3 text: “VIDEO. VISUALS. VARIATIONS!” Shot 7: Medium close-up. She raises her fist and cheers. On-screen text: “FUTURE VIDEO! FUTURE VIDEO!” Shot 8: Clean final end card. Large text: “EMAIL FUTUREVIDEO” Clearly show: “hello@futurevideo.media” Editing: Fast cuts, punchy zooms, comic impact flashes, readable text, energetic pacing. Important: This must look like a finished ad. Do not recreate the storyboard board. Do not show multiple numbered storyboard panels. Only shot 6 should be split-screen. Final frame should clearly hold on the email address.

@pfanis

Funny cartoon animated short with anthropomorphic mismatched socks arguing in a chaotic laundry room: paranoid Left Sock with googly eyes and conspiracy theorist vibe vs. chill Right Sock wearing drawn-on sunglasses, relaxed personality. Multi-shot narrative: wide shot of dryer spinning in background, close-up of Left Sock whispering suspiciously from a laundry pile, medium tracking shot as they hide and argue, dramatic reveal shot when dryer door opens showing a tiny lint "sock monster." Left Sock whispers: "They’re separating us on purpose, man! It’s a government plot to sell more single socks!" Right Sock laughs: "Dude, you’re just clingy. Last week you paired with that weird towel. Live a little!" Twist ending: both scream and hug the lint monster, saying "We’re better together!" Playful bouncy animation, exaggerated expressions, vibrant laundry colors with tumbling clothes in background. Camera: quick cuts, handheld feel during panic, slow push-in on reveal. Bright overhead lighting with dramatic shadows from dryer. Cartoon sound effects: dryer tumbling, whispering, cartoon screams, and happy hug boings. Smooth 15-second multi-shot video, high detail, comedic everyday frustration humor. Energetic and funny animated short featuring anthropomorphic drinks in a hype kitchen turning into a mini wrestling ring: wise slow-burn Coffee Mug with foam mustache and philosopher look vs. hyper jittery Energy Drink Can with neon wings and athlete energy. Multi-shot sequence: medium shot of Mug steaming gently, fast zoom on Can bouncing wildly, action tracking during "fight" with spills, final high-five wide shot. Mug says calmly: "Real power comes slow and steady, kid. One sip and you’re good till lunch." Can boasts: "Nah, I hit like a rocket! Crash at 3pm? Worth it for the vibes!" Twist: both get poured into the same person who shakes uncontrollably — Mug and Can high-five: "Teamwork makes the dream work… kinda." High-energy bouncy physics, exaggerated jitter and steam effects, vibrant neon + warm tones. Camera: hype angles, quick cuts, slow-motion spill moments, playful orbit. Bright morning lighting with dramatic steam and fizz highlights. Sound effects: gentle sipping, wild fizzing, uncontrollable shake rattles, and triumphant high-five clinks. Smooth Pixar-quality animation, 15 seconds, caffeine culture humor with strong viral morning routine appeal.

@Dheepanratnam

Use the attached BARRY VS THE SEAGULL character sheet as the exact visual reference for Barry and the seagull throughout. Barry is a Pixar 3D man, mid 40s, large soft build, floral beach shirt, khaki shorts, white socks with sandals, sunscreen on nose, sunglasses on forehead. Every character — Barry, seagulls, background figures — full Pixar 3D render. No realistic humans or animals. THE BEACH: Bright white sand, clear deep blue ocean, vivid blue sky, golden sunlight. One wooden bench facing the ocean. A few beach umbrellas and sunbathers in the far background. Maximum brightness and color throughout. No dark frames. THE SANDWICH: Plain white bread, visible filling. In Barry’s hands until 0:10 when it flies into the air and disappears forever. THE SEAGULL: White feathers, yellow beak, small black emotionless eyes. Zero expression. Zero remorse. The one seagull at the start is the exact same one on the bench at the end. MUSIC: Peaceful gentle acoustic guitar and soft waves at the start. The moment forty seagulls appear at 0:07 music explodes into full chaotic percussion and horns. Cuts to complete silence the instant Barry hits the sand at 0:10. 0:00–0:02 — Medium shot. Barry on the bench facing the ocean. Unwraps his sandwich. Takes one slow happy bite. Completely at peace. Perfect day. SOUND: Gentle waves. Soft acoustic guitar. 0:02–0:04 — One seagull lands on the bench directly beside him. Barry notices. They make full eye contact. Neither moves. Complete silence. SOUND: Music fades. One ambient seagull cry. Wind. 0:04–0:06 — Barry grabs a piece of bread and throws it far down the beach. Both watch it land. Seagull looks at the bread. Looks back at Barry. Does not move. Barry slowly looks up at the sky. Empty blue. He exhales with relief. Takes one bite. SOUND: Silence. Barry chewing. One ominous low note. 0:06–0:07 — Wide shot. The sky turns white. Forty seagulls drop from directly above in a screaming diving formation. SOUND: One beat of silence then music EXPLODES — full chaos, horns, percussion. 0:07–0:10 — Wide tracking shot. Barry sprints full speed down the beach, sandwich held above his head with both arms, mouth open screaming. Seagulls swarming everywhere — diving at the sandwich, one on his head, one on each shoulder. Pure chaos. One sandal flies off mid-sprint. SOUND: Chaos music full volume. Seagulls screaming. Barry screaming. 0:10–0:12 — Barry trips. Falls face first into the sand in slow motion. Sandwich launches upward into the air. Every seagull vanishes instantly. Complete silence. SOUND: Slow motion whoosh. Heavy thud. Music cuts dead. 0:12–0:15 — Wide shot. Barry face down in the sand. Silence. He slowly lifts his head and looks back at the bench. The original seagull is sitting exactly where it started. Perfectly still. Staring at him. Barry puts his face back in the sand. Fade to black. SOUND: Soft acoustic guitar returns. Gentle waves. Fade to silence. Camera: medium bench shot, medium two-shot Barry and seagull, medium bread throw, wide sky shot for the descent, wide tracking shot during sprint, slow motion fall, wide final bench shot.

@TechieBySA

Pixar-quality 3D ASMR comedy aboard a lantern-lit pirate ship galley. A burly pirate chef cooks while a mischievous green parrot constantly tries to steal ingredients. Warm amber lighting, cinematic depth of field, slapstick humor, crisp food ASMR. 0–2s: Extreme close-up. Parrot grabs a garlic bulb. Pirate's hand slams down beside it. Frozen stare. The parrot slowly looks up. Record-scratch silence. 2–4s: Pirate flicks the parrot away. Slow-motion cartwheel. The parrot lands on a pot rack pretending nothing happened. Pirate chops garlic rapidly. Crisp ASMR. 4–6s: Parrot tiptoes toward a tomato in the background while the pirate cooks. Garlic hits hot oil with a huge sizzle, startling the parrot into falling off the rack. Cup clangs. 6–8s: Fast montage. Tomatoes sizzle, herbs tear, olive oil pours in golden slow motion. Pirate grins in flow state. Rich ASMR layering. 8–9s: Parrot strains to drag the skillet away. Pirate turns and stares. Parrot freezes while still holding the handle. 9–10s: Pirate serves the meal and slides a tiny plate of sauce and bread to the parrot. The parrot does a happy bounce and eats beside him. Warm lantern glow, ship gently swaying, soft accordion note fading out.

@FavorW12

一个男大学生正在宿舍里打生化危机，突然，一个女丧尸从屏幕里爬出来。男生一把抱住女丧尸，亲了上去。说这么漂亮，很难忍得住。

@Jackma199512

Create a highly detailed, cinematic 14-second 3D Pixar-style animated comedy short in the exact visual style of modern Pixar Animation Studios (think 'Toy Story', 'Up', and 'Inside Out' combined with the hyper-realistic fur, skin, and emotional facial animation). Ultra-high resolution, 24 fps, smooth buttery animation, perfect lighting, rich textures, and exaggerated yet realistic character expressions with micro-movements in eyes, eyebrows, and mouth for maximum cuteness and comedy. Visual Style & Lighting: Warm golden-hour sunset lighting with soft volumetric god rays filtering through trees, beautiful circular bokeh orbs in the background, subtle lens flare, cinematic depth of field. Vibrant colors, lush green grass with individual blades swaying gently, realistic fur physics on the puppy and cat, soft skin textures and subtle blush on the toddler. Pixar-level detail: glossy wet puppy nose, individual hair strands on the boy's messy brown hair, fabric wrinkles on denim overalls. Setting: Cozy suburban backyard. Bright green lawn, tall wooden fence with vertical planks, wooden garden bench in the mid-ground, manicured bushes and trees in the background bathed in golden sunlight. Slight wind gently moving leaves. Characters: - Toddler boy (main character, ~2-3 years old): Extremely cute Pixar toddler design - big head, chubby rosy cheeks, huge expressive blue eyes with detailed reflections, messy windswept brown hair, wearing a bright yellow short-sleeve t-shirt under blue denim overalls with brass buttons, and white sneakers with gray accents. He is sitting cross-legged on the grass throughout most of the video. - Golden puppy (6-month-old): Adorable fluffy golden retriever-style puppy with soft golden fur, floppy ears, big soulful brown eyes, black wet nose, expressive eyebrows and mouth. Very emotional face - can look confused, sad, worried, or suddenly cheeky. - Orange tabby cat (appears later): Chubby, smug-looking orange cat with white chest, sitting regally on top of the wooden fence, watching the scene with half-lidded judgmental eyes and a slight smirk. Exact Scene Sequence & Timing (match this exactly for 14 seconds): 0–1 sec: Wide establishing shot. The toddler boy sits on the grass looking slightly annoyed and confused at the golden puppy sitting right in front of him. They are face-to-face, staring at each other intensely. Puppy tilts head curiously. Golden sunlight, beautiful bokeh. 1–2 sec: Quick cut to extreme close-up of the boy's face. His eyes widen dramatically in shock, eyebrows furrowed, mouth opens wide as he shouts "Whoof!" (lip-sync perfectly). 2–3 sec: Instant cut to extreme close-up of the puppy's face. Huge worried eyes, mouth slightly open in confusion, looking innocent and slightly guilty. 3–4 sec: Cut back to medium-wide shot. Boy still sitting, now looking more annoyed, eyebrows lowered, staring hard at the puppy. 4–5 sec: Boy shouts "Whoof!" again with frustrated expression. Puppy looks up at him with big sad eyes. 5–6 sec: Boy gestures with both hands open, palms up, scolding the puppy while shouting "Whoof!" one more time. Puppy closes its eyes and looks down sadly, ears slightly drooping. 6–7 sec: Boy lowers hands, crosses arms, pouts with angry face. Puppy keeps eyes closed, looking defeated. 7–8 sec: Boy turns head slightly away then back, still annoyed. 8–9 sec: Extreme close-up on puppy's face. Puppy suddenly opens eyes wide in realization, eyebrows raise, mouth opens and it excitedly says "Meow!" (perfect lip-sync, dog mouth forming cat sound). 9-10: Cut to boy looking shocked with eyes wide open. 10–11 sec: Cut to puppy looking towards the boy and shouts "Meow!" again. 11–12 sec: Quick cut back to medium-wide shot. The orange tabby cat is now visible sitting smugly on top of the fence in the background, looking down at them. Boy's eyes go huge with shock and disbelief, mouth open. 12–13 sec: Boy stares at the puppy in complete confusion and betrayal. 13–14 sec: Boy dramatically facepalms with his right hand covering his eyes and forehead, looking defeated and embarrassed. Puppy now has a happy, cheeky grin with tongue slightly out, looking proud of itself. Cat is watching from the fence. Audio & Sound Design: - Clear child-like toddler voice (boy) saying "Whoof!" three times with increasing frustration (at ~2s, ~5s, ~6s). - Puppy voice: cute "Meow!" at ~8s and ~10s (slightly playful and mischievous). - Background: Light birds chirping, gentle wind, subtle grass rustle, warm Pixar-style soundscape. No music or very soft uplifting comedy music swell at the end. Camera Work: Dynamic but smooth Pixar-style cinematography - mix of wide emotional shots and rapid expressive close-ups that perfectly match the comedic timing. Slight natural handheld feel in close-ups for liveliness. Perfect framing, rule of thirds, eye-level angles for maximum cuteness. Mood & Tone: Extremely cute, wholesome, hilarious identity-crisis comedy. Maximum emotional expressiveness and charm. Make the characters feel alive and full of personality. End on a perfect comedic punchline with the facepalm. Generate the full video exactly matching this description, no text overlays, no watermark.

@rovvmut_

SUBJECTS: Subject 1: Adult male, Western casual everyday home and outing attire, short jacket, basic T-shirt, long pants, everyday shoes; lean build, natural and efficient movements. Subject 2: Golden Retriever, large head, broad chest, thick, fluffy fur; overall short and round proportions, cute, with expressive facial features. Style: Stylized 3D animation, simplified materials, and expressive motion. ENVIRONMENT: Modern home interior style. In the center of the living room is a large light-colored fabric sofa with soft, simple lines, and two fluffy throw pillows. In front of it is a low wooden coffee table with a bag of snacks and a remote control on it. On one side, the front door, entryway cabinet, wall art, floor lamp, and large curtains are visible. Daytime natural light pours in from the window, combined with soft indoor lighting. Materials are simplified, with clear distinctions between fabric, wood, plastic, and metal. TIMELINE: 0:00-0:02: Medium shot from a side-front angle, showing both the living room and entryway. The man stands by the door, facing outward, then turns his head to look at the Golden Retriever in the living room. He raises his hand to point at the sofa, holding his finger in mid-air for a beat, then naturally says to the dog: “No getting on the couch, okay? Be good.” Cut to a close-up of the dog: the Golden Retriever immediately trots into frame, gently rubs against the man’s lower leg, then sits upright, looking up at him with a smile and ears slightly angled back. Cut to a half-body close-up of the man: he looks down, pats the dog’s head, then turns to open the door and walks out. The door closes on camera. 0:02-0:04: Fixed medium shot, the door is closed, and the room stays quiet for a beat. The Golden Retriever remains sitting in place. Insert close-up: the dog’s smile slowly fades, and then it pushes off the ground with its hind legs, its body suddenly lunging towards the sofa, exiting the frame. 0:04-0:06: Tracking medium-close shot, the camera pans along with the dog’s movement. The Golden Retriever leaps onto the sofa, and the cushion visibly sinks on impact. Cut to a close-up of the sofa: the dog uses its body to push one of the throw pillows backward, shoving it behind itself. Then cut to a side close-up: the dog twists and leans back, pressing its whole back and hips deeply into the cushion. Finally, cut to a close-up of its legs: the dog crosses one hind leg over the other in an exaggerated lounging pose, one front paw loosely resting on the remote control, its body sinking back into the cushion, fully relaxed. 0:06-0:08: Close shot showing both the sofa and coffee table. The Golden Retriever continues leaning back, sitting lower and lower, and the depression in the center of the sofa becomes deeper and more obvious. Insert close-up of the front paws: it first leans its upper body slightly forward, then stretches its other front paw toward the edge of the coffee table, hooking one corner of the snack bag and dragging it closer toward the sofa. Then cut to a close-up of the bag opening: the dog lowers its head, brings its nose close to the snack bag, and places a front paw on the opening, getting ready to eat. 0:08-0:11: Insert close-up of the door lock: suddenly, the sound of keys clinking and the lock turning is heard from outside. Cut back to the close-up of the dog: its movement in front of the snack bag stops immediately, its body stiffens, ears perk up, and eyes widen. The next beat cuts slightly wider: the dog suddenly springs up from the sofa; as it leaves the cushion, a clear dog-shaped dent is left in the center of the sofa. One throw pillow is knocked to the side, and the snack bag remains where it was just dragged closer. The camera quickly follows the dog landing on the floor. The dog jumps down from the sofa, rushes back to its original position, skids to a stop, turns, and sits down in one smooth sequence of actions. Finally, a front close-up: the dog reverts to its earlier polite smile, looking up toward the door. 0:11-0:15: Medium shot, the door opens, and the man walks back inside. He bends down to pick up his car keys from the entryway cabinet. Cut to a half-body close-up of the man: he straightens up and casually turns his head toward the living room. Then switch to the man’s first-person view: his gaze naturally sweeps across the room. It first passes over the dog sitting properly in its original place, the dog sitting perfectly upright, looking up this way without moving. His gaze continues sliding past the sofa. After passing it for half a beat, it suddenly stops. The camera slightly pulls back, centers again on the middle of the sofa, and zooms in to show more details: the dog-shaped dent left when the dog sprang up is still clearly visible in the center of the sofa, one throw pillow lies tilted beside it, the remote is half-stuck in the cushion gap, and the snack bag is still resting on the side closer to the sofa. Cut back to

@0xbisc

Create a seamless 15-second photorealistic live-action cinematic comedy video. REFERENCE USAGE: Image 1 = storyboard reference. Use it only for shot order, pose flow, camera logic, pacing, and comedy timing. Do NOT recreate the grid, borders, captions, numbers, or any text. Image 2 = strict woman identity reference. Keep the same real woman throughout: long straight black hair, bright blue eyes, fair skin, slim athletic body, delicate facial structure. She wears the same black athletic sports bra / crop top and black leggings. Image 3 = strict cat identity reference. Keep the same real fluffy white long-haired cat with pale green eyes, pink nose, soft natural fur, cute but mischievous personality. The cat must stay fully white and fluffy. STYLE: Photorealistic live-action look, real human, real cat, natural skin texture, realistic hair movement, realistic fur detail, cinematic commercial quality, warm cozy apartment, soft morning sunlight, natural body movement, subtle comedy, shallow depth of field, soft bokeh, realistic camera lens, no cartoon style, no 3D animation look, no illustration, no anime, no exaggerated facial features. SETTING: Bright cozy yoga room with wooden floor, large sunlit window, sheer curtains, plants, wall shelves, cat tree near the window, and a yoga mat. ACTION FLOW: 0:00–0:02 The woman kneels and opens the yoga mat in one smooth motion. The mat rolls out perfectly. She smiles peacefully, relaxed and happy. 0:02–0:03.5 She begins yoga in a calm floor pose, focused and serene. Warm sunlight fills the room. 0:03.5–0:04.5 Cut to the cat near the window / cat tree. Close-up on the cat’s real eyes and face. It suddenly notices her and gives a subtle mischievous look. 0:04.5–0:06 The cat jumps down, runs toward her, and climbs onto her back while she is in a low yoga pose. She tries to stay calm, but her smile starts to break. 0:06–0:07.5 She moves into a downward dog / plank-like pose. The cat slips underneath her body. 0:07.5–0:09 Important shot: Low floor-level camera from directly in front of the woman, very close to the ground. The cat is directly under her, lifting its head and looking up. The woman looks down at the cat. Their faces are very close, almost nose-to-nose. Focus on both natural facial expressions. The cat gently touches her face with its paw. She laughs and loses concentration. 0:09–0:10.5 She stands up and tries to reset. She moves into a one-leg balance pose / tree pose with hands together, trying to stay focused. 0:10.5–0:12.5 The cat walks around her standing foot, rubs against her ankle, and steps over her toes naturally. 0:12.5–0:14 She wobbles dramatically but realistically, arms swinging as she tries to keep balance. Then she falls softly onto the yoga mat in a funny, harmless way. 0:14–0:15 The cat climbs onto her back and lies down peacefully like it has won. The woman laughs, relaxes, and accepts defeat. End with a warm cozy shot of both resting together. CAMERA: Realistic cinematic camera movement, gentle handheld feel, natural close-ups, low floor-level cat POV moments, realistic reaction shots, no hard chaotic cuts. IMPORTANT: Photorealistic live-action only. Real woman, real cat, real apartment. Do not recreate the storyboard layout. Make it one continuous realistic cinematic short, not a slideshow.

@ai_gezgini

Use @ Image 1 as the first frame of the scene. The camera rotates and pushes in. The character suddenly looks up. The character’s facial features should be based on @ Image 2. They begin to roar loudly, full of excitement with a touch of comedic flair, referencing the facial

@Feyber | AI & WEB3

THE RENOVATION — Epic Build, Funny End Cinematic hyperlapse, 16:9, 15 seconds, photorealistic, dramatic time-lapse lighting shifts from day to night cycling rapidly. [0:00–0:04] A couple stands in a crumbling, disgusting fixer-upper house. Peeling wallpaper, sagging ceiling, mysterious stains. They look at each other with naive optimism. Hyperlapse begins: sledgehammers swing, walls come down in clouds of dust, rubble fills dumpsters. Day-night cycles flash through the windows. The skeleton of the house is exposed. [0:04–0:08] Rebuilding. New framing rises like bones. Electrical and plumbing snake through walls. Drywall goes up, mud and tape, sanding clouds. Paint rollers sweep across walls in satisfying strokes — white, then accent walls of deep blue. The couple ages visibly. His beard grows. Her hair changes length. Coffee cups multiply. [0:08–0:12] The finishing touches fly. Hardwood floors laid in hyperlapse — boards clicking into place like dominoes. A kitchen island materializes. Pendant lights descend from the ceiling. Furniture arrives — mid-century modern, perfectly placed. Art goes on walls. Plants appear. The house transforms from disaster to STUNNING magazine-cover home. The couple stands in the finished kitchen, arms around each other, exhausted but glowing. [0:12–0:15] They take a deep breath. Smile. She turns on the kitchen faucet for the first time. The pipe under the sink EXPLODES. Water geysers to the ceiling. The beautiful new kitchen floods instantly. They stand in rising water, soaked, staring at each other. He slowly reaches over and turns the faucet off. She whispers: "I told you we should've hired a plumber." The ceiling drips. Fade to black. Sound: optimistic piano → sledgehammer impacts → power tools accelerating → paint roller ASMR → furniture placement/click → satisfied sigh → faucet turn → PIPE EXPLOSION → water geyser → dripping → "I told you" → silence.

@sebatheepan

Bratty annoying rich kids typical 2000s sitcom scene

@noman23761

Cinematic absurd fantasy time-slip comedy featuring an orange cat in an exaggerated soap-opera style. Ultra-realistic visuals with extreme melodrama and explosive comedic timing. Character: Orange cat: dramatic, jumpy, overreacts instantly. Wearing a slightly wrinkled gray suit. White cat: peacefully asleep in soft pink pajamas. Guinea pig: tiny, wet, aggressively affectionate. Gorillas: primitive, expressive, laugh uncontrollably. Environment: 1950s Japanese tatami room. Dim warm light. Covered mirror in the corner, subtly shaking. Camera: Extreme close-ups → slow suspense push → sudden zoom → violent pull → rapid absurd cuts → chaotic comedy framing. Sequence: 0–2s: white cat sleeping. SFX (whisper): “Cat master… wake up…” 2–4s: orange cat eyes snap open. Orange Cat: “...Nope.” 4–6s: hears it again, turns slowly. SFX: “Cat master…” Orange Cat: “Who said that?!” 6–8s: tiptoes dramatically. Checks white cat. Orange Cat: “Stay asleep. Please.” 8–10s: approaches mirror. SFX (closer): “Come closer…” Orange Cat: “This is a bad idea…” 10–11.5s: lifts cloth. FLASH. 11.5–12.5s: sucked in violently. Orange Cat: “NO NO NO—!!” 12.5–13.5s: time vortex chaos. Orange Cat: “TOO MUCH!!” 13.5–14.2s: lands in snowy hot spring (Mount Fuji). SFX: SPLASH!! Orange Cat: “I regret everything.” 14.2–14.7s: looks up, trembling. Orange Cat: “Where am I…” 14.7–15s: guinea pig pops up and hugs his face. SFX: SQUEAK! Orange Cat (muffled): “WHY?!” Gorillas explode laughing. SFX: HAHAHAHAHA!! Orange Cat (to camera): “HELP ME!!” Style: Ultra-realistic with absurd fantasy, fast pacing, dramatic zooms, exaggerated reactions, punchy comedic beats. Final: Consistent characters, smooth transitions, no glitches, maximum chaos, strong slapstick payoff.

@drjoetw

TITLE: “One Bowl, One Beatdown” Seedance 2 | 15s cinematic AI video prompt | soap-opera wuxia comedy | absurd historical parody | hyper-dramatic acting | rapid-fire cuts | punchy sound design | continuous motion | no pauses | exaggerated facial close-ups | slapstick violence A chaotic ancient marketplace under Mount Fuji backdrop, slightly fake and theatrical. Over-saturated colors, Shaw Brothers lighting, dramatic wind. Cute animals in simple ancient clothing bargain, shout, and move in rhythmic chaos. An orange cat beggar in ragged monk-like robes, messy fur, holding a filthy cracked bowl, wanders weakly through the crowd. 0–3s Handheld tracking shot weaving through busy animal vendors. Loud bargaining, chopping sounds, chaotic chatter. Orange cat bumps into people, ignored, pushed aside. Orange Cat (weak, muttering) just one bite… i’ll even pretend it’s gourmet… Whip pan. A hyena butcher stands at a stall stacked with roasted rats hanging on hooks. Greasy apron, cleaver SLAMS down. Hyena spots orange cat instantly—rage explosion. Hyena (yelling) HEY TRASH PANDA—WRONG SPECIES, WRONG STREET 3–6s Orange cat drops to knees, bowl raised high. Orange Cat (desperate) i’m not picky… i’ll eat the one that regrets its life the most Beat—hyena’s eye twitches. Hyena lifts leg— Hyena i’ll give you something to eat—my FOOT SMASH CUT. 6–10s Sudden silk swoosh sound. A white cat noblewoman in pink jeweled ancient dress BURSTS INTO FRAME from the side. Extreme close-up—calm eyes. White Cat (cold) uncivilized Instant judo sequence, hyper-fast: Hip throw—hyena FLIES Arm lock—bone crack SFX Shoulder throw—ground impact BOOM Leg sweep—dust explosion All moves exaggerated, elegant, effortless. Hyena collapses unconscious mid-air freeze then slam. Crowd GASPS in synchronized rhythm. 10–13s Slow-motion contrast. White cat gently places a roasted rat into the dirty bowl. Soft chime. Orange cat still kneeling, shaking, eyes flooding. Extreme close-up—tears + dirt mixing. Orange Cat (whisper, emotional) this… is the nicest crime i’ve ever witnessed 13–15s INTERCUT FAST: White Cat EXTREME CLOSE-UP—sudden sharp glare, anger flashes beneath elegance. White Cat (low, dangerous) next time… aim higher than the floor SMASH CUT: Hyena EXTREME CLOSE-UP on ground—half-conscious, eyes darting, sweating. Hyena (whisper to camera) i should’ve just sold vegetables… Cut back—crowd explodes into chaotic laughter. Freeze frame on orange cat crying while hugging the bowl. Hard comedic sting. CUT TO BLACK.

@drjoetw

Style: high-quality 3D animation, expressive character acting, cozy lighting, cinematic composition Timestamped structure: 0:00 - 0:02 Open on a cozy desk setup in a home office. A black cat, Finn, is near the desk, alert and curious. The woman with brown hair and blue eyes sits at her computer, pulling up a YouTube-style bird video. The screen shows colorful birds hopping on branches. Finn immediately locks in on the movement. 0:03 - 0:05 The woman smiles knowingly and adjusts the monitor so Finn can see better. She lightly gestures toward the screen. Finn jumps onto the chair or desk edge and sits facing the monitor, ears forward, body still, completely mesmerized by the birds. 0:05 - 0:07 The woman gets up from the desk and walks away casually, leaving Finn watching. Finn remains seated, staring at the bird video with total concentration. Maybe a subtle tail flick or tiny head movement tracks the birds on screen. 0:07 - 0:10 Cut to later in the day, in the exact same office. The woman is now back at the desk in a Zoom meeting, still with the single monitor on the same desk. The computer screen now shows a video call grid or work presentation instead of the birds. She is mid-conversation, professional and focused, seated upright, saying "and now we'll move to the next slide" 0:10 - 0:12 Finn suddenly jumps up onto the desk from below, entering frame with urgency. He looks at the screen, confused and dissatisfied that the birds are gone. He starts pawing at the screen and the woman is shocked and embarrassed

@venturetwins

A spotless, bright TV cooking show kitchen with warm studio lighting, gleaming countertops, and colorful ingredients neatly arranged. A confident, well-dressed female chef in a crisp white apron stands center frame smiling directly at the camera, holding a large mixing bowl with pride. She begins whisking and the batter suddenly erupts like a geyser in dramatic slow motion thick batter spiraling upward in a perfect arc, splattering the overhead lights and ceiling. Cut to her face frozen in shock, eyes wide, batter dripping slowly down her nose. Hard cut the oven in the background explodes open, a massive rolling cloud of thick black smoke pouring out in cinematic slow motion as the fire sprinkler triggers from the ceiling, raining water down across the entire kitchen like a monsoon, studio lights flickering dramatically. The chef spins toward the oven, slips violently on the wet floor, grabs the tablecloth mid-fall pulling every dish, bowl, and prop crashing down in one glorious cascading slow-motion collapse, pots bouncing, food flying everywhere. Slow cinematic push-in on the wreckage smoke drifting, water still falling then center frame, one single perfectly plated pristine parsley leaf sitting untouched on a clean white dish amid absolute destruction. A hand reaches slowly into frame, picks up the parsley, pops it in the mouth. The chef sits up from the floor soaking wet, covered in batter and soot and gives the camera a shaky defeated thumbs up. Freeze frame. Fade to black.

@jasminekhan90_

global_rule: No music, diegetic SFX only. Raw ungraded handheld phone or press DSLR footage, auto white balance cycling between warm and cool as camera swings from shaded [LOCATION] — the environment — toward harsh midday exterior daylight — slight overexposure blooming on the steps and [CHARACTER]'s attire, compression artifacts visible in high-contrast edge zones. At 0s the operator is jostling inside a tight crowd, camera pitched low and angled up awkwardly, catching partial views of shoulders and microphone booms before [CHARACTER] fully clears the open [LOCATION] entrance — a wide archway flanked by supporting structures, held open by an officer stepping aside — crowd noise surges, camera shutters machine-gun clicking, someone off-frame shouts Over here, over here. Autofocus hunts across a guard's dark suit jacket before snapping sharply to [CHARACTER]'s face at roughly 1s: [CHARACTER] the main character, lean build, neutral attire visible, expression neutral and stoic as [CHARACTER] descends with a side figure leaning close. Microphones lurch into frame from every angle — left edge, bottom, upper right — partially cutting off [CHARACTER]'s jaw and chin in the frame. Camera shakes hard at 2s as a competing press body pushes past the operator, framing lurching left, briefly catching a forest of phones raised behind a line, flash reflections flickering off the side figure's glasses. Autofocus briefly goes soft at 3s, background and crowd sharpening while [CHARACTER]'s face blurs, then snaps back as the operator steadies. Lens flare from direct sun slices across the upper-left quadrant of frame at 4s. Crowd roar peaks, reporters shouting questions, wind buffeting raw audio with a low thud. At 5s the camera is zoomed tight on [CHARACTER]'s face — stoic, scanning left and right — side figure partially eclipsing the right quarter of frame. At 6s, a figure tears out of the crowd to [CHARACTER]'s right, barely visible for one frame as a blur of motion — the camera does NOT anticipate this, operator completely unprepared — at 7s the prankster, a young person in casual attire, lunges full-body forward and drives a large cream pie directly into [CHARACTER]'s face with a heavy wet smack, whipped cream and pastry crust detonating outward in all directions, coating the attire, splattering across [CHARACTER]'s features. Camera jerks violently at impact, frame going completely chaotic for half a second — a flash of sky, someone's arm, blurred background — before the operator regrabs and frantically reframes, autofocus thrashing between the cream-covered face and background chaos. A beat of stunned near-silence cuts through the ambient roar at 8s, crowd collectively inhaling, then at 9s someone directly beside the camera screams I can't believe that actually worked, RUN, RUN and the crowd absolutely erupts — screaming, laughing, phones lurching upward everywhere into the frame edges, flash units popping white across the environment. [CHARACTER] stands frozen for two full seconds, cream dripping in thick ropes from eyes, features, and attire, debris settling across the scene. At 10s two guards in dark suits slam into the prankster from either side, driving them down onto the steps hard out of frame bottom-left, crowd scattering and surging simultaneously, the camera operator stumbling, frame tilting 40 degrees before correcting. Side figure backs against a column, covering face. At 11s [CHARACTER] raises both hands slowly, cream falling from fingers, and carefully drags both palms across eyes and cheeks, clearing enough to open eyes — expression cycling visibly through raw shock, then a slow disbelieving head-shake, then the corner of the mouth pulling upward — at 12s [CHARACTER] speaks directly toward the nearest cluster of microphones now rammed into [CHARACTER]'s cream-smeared face from below frame: okay. I'm not even mad. That was a good throw — voice flat, slightly hoarse, cream still dripping off chin as [CHARACTER] speaks, the line delivered with the exhausted calm of a being completely beyond caring. Camera autofocus drifts soft again at 13s as another body crosses foreground, then snaps back to catch cream sliding down the attire in slow heavy sheets, the ruined outfit absolutely devastated, guards in background still wrestling the prankster. At 14s the operator pans too fast chasing a detail, frame whip-blurring, catching only a smear of cream before settling back on [CHARACTER]'s face — now wearing an expression somewhere between incredulous laughter and the dawning awareness of cameras — multiple phone screens visible in background crowd all held aloft recording, flash reflections scattering across wet cream surface on [CHARACTER]'s attire. Final frames at 15s are still shaky and partially blocked by a press photographer stepping directly in front of the lens, cutting the frame dark for a half second before the clip ends raw.

@maxescu

a penguin visits london a comedy British accent funny video . multi shot cinema

@sebatheepan

TITLE: “Dinner, Interrupted by Vengeance” Seedance 2 | 15s cinematic AI video prompt | 1960s Shaw Brothers parody | soap-opera absurd comedy | cheap props | fake Mount Fuji backdrop | exaggerated acting | rapid-fire pacing | continuous motion | no pauses | dramatic zoom-ins | slapstick chaos A low-budget farmhouse courtyard. Painted Mount Fuji backdrop visibly wrinkled. Fake wooden walls slightly shaking. Lighting harsh and uneven. A black bear wearing a red dudou, sweating heavily, annoyed expression, stands at an ancient stove… but beneath it is a clearly modern gas tank. He aggressively stir-fries food—pink salmon slices flipping unrealistically high. 0–3s Close-up: wok flames burst too big. Loud sizzling. Black Bear (grumbling) if one more ingredient judges me, i’m eating the witness Wooden door suddenly SLAMS open with exaggerated echo. Whip pan. 3–6s An orange cat STRUTS in. Bulky body squeezed into an overly tight purple ancient female outfit. Heavy blue eyeshadow, bright red lips. Clearly masculine voice. Wind machine hits dramatically for no reason. Extreme close-up—slow blink. Orange Cat (low, dramatic) have you ever… caught a salmon… near mount fuji Cut to black bear—freezes. Sweat intensifies instantly. Black Bear (nervous) wait… don’t tell me… you’re the fish Beat. 6–9s Orange cat’s face SNAPS into rage. Zoom crash. Orange Cat (furious) I’M THE NET Thunder SFX. Completely mismatched. White smoke EXPLODES—cheap stage smoke everywhere. 9–12s Transformation reveal: A giant brown rope fishing net appears—clearly handmade, uneven knots, slightly tangled. The net FLOATS awkwardly forward (visible wire), then LAUNCHES at the black bear. WHOOSH—overdramatic. It wraps and SLAMS the black bear to the ground. Spatula flies in slow motion. Black Bear (muffled) this is why i don’t trust metaphors 12–15s Sudden beat. Black bear’s expression changes—calm… then smug. Extreme close-up—he pulls out a tiny lighter. Black Bear (grinning, unhinged) good thing i plan for stupid CLICK—flame ignites. WHOOSH—net instantly catches fire. The net WRITHES and SCREAMS. Fishing Net (panicking) THIS IS ILLEGAL I HAVE RIGHTS It burns absurdly fast—turns to ash mid-scream. Cut—black bear stands up, dusting himself off. Ash falls like snow. Black Bear (relieved) finally… something well done Freeze frame—his smug face, background Fuji slightly peeling. Hard gong + crackling fire sound. CUT TO BLACK.

@drjoetw

luffy coding on a macbook on the Thousand Sunny, RAGING, then throwing it overboard.

@sui dev ☄️

Video starts with IMG_1. [00:00-00:01] Upset woman instantly yells "Chicken method!" Instantly cut to IMG_2. Cat instantly yells "Giant chicken method!" in an argumentative tone. [00:01-00:04] Camera instantly whip pans around to reveal a giant chicken in a sombrero with maracas, dancing to mariachi music and saying "One two three four five six seven eight night ten!"

@cfryant

FORMAT: 15s / MULTI-CUT / 6 BEATS / HIGH-VIRAL COMEDIC PAYOFF SUBJECTS: A small round-faced figure with huge eyes, copper-red pigtails, a yellow polka-dot dress, and exaggerated cartoon proportions. A tall ice cream vendor with a curled mustache, crimson vest, tilted cap, and a long brass paddle carrying elastic white ice cream. Stylized 3D animation with rounded shapes and squash-and-stretch. ENVIRONMENT: A sunlit stone courtyard in an old hillside town with flower-draped archways, a mosaic fountain, ceramic bowls, and a brass ice cream cart with copper bells. Late afternoon light creates warm highlights on cobblestone. MOOD: Fast slapstick mischief with instant hooks, fake wins, and a crowd-pleasing payoff. COLOR LOGIC: Hyperreal Pop Look TIMELINE: 0:00-0:02: The Scroll Stop. Extreme close-up, 50mm. Huge eyes reflect a spinning white scoop, then pull fast to a wide shot, 35mm, revealing the figure frozen mid-skid as the vendor presents the brass paddle like a stage trick. SFX: sharp gasp, bell flutter, fountain splash. 0:02-0:04: Match cut into The First Miss. Close-up, 50mm. Hands clap shut on empty air as the cone snaps upward. The face stays frozen while the pupils tilt up. SFX: quick whoosh, soft clap, tiny squeak, crowd chuckle. 0:04-0:07: Cut on action into The Side Switch. Medium wide shot, 35mm. The vendor slides the paddle behind his back and pops the cone out on the other side. The figure lunges left, scrambles right, and pinwheels in place. A tea glass rattles on a nearby table. SFX: paddle swishes, shoe skids, glass clink, growing laughter. 0:07-0:09: Reaction cut into The Fake Victory. Medium close-up, 50mm. The cone lands in the waiting hand and the face bursts into victory, then the vendor peels the stretchy scoop away in one smooth move, leaving the cone bare for a beat. SFX: victory chime cut short, peel wobble, laughter pop, offended inhale. 0:09-0:11: Insert cut into The Public Humiliation. Insert shot of a ceramic cat staring from a shelf. Smash cut to a medium shot, 35mm, as the figure sags into noodle posture, then puffs both cheeks and folds both arms while onlookers bounce with silent laughter. SFX: tiny huff, crowd laughter swell, cart bell tinkle. 0:11-0:15: Whip pan transition into The Real Win. Medium close-up, 50mm. The vendor kneels and places the cone gently into the waiting hand with no trick this time. One still beat. The figure looks down, eyes sparkle, then the camera pulls back to a wide shot, 35mm, as the figure leans in for the first taste and the courtyard breaks into applause. SFX: soft handoff, held-breath pause, bright chime bloom, applause burst, warm music lift.

Setting: Venice Beach boardwalk, bright sunny day, clear blue sky, palm trees, sandy beach, ocean background, colorful shops, concrete and wooden planks, casual crowd. Characters: Man with dreadlocks, black jacket with gold accents. Brown dachshund walking on all four legs. Camera: Low-angle tracking shot, dynamic movement, close-ups on tricks, wide shots for surreal scale. Style: Realistic AI rendering, cinematic, high-quality, physically impossible made believable. Action: Man steps onto dachshund's back, balances — dog casually walks forward carrying him. [cheerful beach ambiance + crowd murmurs] Man glides forward, legs steady, arms out for balance, smooth trot beneath him. [light breeze + distant ocean waves] Dachshund walks along concrete ledge, man still balanced on top. [sharp ambient sound + crowd gasps] Dachshund trots up and over a small ramp, legs pumping naturally, carrying man over the peak. [whooshing motion + excited crowd cheers] Dachshund walks onto wooden planks, turns toward camera, man balanced on top — confident stance. [upbeat beach music] Man steps off, points at camera, walks forward. Dachshund sits, looks at camera proudly. [playful energy + crowd applause] Theme: Surreal comedy, impossible physics, AI-generated absurdity, beach boardwalk antics.

@doctorwasif

老式日本动画风格。 场景一：在迷宫中，一对人类拾荒者——男孩和女孩——遭遇了强大的牛头怪。牛头怪鼻孔喷出热气，怒视着人类，警告他们滚开，否则就等着承受它的怒火。 场景二：女孩吓坏了，男孩却挡在她身前保护她。他掏出一把鸡毛掸子，自信地笑着走向牛头怪。牛头怪带着嘲讽和傲慢的笑容看着男孩，告诉他死定了。 场景三：镜头切换到女孩，她用双手捂住脸，不愿目睹牛头怪打败男孩的场景。这时，我们听到牛头怪倒地的闷响，接着是牛头怪在背景中发出的咯咯笑声。 场景4：女孩缓缓揭开面纱，看到眼前的景象，脸上露出惊讶的神情：牛头怪躺在地上，一只胳膊微微抬起，另一只胳膊舒服地放在肚子上。人类跪在他旁边，用鸡毛掸子轻轻地挠着牛头怪抬起的胳膊的腋窝。牛头怪闭着眼睛，咧嘴大笑，咯咯地笑着，他非常怕痒。 场景5：特写镜头，人类的手用鸡毛掸子轻轻地在牛头怪的腋窝上上下拂动，动作不停​​地重复，我们听到牛头怪的咯咯笑声。 场景6：特写镜头，牛头怪闭着眼睛，咧嘴大笑，咯咯地笑着。人类的手继续用鸡毛掸子轻轻地在他抬起的胳膊的腋窝上来回拂动。人类问牛​​头怪是不是要放弃了。 场景7：人类继续用鸡毛掸子挠牛头怪的腋窝，牛头怪咯咯地笑个不停，手臂高举过头，腋窝暴露在挠痒的羽毛下，蹄子也因为痒而无意识地踢动着。他笑着承认自己失败了，然后又继续咯咯地笑。 场景8：女孩带着顽皮的笑容看着这一切，我们继续听到牛头怪的笑声。 牛头怪肌肉发达，脖子上戴着锁链环。牛头怪的脚是蹄子，手是爪子。牛头怪的声音低沉沙哑。对话为英文。

@migrok293703

经典的复古迪士尼动画风格。场景一：镜头切换到埃及宫殿内部，我们看到威严的胡狼神阿努比斯端坐在王座上，他面前排着一队人商贩和艺人，每个人都在等待着取悦阿努比斯，以博得他的欢心。阿努比斯身旁是一位身着丝绸服饰的人类顾问，正在记录着每个人的情况。此时，一位正在耍球的人类表演结束了，阿努比斯漫不经心地挥手示意他离开，然后一只胳膊肘撑在扶手上，手托着腮，目送他离开。 场景二：下一个人类，一位身着奇装异服、手持羽毛的年轻人出现在百无聊赖的阿努比斯面前。阿努比斯只是匆匆瞥了他一眼，便已彻底失去了兴趣。然而，那人却走近了，伸手去够阿努比斯的腋窝（阿努比斯放松地坐着，腋下敞开着），这让阿努比斯感到困惑，但他并没有做出任何防御，只是好奇那人接下来会做什么。 场景3：特写镜头，那人的手轻轻地用羽毛在阿努比斯的腋窝上来回拂动，不断重复这个动作。背景中传来阿努比斯压抑的笑声，表明他非常怕痒。 场景4：特写镜头，阿努比斯的上半身。他咧嘴一笑，闭着眼睛发出压抑的笑声，而那人继续用羽毛轻轻地在他腋窝上来回拂动。 场景5：人类继续用羽毛轻轻地挠阿努比斯的腋窝，阿努比斯咯咯地笑个不停。他试图反抗，却反而抬起胳膊，让腋窝暴露得更开，继续咯咯地笑着，哀求人类别再挠他，但还是笑个不停。 场景6：人类终于停止了挠痒，阿努比斯咯咯地笑了几声，然后瘫倒在椅子上，脸上又恢复了漫不经心的表情，挥手示意人类走开，说这至少有点不一样。 场景7：人类走开了，阿努比斯只是漫不经心地看着，然后把手放在身前，示意他的顾问禁止在他的领地里挠痒。 阿努比斯肌肉发达，手臂上戴着金色的臂环。阿努比斯的声音低沉。阿努比斯的腋窝被挠痒。配音为英语。

@migrok293703

"Two alien playing chess, the first align cheat, the second alien slaps him and tells him to stop cheating"

@YusefYassi10435

core_style: - 80s-90s Shaw Brothers movie style - early Hong Kong wuxia drama aesthetics - nostalgic Chinese wuxia film - vintage TV quality - warm and high-saturation color palette - retro film grain texture - slight Technicolor chromatic aberration - classic studio backdrop feel - soft stage lighting visual_quality: - 35mm film photography - physical film defects - vintage film texture - subtle chromatic aberration (dispersion) - soft focus effect - slight light flickering - strong bloom on highlight surfaces character_modeling: female_character: - classic 80s period drama makeup - dark eyeliner - peach-pink lip balm - exquisite braids with pink silk ribbons and flower accessories - traditional light blue and white Hanfu with floral embroidery and silk texture male_character: - classic wuxia young scholar appearance - long hair tied with a white silk ribbon reaching the waist - signature sideburns - clean-shaven face - pure white scholar/swordsman long robe (Zhiduo) script_and_storyboard: logic: sitcom editing logic with early physical transition effects scenes: - shot_1: "Close-up: A young woman looks affectionately at a black and white cow cat on a wooden table. Dialogue: 'If only you could turn into a handsome guy.'" - shot_2: "Medium shot: The cow cat is licking its paws, followed by a burst of retro white physical smoke effects in the center of the screen." - shot_3: "Transformation: The smoke dissipates, and a handsome man in a white robe appears where the cat was." - shot_4: "Over-the-shoulder shot: The woman looks pleasantly surprised and reaches out to touch the man's shoulder or chest. Dialogue: 'Wow, you really became a handsome guy!'" - shot_5: "Medium shot: The man has a serious expression, gesturing with an orchid finger while speaking enchantingly. Dialogue: 'Have you forgotten you already had me neutered? I've changed now, I'm your sister!'" - shot_6: "Close-up: The woman freezes with a shocked expression. Dialogue: 'Ah!?'" audio_and_post_production: - "Poof" transformation sound effect - nostalgic Hong Kong background music - AI voiceover with "Old Film" or "TVB dubbing style" accent

Cinematic 9:16 viral comedy video, 15 seconds, smooth continuous transition, no cuts, no text, no captions, no music, only realistic room sound and stadium sound. A lazy slightly overweight man in glasses sits sunk deep into a messy couch at home, wearing an old T-shirt and shorts. Hotdogs, chips, soda cans, and crumbs are scattered around him. He is watching the Soccer World Cup on a huge big-screen TV. The room is dim, lit mostly by the bright green stadium glow from the screen. 0–2s: Close handheld shot of the man chewing a hotdog, annoyed, pointing at the TV with mustard on his fingers. He yells at the players: Come on! My grandma runs faster than you! 2–4s: On the TV, a player misses an easy goal. The man jumps up slightly from the couch, furious, still holding the hotdog, shouting: Bro, even I could score that! 4–6s: The camera slowly pushes toward the TV. Inside the broadcast, one angry soccer player suddenly stops, turns his head toward the camera, staring directly through the screen at the lazy man. Stadium sound drops low and weird. The player says: Yeah? Then get in here, couch legend. 6–8s: The player reaches out of the TV screen, his arm breaks through the glowing pixels like liquid glass, grabs the man by the shirt. The man panics, drops the hotdog, glasses crooked, yelling: Wait, wait, I was joking! 8–10s: Smooth seamless transition as the camera follows him being pulled into the TV. The living room stretches and warps into stadium lights, pixels turn into grass, couch sound becomes roaring crowd. No hard cut. 10–12s: The man lands clumsily on the soccer field in front of a packed stadium. He is still in his home clothes, glasses crooked, breathing heavily. The ball rolls toward him. Defenders laugh and slow down, thinking he is useless. 12–15s: Suddenly he panics, accidentally sprints forward, dodges one player, trips but keeps control, kicks the ball perfectly into the top corner. The stadium explodes. Players freeze in shock. The lazy man looks stunned, points back toward the TV world and says: I told you I had vision.

@VORTEX_Promos

FORMAT: 15s / 155 BPM / MULTI-CUT / Seedance 2 / 3D action-comedy / dark humor STYLE: Fast-cut escalation, exaggerated cartoon physics, slapstick violence, stylish urban absurdity SUBJECTS: Orange cat (early 1900s Chinese blue-gray robe, black cap, long braided queue, cocky but fragile ego). White cat (pink dress, oversized black pearl earrings, heavy blue eyeshadow, red lips, arrogant, dominant). Background animals (silent, passive observers only). PROPS: Skateboard, flickering neon sign, old elevator panel with buttons ENVIRONMENT: Run-down motel near Golden Gate Bridge, broken neon “CAT HOTEL” → cramped lobby → old elevator → floors 2–9 loop → 10th floor exit MOOD: Petty conflict → chaotic escalation → absurd brutality → humiliating punchline COLOR LOGIC: Foggy cold exterior → dirty yellow lobby → dim elevator → harsh floor lighting → clean bright 10th floor CAMERA: Rapid cuts, whip pans, extreme close-ups (hands/buttons), jump cuts per floor SCENE: 1. Wide shot. Foggy night, Golden Gate Bridge in distance. Old motel, flickering neon “CAT HOTEL.” 2. Orange cat skateboards in, lands cockily, catches board. 3. Lobby. Elevator doors closing. White cat inside, phone in hand, annoyed, ignoring him. 4. Orange cat forces doors open, squeezes in. Doors slam shut. 5. Calm beat. Orange cat looks at panel. 6. EXTREME CLOSE-UP: BUTTON PANEL (KEY MOMENT) Orange cat’s hands blur violently. He rapidly presses 1 → 2 → 3 → 4 → 5 → 6 → 7 → 8 → 9. All buttons instantly light up in chaotic sequence. Beep spam becomes rhythmic overload. Panel shakes slightly from force. Only 10F was originally selected, now the entire panel is fully lit and unstable. 7. White cat slowly turns, shocked → anger rising. 8. DING. Floor 2. Doors open → instant slap exchange. Doors shut. 9. Floor 3 → punches mid-motion. Doors close. 10. Floor 4 → faster, heavier impacts, slapstick recoil. 11. Floors 5–7 → rapid montage of escalating fight, bodies bouncing off walls. 12. Floor 8 → white cat gains control, clean counterattack. 13. Floor 9 → final slam, orange cat defeated, pinned. 14. Floor 10. Silence. DING. Doors open into bright clean light. 15. White cat fixes hair, steps out elegantly, calm reset. 16. Inside elevator. Orange cat curled in corner, holding skateboard, crying. Final beat: “I just wanted floor seven…” SFX: Neon buzz, skateboard snap, elevator hum strain, rapid button beeps (layered), floor dings, slap/punch impacts escalating, metal wall hits, final clean ding, soft comedic sobbing echo.

@drjoetw

0-2秒：地点:摊位帐篷内的低角度中景镜头，角色:人类商人跪坐在坐在木椅(一把简单的深棕色木质椅子，有扶手和靠背，表面略显陈旧)上的角色:阿努比斯面前。角色:阿努比斯好奇地低头看着。镜头切换至角色:人类商人手持道具:羽毛，朝角色:阿努比斯的右脚底伸去的特写。2-4秒：地点:摊位帐篷内的脚部大特写镜头，道具:羽毛的羽尖轻轻地、反复地拂过角色:阿努比斯右脚底的肉垫。背景中响起角色:阿努比斯压抑的、从鼻腔里发出的'哼哼'笑声。4-6秒：地点:摊位帐篷内的角色:阿努比斯上半身特写镜头，他咧嘴大笑，眼睛紧闭，一只手紧紧抓住木椅的扶手，身体因强烈的笑意而向后仰，笑声从闷哼转为响亮的'哈哈哈'。6-9秒：地点:摊位帐篷内的脚部与人物结合的中景镜头，角色:人类商人继续用道具:羽毛挠着脚底，角色:阿努比斯的右脚微微抽动，但他并没有缩回去。他笑得前仰后合，断断续续地说：'哪……哪里都行！就是别……别挠脚！哈哈哈！'

@migrok293703

Wide shot two friends sit on sofa and talk in very excited, dumb voices Friend 1 (eyes wide, super excited, loud): Bro… we’re DONE being broke!! Close-up on Friend 2 (confused but hyped): What’s the plan??? Close-up on Friend 1 (dead serious, leaning in): Vibecoding! Close-up on Friend 2 (blank stare): …we don’t even know what that is. Close-up on Friend 1 (already smashing keys like a maniac): Doesn’t matter, dude! Everyone on X is getting rich from it. “Just vibe and ship” – we’re next, bro! Cursor plus vibes = Lambo season! Friend 2 (suddenly convinced, jumping up): LET’S GOOOOO!!! Wide shot: They both slam laptops shut, sprint out the door yelling “VIBES ONLY!!” Cut to: Them jumping into a beat-up car. Friend 1 floors it while screaming out the window: “Accept All to the moon, baby!!” (Car peels out. Screen fades as they honk like idiots.)

TITLE: “Airport Delay Meltdown (Physics Glitch Cut)” Seedance 2 | 15s cinematic AI video prompt | surreal airport chaos + American dark comedy | escalating absurdity | glitch physics | fast cuts Create a tightly edited 15-second sequence (each shot ~0.6–0.9s). Tone: inconvenience → frustration → absurd escalation → heroic burst → awkward punchline. Subtle physics glitches: looping snow, slight motion desync, exaggerated impacts, micro time skips. SHOT 1 (0.8s) Wide exterior: Airport with glowing “CAT UNIVERSE” logo. Heavy snow falls unnaturally fast. Distant Mount Fuji under deep night sky. Snow briefly falls upward in patches. Announcer: “Welcome to travel.” SHOT 2 (0.7s) Interior terminal: Packed crowd of animal tourists in winter outfits. Angry chatter overlaps. Some argue loudly, others shout at white rabbit ground staff in dark red uniforms. Voices overlapping: “This is insane!” “We’ve been here for hours!” SHOT 3 (0.7s) Close chaos: A fox yelling, a penguin arguing, a deer scrolling phone angrily. Rabbit staff bow repeatedly, overwhelmed. Rabbit: “We apologize—please calm down—” SHOT 4 (0.7s) Cut to fast-food restaurant. Yellow “M” sign glowing (no brand text). Camera pushes toward an orange cat sitting alone, back facing camera, wearing a gray suit. He grips a paper cup with a straw. SHOT 5 (0.6s) Extreme close-up: The cup crumples in his hand, slightly glitching between shapes. SFX: sharp crackle. SHOT 6 (0.8s) The cat suddenly turns his head toward camera. Expression: exhausted, resigned. Cat: “Sigh… I’m gonna miss the bear’s wedding.” SHOT 7 (0.8s) Thought bubble pops beside his head (slightly flickering). Inside: the same cat in gray suit posing at a church wedding with a black bear bride in a wedding dress, exaggerated green eyeshadow, bright red lipstick, holding a bouquet. Both smiling awkwardly. SHOT 8 (0.7s) Hard cut to check-in counter. A white tiger in a Hawaiian shirt and black shorts slams hands on desk. Tiger: “What time does anything take off?!” SHOT 9 (0.7s) Rabbit staff, stressed, bowing repeatedly. Rabbit: “For safety… we are…” SHOT 10 (0.7s) Beat. Silence glitch. Tiger blinks. Tiger: “Working… what?” SHOT 11 (0.8s) Tiger suddenly explodes in rage—slams the counter. Nearby animals flinch hard. SFX: exaggerated impact echo. SHOT 12 (0.8s) Tiger grabs the rabbit by the collar, raises fist. Crowd gasps. Motion slightly slows and desyncs. SHOT 13 (0.9s) Cut back to cat. He clenches both fists. His gray suit tears apart at the chest—fabric glitches and rips. Muscles expand unnaturally. Nearby diners freeze mid-bite. SHOT 14 (0.8s) Cat dashes forward in a single blurred step—almost teleporting. SHOT 15 (0.9s) Judo throw in one clean motion. Tiger flips mid-air (slightly stretched), then slams to the ground. Perfect pin. Crowd erupts in applause. SHOT 16 (0.8s) Rabbit staff adjusts uniform, relieved, smiling. Rabbit: “Thank you…” SHOT 17 (0.9s) Cat stands, slightly overpowered stance, looks directly at camera. Background chatter fades into silence. SHOT 18 (1.0s) Cat: “So… can we take off now?” Everyone freezes. Blank stares. A snowflake drifts upward inside the terminal. END — hard cut to black Distant looping announcement: “Delayed… delayed… delayed…”

@drjoetw

STORY FORMAT: 15s / 152 BPM / ONE CONTINUOUS SHOT / 3D adventure-comedy / stylized ancient-tomb fantasy TONE: tense survival → frantic ingenuity → claustrophobic horror → absurd cosmic twist SUBJECTS: Orange cat explorer in rugged fedora-style hat, brown leather outfit, holding a torch, axe strapped at waist; Ancient sarcophagi; Swarm of black scarab beetles; Green-skinned alien in black suit with large dark eyes PROPS: Torch, stone lever switch, sarcophagus lids, improvised wooden ladder, crawling tunnel, glowing exit, pyramid peak, green banknote ENVIRONMENT: Dark pyramid chamber filled with sarcophagi → narrow ceiling tunnel → pyramid summit → surreal zoom-out into currency world COLOR: Deep shadow gold and ember torchlight → dusty brown claustrophobic tones → bright desert sunlight → flat green currency palette CAMERA: Single continuous 24mm tracking shot, tight interior movement, rapid whip pans, vertical climb transitions, seamless macro-to-wide transformation, no cuts 1 (0–2s) TRAPPED CHAMBER Camera circles tightly around the orange cat explorer in a dim pyramid room filled with sarcophagi. He slams a stone switch repeatedly. Instead of opening, the stone door grinds downward, sealing completely. DIALOGUE (Cat): “Oh come on—wrong button?!” 2 (2–3.5s) QUICK SCAN He spins, torchlight flickering across walls. Camera tilts up with his gaze—revealing a small hole in the ceiling. His eyes widen. DIALOGUE (Cat): “Okay… plan B.” 3 (3.5–6s) BUILD IN SECONDS He rushes to the sarcophagi—rips off multiple lids, wood cracking. With rapid axe strikes, he chops and reshapes pieces mid-motion. Camera orbits as he snaps them together into a rough ladder with absurd speed. 4 (6–7.5s) CLIMB AND LAUNCH He climbs fast, ladder wobbling. At the top, he forcefully kicks off—launching himself upward into the small ceiling hole, barely squeezing through. 5 (7.5–9s) CLAUSTROPHOBIC CRAWL Camera follows tightly behind as he crawls through a narrow, dark tunnel. Torchlight dims. Ahead, a faint glowing exit flickers. DIALOGUE (Cat, strained): “Yeah… definitely haunted.” 6 (9–11s) HORROR CHASE Behind him, a swarm of black scarab beetles floods into the tunnel—rapid clicking echoes. He panics and speeds up, scrambling forward. DIALOGUE (Cat): “NOPE nope nope nope—!” 7 (11–12s) ESCAPE BURST He bursts out of the tunnel into blinding sunlight—rolling forward onto the peak of a massive pyramid. Desert wind howls. 8 (12–13s) REVEAL HEIGHT He stands, catching breath—then looks down. Camera begins pulling rapidly upward, revealing impossible scale. His expression shifts to shock. 9 (13–14s) REALITY TWIST The pyramid morphs seamlessly into a printed symbol—the entire scene flattening into a green banknote design. The cat’s shocked face becomes a stylized portrait above the pyramid with “100 USD” markings. 10 (14–15s) FINAL PUNCHLINE Camera pulls back further—a green-skinned alien in a black suit holds the bill between fingers. Camera pushes in to his face as he gives a slow, sinister grin directly to lens. SFX: low rumbling stone grind, torch crackle, rapid wood chopping impacts, climbing creaks, muffled tunnel breathing, rising insect chitter swarm, sudden wind burst at exit, surreal paper-flattening sound, ending with a subtle eerie chuckle.

@drjoetw

“Use the attached GARY VS THE PRINTER character sheet as the exact visual reference for Gary throughout. Gary is a Pixar 3D man, early 40s, light brown messed hair, plain blue office shirt top button undone sleeves rolled up, reading glasses pushed up on forehead, dark trousers. Bright clean office throughout. NO dark frames. THE OFFICE: White walls, bright fluorescent lighting, single desk with keyboard, monitor showing a document, coffee mug. Standard grey and white office laser printer on a low cabinet beside the desk. Plain grey carpet. No other people. THE PRINTER: Grey and white rectangular office laser printer. Display screen on front always facing camera — shows PAPER JAM throughout, changes to READY TO PRINT at 0:12. Has four openable doors — front access door hinges downward, left side door swings left, right panel slides right, back panel opens outward, plus front paper input tray. Green cylindrical drum visible inside when open. Printer never moves. No paper visible inside at any point — the jam does not exist visibly. That is the joke. THE TORN PAPER: At 0:09 Gary pulls one single tiny torn corner of white paper — 2 centimetres by 2 centimetres, torn on all edges — from deep inside the printer. The only paper in the entire video. No full sheets anywhere. One location only. No cuts to other rooms. 0:00–0:02 — Medium front shot. Gary at desk, relaxed. Presses print once — single confident tap. Picks up coffee mug. Waits. Nothing appears in output tray. Printer makes a grinding whirr that stutters and stops with a clunk. Soft beep from display screen. SOUND: Quiet office ambience. Keyboard click. Grinding whirr stuttering to clunk. Soft beep. 0:02–0:03 — Close-up on display screen showing PAPER JAM. Gary’s hand enters frame and taps the side of the printer twice. Screen stays on PAPER JAM. SOUND: Two hollow plastic knocks. Silence. Soft beep. 0:03–0:07 — Medium shot. Gary standing beside printer, glasses now on nose. Opens every door and flap one by one — front door down, left door open, right panel out, input tray out, back panel open. Peers inside each one. Feels around. No paper anywhere. Stands up fully behind the completely open printer, stares at the camera over the top of it. Display screen still showing PAPER JAM. Expression completely flat. SOUND: Each door opening — soft creak or slide. Gary’s quiet exhale. One low string note. Silence. 0:07–0:09 — Close-up on Gary’s hands inside the printer. Both hands feeling through internal components — green drum visible, rollers visible, no paper. Right hand reaches deep into the back. Fingers close around something tiny. Pulls it out slowly. SOUND: Soft mechanical rattling. Tiny papery rustle. 0:09–0:11 — Same close-up. Gary’s right hand emerges holding one tiny torn corner of white paper pinched between thumb and index finger. Holds it up. Stares at it. Left eye twitches once. SOUND: Tiny quiet rip. Complete silence. One low cello note. 0:11–0:12 — Medium shot. Gary holding tiny paper at eye level, every door still open, completely hollow expression. Slowly closes every door one by one. Each clicks shut. SOUND: Slow exhale. Sequential soft clicks. Silence. 0:12–0:13 — Close-up on display screen. PAPER JAM disappears. READY TO PRINT appears. Soft cheerful double beep. SOUND: Soft double beep. Silence. 0:13–0:15 — Wide shot. Gary staring at READY TO PRINT, tiny paper still pinched in his fingers. Places the tiny torn corner carefully into the input tray. Closes tray. Presses print once. Sits down. Picks up coffee mug. Takes a sip. Stares at monitor. Printer makes the identical grinding whirr stuttering to a clunk. Soft beep. Gary does not look at the printer. He already knows. Fade out. SOUND: Keyboard click. Grinding whirr to clunk. Soft beep. Gary’s long slow exhale. Fade out on office ambience. Camera: medium front shot, close-up on display screen, medium shot beside open printer, close-up on hands inside printer, wide shot for payoff.“

@TechieBySA